Let There Be Light! (1998)

Fresh and Exciting

Pretty good movie overall. First half was nothing special but it got better as it went along.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The film never slows down or bores, plunging from one harrowing sequence to the next.

By a fireside in a Gothic ruin sits an invisible God watching the world below on a television screen. Disparate images of war and dispossession intersect with images of religious observance. The television set implodes. The invisible God has existential problems. He's sometimes not quite sure whether he exists or not. However he does have a mission. He's working on a script which will bring humanity together. But will he be able to find the right director? Once upon a time he was in love with Joan of Arc. Her death still plagues his conscience. Is there a modern Joan of Arc somewhere down there who can bring his vision to the screen? I first saw 'Let There Be Light' some years ago on SBS. When I went looking for it recently I found that there wasn't an English language version available on DVD, which seems a real shame. It's an immensely enjoyable film. It has a broad scope and works on many different levels. It's funny, thought provoking, beautifully paced and deftly put together. The music is bright and there are great moments of editing. Sure, it is a wildly preposterous premise and yes, I did watch it fearing that it might plummet. But actually I found it did the opposite.At the heart of this film is a sense of gentle bemusement at the foibles of flailing humanity. This particularly shines through the heroine, played by Helene de Fougerolles. She is disarmingly unpretentious throughout and at times almost translucent. Tcheky Karyo does a suitably beguiling Mephistophelean character with relish and God in his many manifestations is a multifaceted wonder. At the end of the film there is a mirroring of that lonely image of God the writer which came at the beginning. Not a bad transformation for an old bloke.

This film should finally be released in America. In fact, there should be an American remake, yes! It is such a charming, hopeful, witty and entertaining film, for all ages. I am surprised it wasn't ever released in America(!) IT SHOULD BE! Sorry, but I just don't see the French market as appreciating and giving worthy respects to such a fantastic and imaginative film from a French Filmmaker of their own (they seem to only give recognition to American filmmakers in this respect). But trust an American viewer, if you want to see an uplifting film, without any violence or profanity, the kind of film that leaves you smiling on your way out of the cinema, go see "Que La Lumiere Soit", (Let There Be Light). I am sure they sell it on the internet. Remember, if you live in America, make sure you buy one of those Multi-Standard DVD Viewers, because if you don't have one already, you are unfortunately missing out on so many wonderful foreign films, like this one here by the Great Arthur Joffe.

Ah, if only all films came from France. If only all women were as beautiful as Hélène de Fougerolles. What a wonderful world this would be, non? I would be totally lost without French cinema. Their drama's are raw, intelligent and rip emotions from inside, throw them in your face and say "There!! - SEE! LIVE!! FEEL!!!" Thrillers are innovative, experimental and imaginative and their comedies are witty and chaotic, and.....well, just bloody good fun! Que la lumière soit is a sublime comedy, textured with arresting characters and some wonderfully farcical scenes, inter-laced with truly poignant moments. See this film. It is well cast, well paced and should have you roaring with laughter. Amen.

This movie has an interesting premise, some good visuals, and a very nicely rendered message at the end; however, getting to this end was not a pleasant trip. In this film, getting from point A to point D sometimes entirely skipped points B and C. Nothing in it is too jarring, but overall I thought it could have been much better. Characters drift in and out of the picture with so much aimlessness that's it's very difficult to feel anything for them, which is at odds with the film's premise. On a side note, I felt the identity of the French studio chief was (unintentionally) very ironic.