The Yellow Sign (2001)

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Blistering performances.

While it doesn't offer any answers, it both thrills and makes you think.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

The Yellow Sign was a short film that played like an episode of "Twilight Zone," or maybe "Tales From The Darkside." It is about a young woman who works at an art gallery and has dreams about an artist and his work. She seeks him out, hoping to get him to do a show at her gallery, but he behaves very strangely. He agrees to show his work at her gallery if she poses for a portrait, which she does over a period of time. With each visit, they talk more about her dreams, and how they are connected. Finally, the painting is finished and we find out that he is somehow exchanging her for the freedom of his own soul, or something. She escapes by tearing up a contract they had together, and he is pulled back into some dark dimension. It ends with her gaining success, but she appears to be evil now. It did a good job establishing an atmosphere, but I wasn't very interested in the characters or anything that happened to them. I didn't really understand everything that happened, or all the details of the backstory.

I saw a poorer-quality version of this at a World Horror Convention, so I was excited to see how the remastered DVD was. Vanek's direction was sound, evoking a foreboding atmosphere and growing uncertainty as to the dividing line between reality and the world of Carcosa and dreams. The dialog did not seem forced or unlikely (though perhaps I would have liked to have seen that the gallery needed a successful show, rather than having a throwaway line to that effect). But equal credit must go to the actors and to Jason Voss' evocative paintings. Dale Snowberger could easily have overplayed Aubrey Scott, but he was sinister without being hammy.

Aaron Vanek took up the poison chalice for this film project because "The Yellow Sign" is an adaptation of themes within the collection of loosely connected short stories that make up "The King in Yellow" by Robert W. Chambers. This book is rightly famous and, indeed, revered within the 'Weird tales' genre because it is genuinely disturbing and hints at horrors beyond what is written therein. It is profoundly Lovecraftian in feel and works at the level of dread, suspense and terror that can only be attained where the nature and origin of fear is hidden, covert, implied. The problem with attempting to translate a Lovecraftian tale into film is simple; you can have as many special effects as you like, but show the monster and you lose all the tension and dread built up by the imagination of the reader/viewer. It is not therefore surprising that the vast majority of the Lovecraft tales 'adapted' for films to date have failed miserably to do justice to the original stories. That being said, "the Yellow Sign" is a worthy exception to the general rule. This is a genuinely disturbing and downright creepy film, a very rare commodity indeed. Just like the book, there are elements missing and the lack of coherence leaves your imagination to fill in the gaps. I seriously considered giving this a full 10 out of 10 but for the fact that a 'director's cut' is shortly to be released! Recommended without reservation.

In his update of Robert Chambers's classic horror story, director Aaron Vanek has crafted a haunting film with some genuinely unsettling moments. The story follows young art gallery owner Tess Reardon (Shawna Waldron) as she tries to convince enigmatic painter Aubrey Scott (Dale Snowberger) to exhibit his exhibit his paintings at her gallery. When Scott agrees to the show only if Reardon poses for him, the audience is drawn into a weird tale of ancient forces and conflicts and scary stuff. Great atmospherics and stylish production design express Vanek's dark aesthetic, helping to make "Yellow Sign" a satisfyingly chilling experience.