Conagher (1991)

Good story, Not enough for a whole film

Excellent, Without a doubt!!

Absolutely the worst movie.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Conagher is directed by Reynaldo Villalobos and adapted to teleplay by Jeffrey M. Meyer from the novel written by Louis L'Amour. It stars Sam Elliott, Katharine Ross, Barry Corbin, Ken Curtis, Buck Taylor, Dub Taylor and James Gammon. Music is by J.A.C. Redford and cinematography by James R. Bagdonas.After her husband fails to return from a trip to purchase cattle, Mrs. Evie Teale (Ross) fights hard to raise her two children whilst also keeping the family homestead afloat. Conn Conagher (Elliott) is a honest and hardworking cowboy who also has his own life struggles to contend with. Both Evie and Conn find their lives intertwined by their struggles against the perils of the West...You don't know what music is until you hear the wind in the cedars.Beautiful and subtle in every respect, Conagher is a treat for the grown up Western fan. The story is literate off the page from the beginning, it's the sort of character study that often gets taken for granted due to its simplicity. Yet the emotional depth is mightily strong here, the lead characters not bogged down by clichés or badly constructed scenes. Both Evie and Conn are deftly etched people, both easy to get on side with, their strengths are many, their loneliness perfectly understandable and never once schmaltzy. Helps that it's the real life husband and wife team of Ross and Elliott in the roles, the chemistry set in stone, when they look into each other's eyes you see it's real. A fine couple they do make.Even though Villalobos takes his time, rightly pacing it in steady and reflective beats, it's a film that doesn't lack for action. There's still gun play (Indian attack/rustler root outs) and a good round of knuckles (Elliott one of the best punch throwers in his acting era), the director, no doubt helped by the wily Elliott, proving more than adept at construction of the energetic scenes. Bagdonas and Villalobos provide some gorgeous photographic compositions that belie the TV movie budget, with the Colorado (Buckskin Joe Frontier Town & Railway/Canon City) vistas an extra character; and the misty interiors nicely capturing the tonal mood of the narrative. A fine gathering of support character actors come up trumps, while Redford's musical score is led by the guitar and lands softly in the ears.This is 100% recommended to Elliott and Western fans who appreciate characters superbly written and performed. It may end up as you expect, but that's OK, because if it didn't then you may well have wanted to throw your TV out the window. Just like I would have done had it not ended the way it does! Conagher, a subtle and beautiful treat. 8.5/10

This is one of the best "true Westerns" ever, a tribute to the faithfulness of the makers to the book, and the labor of love done by the makers (Sam Elliott and Catherine Ross themselves). Sam and Catherine stuck to the text for the script, despite PC pressures to change some scenes.The depth of love and respect for the original is also conveyed by the gracious touch of having Louis L'Amour's daughter portraying the starting-over former saloon girl stuck in the Indian battle at the stage station. The casting is near-perfect, even if most of them were the Elliott's good friends (and several were in Sam's other films).The realistic look at ranch hand life strikes chords of memory with Monty Walsh. The action scenes were more reality-based than the 50's through 70's Westerns, such as the primitive look of the final saloon fight scene. And the costumes look straight out of a Matthew Brady photo book of a Western settlement, with the characters showing the dirt and grit which true pioneers experienced.The developing love story between Con and Evie is beautifully captured by the camera, often without a word, as "the eyes tell the story". Ross plays the part perfectly of the dutiful, faithful frontier wife. And you "feel her pain" as she struggles with loneliness, and his as he struggles with an identity crisis and feelings of inadequacy to be the husband of a woman so noble. Sam deserved the Golden Globe for Best Actor he won, with a quietly powerful portrayal of the honest cowpoke.All in all, a delightful and classically beautiful story of the Old West. I grew up in one of the last Western towns to "go modern", a real cow town which experienced some of the last (and biggest) gun battles in US history. This movie made me proud to be from my home area.

With Sam Elliot and Katherine Ross's smoking chemistry, this delightful adaptation of the L'Amour classic is a winner all the way.The horses, horsemanship (most of it anyway) and tack and equipment are correct for the time period, a rarity in TV movies. The range of emotion is beautifully captured in the sweeping cinematography, rich with sunsets and broad expanses of prairie. The story, one of LAmour's finest, tells of a woman facing the harsh reality that sometimes husbands never do come home...and the kindness of strangers may be the saving grace. Several songs have sprung from the imagery of this film,one of the best being Juni Fisher's "He'd Be Home By Now" on her "Sideshow Romance" album, (Red Geetar Records, 2004) Enjoy this one with a bowl of popcorn and keep a hankie ready.

An exemplary Western in the tradition of "Shane". Conn Conagher is my kind of man... tough, courageous and most of all honorable... and Sam Elliott who is the epitome of "cool", plays him to the bone!This movie has the feel of how it really was in the West back then with authentic dialog, scenery, dress and props of the time. It has a well written script with action, drama and warmth. For true Western fans, I recommend it highly.