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Murder by Natural Causes

Murder by Natural Causes (1979)

February. 17,1979
|
7.6
|
NR
| Thriller Crime Mystery TV Movie

An elaborate mystery involving a famous mentalist, his unfaithful wife who is trying to literally scare him to death, the best friend of the family, and the wife's ham-actor lover -- not only an intriguing who- (or whether) dunit, but also a literate, adult dramatic puzzle with an endless series of twists.

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Reviews

Matialth
1979/02/17

Good concept, poorly executed.

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AnhartLinkin
1979/02/18

This story has more twists and turns than a second-rate soap opera.

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Mandeep Tyson
1979/02/19

The acting in this movie is really good.

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Mathilde the Guild
1979/02/20

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Lechuguilla
1979/02/21

Writers Richard Levinson and William Link wrote some great scripts in the sixties and seventies, including some for Hitchcock. A psychological thriller that first aired in 1979, "Murder By Natural Causes", is arguably Levinson and Link's best work. With twist upon twist upon twist, and subtle dialogue clues scattered throughout the plot, it's a film that fans of suspense thrillers need to see, as an example of superior script writing.Forty-something and wealthy entertainer Arthur Sinclair (Hal Holbrook) wows audiences with his mental telepathy skills as he seemingly reads peoples minds. Allison (Katharine Ross) is his attractive thirty-something wife, a person with a roving eye and a desire for riches. What kind of story do you think this setup suggests? Can you guess how the film ends? Don't bet on it.The film could easily be transformed into a stage play since most scenes take place indoors on sets. Production design is adequate. Intermittent background music is at times spooky, and there are a couple of scenes wherein the music is reminiscent of the shower scene in Hitchcock's "Psycho", shrieking and shrill. Good editing keeps the plot flowing nicely for the most part, though the middle Act trends a bit talky in a couple of scenes. Color cinematography is adequate. Casting and acting cannot be improved upon.All film elements come together perfectly in that final sequence when a character walks in the front door of Aruthur's big house. The dialogue here is entrancing. Camera movement is faultless. And that final scene where the camera moves in close to a character's eyes is breathtakingly dramatic. It's one of the great final sequences in film history.It's too bad this film never received a theatrical release. It is far better and more entertaining than most major Hollywood thrillers of the last fifty years that I have seen. The film won an Edgar Allan Poe Award for best television film of 1980. One might even assert that "Murder By Natural Causes" is the best TV movie ever made. I probably would not argue with that assessment.

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gridoon
1979/02/22

To appreciate "Murder by Natural Causes", first you have to accept its TV-movie limitations: few sets, few characters, pauses for commercial breaks, direction with no cinematic interest. The emphasis here is on the writing and the acting. The script has many clever (but not phenomenal) twists. The main plot device reminded me somewhat of Ira Levin's "Deathtrap" (which was filmed three years later). The acting is top-of-the-line: the term "bad Hal Holbrook performance" hasn't been invented yet, as for Katharine Ross, judging from the three films I've seen her in ("The Stepford Wives", "The Swarm", and this one), she must be one of the most underrated (in beauty as well as talent) actresses of the seventies. (**1/2)

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896ad
1979/02/23

I am in absolute agreement with the other reviewer - you simply cannot top this plot. If there ever was a title for the cleverest script in TV movie history 'Murder By Natural Causes' would win hands down. Yes, there are very few (The Last of Sheila, Guilty Conscience) that are pretty close but this one is as close to perfection as any script of the genre will come. It is no surprise, of course, that the same team that created Columbo is responsible for this movie.Practically unknown, it will probably never be issued on a DVD. What a pity - a textbook script that nobody will remember only because people prefer to watch Dumb and Dumber instead.

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secragt
1979/02/24

Just reinforcing what everyone who has seen this will tell you: out and out brilliant from start to finish. Katherine Ross, Hal Holbrook, Barry Bostwick and Richard Anderson are all in top form but the fiendishly twist-laden Levinson / Link script is the real star. This is the duo's very best effort, topping even their finest COLUMBO offerings.Besides a time capsule dollop of 1970s talk show topicality, I cannot imagine ANY fan of crime drama or whodunits being anything but thrilled with this continuously clever and original story. Probably among the very best TV mystery movies of its kind you'll ever see and smarter than 99% of features. Must see!

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