Water Lilies (2007)

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Exactly the movie you think it is, but not the movie you want it to be.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

I've seen more than a dozen lesbian films. This is the worst one, probably. Or at least the most boring. I can see how it could interest someone who has puberty on their mind or wants perhaps to commiserate with some lameness that happened in their own life. But it's just a basically quiet film, not much is said, reminds me of how boring my teen years were... when I had nothing to say because I knew nothing. Don't waste your time on this if you are at all picky with your movies. I gave it a rating of 1 star, and I haven't given any other film that rating, not even When Night Is Falling, which in some ways is worse. The rating is based on how worth watching it is. If you are looking for fun entertainment, definitely avoid this.

Score of 7/10 is for the great sound and cinematography in this movie, and for the casting the three girl leads. I also loved the Parisian suburb settings, which seemed as fresh to this casual viewer as they are in all probability dull and claustrophobic to their actual residents. The floaty and unreal feeling of a summer vacation from school is also nicely evoked. These are all high points in a film which is thematically about the confused and confusing desires and adolescent resentments of young girls on the cusp of sexual ripeness.The unfamiliar milieu of synchronised swimming is used well for the first 30 minutes, as the film introduces intense Marie's head-over-heels infatuation at the sight of a swim-suited blonde Floriane, and then follows her attempts to get closer to the object of her desire by joining the girls team. Marie gets to watch them practice from underwater, holding her breath to see their legs thrashing wildly in unison, and this sequence, followed by her gasping and breathless shower scene immediately afterward are both memorable. Unfortunately, the story becomes something of a 'love' triangle, played out between brooding Marie, lissom and desirable Floriane, and jejune Anne, who is the most introspective but curiously the most interesting character. Good but never exceptional acting from all three young actresses makes the film much more engaging than it has any right to be, as do the scenes of adolescent ennui around the Parisian estate where the girls all live. But the sum of all this is ultimately disappointing and like a few of the previous contributors, I detected in proceedings the hand of the writer / director, reaching for profundity. In telling her story, Sciamma reduces the boys to casual ciphers, inexplicably under-uses all the other girls in the swimming team, and sadly, when Marie breaks her (prodigious) silences, we hear the cynical words of an adult, not those of a confused and inexperienced adolescent.But I would recommend a watch, I just can't promise that your life will be different for doing so.

It sounds as if it should be a biography of Claude Monet but it's actually a highly focused story of relationships between three adolescent girls on a French synchronized swimming team. There are no parents or teachers to speak of, no school, and boys are represented by one peripheral figure, the hunky Francois who enters the story determined from time to time and always leaves confused.Pauline Aquart is the youngest of the three, only aspiring to join the team she so much admires. She's kind of odd looking. She's not yet out of her adolescent growth spurt and has long, bony limbs, big feet, and no derriere to speak of. She's prognathous and sports these plump pursed lips. After a while her appearance grows on you and from certain angles she can come to appear enthralling.Adele Haenel is older -- more, well, more developed physically. What a glamorous figure she cuts in her swim suit, sauntering around, teasing the boys, swishing her long blond hair. But she's not what she seems. Or is she? I couldn't quite figure it out. The French are long on paradoxes and short on consistency. No wonder Francois is always sniffing after her.There's not so much ambiguity in Louse Blachere's character. She's on the team too but she's dumpy and plain, and sensitive about it, and has an intense crush on Francois. Blachere is a good actress and adds to the ungainliness of the character through her performance.The movie deals with the relationships between these three, meaning intrigues, deceptions, hidden feelings, and all the rest of what we associate with young girls who spend much time with one another. This is of course a tricky topic. It becomes trickier during the gradual development of a homoerotic relationship between Pauline and Adele. Not that you should expect this to be a soft porn movie. The only nudity we see is considerably less than a turn on, and what little sex there is under the covers, sometimes literally.I don't think I want to get into the plot or into its analysis too much, partly because it's suggestive rather than expressed through action, partly because it's complex, and partly because I'm not sure I got it all.Let me give an example. Okay. Adele is the girl the others envy. She's also quite distant and self satisfied. On top of that she is apparently schtupping every boy and man in sight if they can be of any use to her at all, from the handsome but dumb Francois to the bus driver she wants a favor from. She brags unashamedly about her expertise in fellatio. When Pauline approaches her about joining the swim team, Adele uses her as a lookout during assignations with the guys. A superior and self-indulgent narcissist, you know? But then the soi-disant slut takes the skinny Pauline under her wing and reveals to Pauline that she's still a virgin. Really? Yes, really. Pauline begins to draw closer to Adele and Adele finally confesses that she'd like to rid herself of her hymen and she would like Pauline to do it for her. Pauline, now drawn sexually to Adele, performs the task with subdued relish. NOW Adele would REALLY like to get it on with a man, preferably older and experienced. So she takes Pauline to a boite where she dances seductively with some guy until she follows Pauline to the powder room. The two girls stand there staring at one another, neither having overtly expressed a sexually tinged interest in the other. But Adele stands so close that Pauline slowly loosens her own reins, reaches up, and kisses Adele on the lips. Adele steps back, smiling, and says, "There now, that wasn't so bad, was it?", and then walks back into the club.That's a pretty close description of whatever is going on between Pauline and Adele -- but what the hell IS going on? Initially, Adele treats Pauline like an irrelevant child, later like a close friend, finally like a potential lover -- and the minute Pauline responds, Adele walks off satisfied. Is she USING Pauline the way she seems to be using men? Does it satisfy Adele to know that she now has another person in involuntary servitude? I don't know.I've slighted Louise Blachere as the third member of the trio, the plain and overripe wallflower whose expression always suggests dumbfoundedness but who at least is thoroughly heterosexual and the first of the three to rid herself of that noisome virginity, but I've only skipped her for considerations of space.Should you see it? By all means. (Just compare it to the typical American movie about high school kids.) For men, some of whom have never penetrated the female mystique, this may give you some idea of what it looks like in medium shot.

The significance of French title of this film, "La Naissance des Pieuvres" which literally means "The Birth of the Octopuses", is rather obscure, so it is perhaps not surprising that it has been marketed in English-speaking countries as "Water Lilies". The "lilies" of the English title are three teenage girls, Marie, Anne and Floriane, who are members of a synchronised swimming team based in the Paris suburbs, and the film is a "coming-of-age" drama about the development of their first sexual feelings.One feature of the film, perhaps unusual for a film of this type, is that it concentrates exclusively on relationships between the young people themselves. We see nothing of their parents or their teachers, and very little of the adult world at all. The three girls are very different in appearance, and are portrayed as being very different in character. The shy, retiring Marie is slim and petite and appears to be the youngest of the three. Anne is something of a plain Jane, Floriane a glamorous blonde who is very popular with the boys. The three, together with a handsome male swimmer named Francois, are involved in what might be described as a love-quadrilateral.Anne has fallen in love with Francois, but he is smitten with Floriane, who seems to return his affections, although he is by no means her only male admirer. Indeed, not all of Floriane's admirers are male, because Marie has a crush on her attractive friend. The film charts the way in which their friendship develops; at first it seems that Floriane is simply using Marie as a convenient excuse when she is in fact going out to meet boys; her parents presumably object to her dating boys, but have no objection to her going out with female friends. Later, however, we realise that, despite Floriane's image as the sexy, popular girl who is always the centre of male attention, she actually reciprocates Marie's feelings. The film reverses some conventional stereotypes about sexuality. Anne, with her short hair and rather chunky figure, looks typically "butch", yet she is the only one of the three main characters who is unambiguously heterosexual, whereas the more conventionally feminine Marie and the glamorous Floriane are lesbian, or at least bisexual.Coming-of-age films are common enough, although most of them tend to avoid the controversial topic of teenage lesbianism. "Water Lilies", however, deals with its subject-matter in a sensitive way, with three very good performances from its three leading actresses, Pauline Acquart, Adele Haenel and Louise Blachere. The relationships between the characters, especially that between Marie and Floriane, are complex, and capable of a number of interpretations. (Is Floriane, for example, simply using Marie for sex, or does she genuinely have romantic feelings for her? Could Floriane's sluttish behaviour with Francois and the other boys be just a device to hide her lesbian feelings from the outside world? Or even to hide them from herself?) This was the first film made by its young director Celine Sciamma (only 27 at the time); on this basis she must be regarded as a highly promising newcomer. 7/10