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Comfort and Joy

Comfort and Joy (2003)

December. 01,2003
|
6.1
| Drama Comedy Romance TV Movie

High-powered single-woman Jane Berry is focused on the important things in life, such as advancing her career and spending a bundle on fashionable shoes. But then a car accident on Christmas Eve changes her forever: Jane wakes up after the crash to discover that she is a married stay-at-home mom with two kids and a passion for charity work. Is she dreaming? Crazy? Is this a strange twist of fate?

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Reviews

Evengyny
2003/12/01

Thanks for the memories!

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Voxitype
2003/12/02

Good films always raise compelling questions, whether the format is fiction or documentary fact.

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filippaberry84
2003/12/03

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Lucia Ayala
2003/12/04

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Hollywoodwhore99
2003/12/05

I have been a fan of Nancy McKeon since her "Facts of Life" days. She always made interesting films and this was no exception. Now I know people get sick & tired twists on "It's a Wonderful Life" but this in reality isn't that. What this is about a modern woman who is riding high in her career and she doesn't ever see herself married with children. Then On Christmas Eve day she gets in a car wreck and wakes up to find herself married to a man she has never met. She also has 2 children. The film is worth watching because the cast is great and they make the materiel pop. The dinner table scene at the end makes this worth watching. I cried because I have been in situations with a parent criticizing everything about my life and someone that I loved having my back! Seek this film out. It is a winner

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wes-connors
2003/12/06

After a mishap on the road, single advertising vice-president Nancy McKeon (as Jane Berry) finds herself married, with children. All mixed up, Ms. McKeon has apparently landed ten years in the future. You won't know what's going on until the end, but you may have seen this story before. They're calling it "situational amnesia." McKeon has traded her male model-type boyfriend for snuggly Steven Eckholdt (as Sam Keller), the director of a drug and alcohol center for the homeless. McKeon's work has become mothering two cute kids, cooking, cleaning and volunteering for churchy Connecticut groups. Funniest scenes involve bickering parents Paul Dooley and Dixie Carter (as George and Frederica Berry). Most tired scene involves McKeon's Jewish pal and four swishy Christmas chums watching "Sunset Boulevard" with Gloria Swanson. She's right, "It's the pictures that got small." **** Comfort and Joy (12/1/03) Maggie Greenwald ~ Nancy McKeon, Steven Eckholdt, Dixie Carter, Paul Dooley

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amcfan84
2003/12/07

I only watched this movie for Nancy Mckeon in the first place.I was highly confused by this film. What made Jane forget her family in the first place? She has an accident and then she's got this family. I don't understand why she forgot them to begin with. Must have missed that.Dixie Carter was a good add to the cast though. The ending of the movie also left me with a feeling of confusion.I don't think this is one of Nancy's best films. Not her fault though. Just a bad storyline in my opinion. Don't expect something awesome out of this movie. Feel free to explain to me!!

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xavrush89
2003/12/08

Let's see, we have a workaholic overachiever who we just know is going to learn a big lesson about how she should want a husband and children because that is just the be-all, end-all of a woman's existence. Okay, it's not that sexist. But the way this TV movie goes about presenting the concept of a fulfilling personal life over career have barely a whiff of originality. The husband and kids, whether real or imagined, are so wholesome you just want to shoot them. But the absolute worst was a scene in which McKeon's character shows up at a get-together with four gay men, who are the gay version of minstrels. This cartoon-like depiction was the point at which I knew that there would be nothing redeeming about this. It's just another shameless plot line implying that a woman must choose between career and family. (Let's just say the suspense won't be killng you as to which lifestyle comes out on top.)

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