Murder, Inc. (1960)

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Peter Falk is Abe Reles, a small time gangster turned notorious hitman in this fact-based crime story about the East-coast syndicate and its affiliate "Murder, Inc.", a loosely organised group of killers for hire in the early 1930's. Most of the characters are historic, and the story revolves around attempts to indict mob boss 'Lepke' Buchalter (David J. Stewart) despite disappearing witnesses and corrupt cops. Stuart Whitman plays a singer indebted to Reles who gets pressured into setting up one of the victims and May Britt his lounge act wife, both of whom end up 'knowing too much'. Falk is very good as the quick tempered, street-smart killer (similar to roles played by Joe Pesci decades later) and the rest of the cast is fine albeit in not particularly challenging roles. The films suffers a bit by resembling a late 1950's TV crime show ("Dragnet" (1951) comes to mind), partly because of the occasionally expository voice-overs, partly because of the music, which was scored by Frank DeVol, remembered for many 1960's and 1970's TV themes, and partly because of a number of anachronisms (commented on elsewhere). Despite these minor weaknesses, the film is a good, tough, crime melodrama about an interesting time in the history of organised crime.

Film editor Ralph Rosenblum is obviously a disciple of Sergei Eisenstein. Certainly, Eisenstein's method of montage is very appropriately applied here – as is Gayne Rescher's bleak black-and-white CinemaScope photography. This documentary was actually based on the autobiography by Burton Turkus (played by Henry Morgan in the movie). Alas, the direction by Burt Balaban and Stuart Rosenberg is often over-reverential towards its original material. In fact, the movie is so weighed down with talk that the pace often slows to the speed of a snail. Fortunately, some persuasive acting is contributed by David J. Stewart and his glum henchman, Joseph Bernard. I also enjoyed Morey Amsterdam's bit. The film also supposedly "introduces" Sarah Vaughan who actually made her movie debut back in 1951 in "Disc Jockey". She sings a couple of songs. One actor we could do without, however, is Stuart Whitman whose performance is not only unconvincing but painfully tedious. May Britt's acting also disappoints, but at least she is easy on the eyes! As for Frank DeVol's music score this also is well below his usual high standard.

Those who comment that Peter Falk elevated this movie to a very interesting one are right on the money. Falk, in his first role on screen, definitely plays the most interesting character. Of course, anyone who is a deranged killer is likely to be the focus of viewers' attention. However, the actor still has to be convincing and Falk does a fine job here as "Abe Reles."He's convincing!What made this film fun for me was not only Falk, but seeing a few other faces I haven't seen in years, such as May Britt, Henry Morgan and Stuart Whitman. Having watched a few "Night Stalker" TV episodes, I was still very familiar with Simon Oakland. The above actors were all very good in here, as was the rest of the cast, except maybe David Stewart as head crime boss "Lepke." He was too bland for his role.We even get a song from a young Sarah Vaughan and a comedy routine from Morey Amsterdam!Falk is the undisputed star of the film but second-place, to me, went to Morgan, who was quietly fascinating as the cop "Turkus."Another nice thing was the DVD which gives us the original widescreen transfer of the film. There aren't many black-and-white CinemaScope pictures available for us movie fans to see, so it was pleasure to view this.

While Murder, Inc. mainly revolves around the capture of gangster Lepke, the most compelling character is hit man Abe Reles, excellently played by Peter Falk in one of his earliest movie roles. He got an Oscar nomination as a result. Those who know him mostly as the calm Lt. Columbo will be very surprised by the intense rage Mr. Falk puts in his performance especially during his "take" speech he gives to a married couple who have no choice but to accept his offer of an apartment he gives them. Also noteworthy are Vincent Gardenia as his lawyer (loved his "I'd rather you were dead" aside before Reles-having overheard him-asked, "What did you mean by that?" "It was just a figure of speech,"comes the reply), May Britt as wife in aforementioned couple, Sarah Vaughan as a nightclub singer (in a musical interlude), and Morey Amsterdam as a comic who meets a tragic end in the beginning. Based on a true story but with, as always, some dramatization involved. One of the two directors was Stuart "Cool Hand Luke" Rosenberg. Well worth seeing for gangster movie fans.