Bitter/Sweet (2009)

Must See Movie...

Just perfect...

By the time the dramatic fireworks start popping off, each one feels earned.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Syncretism: The amalgamation or attempted amalgamation of different religions, cultures, or schools of thought. Just what I wanted and needed to see on this particular night of viewing.There was no lingering bad aftertaste. Throughout the movie are scenes of people briefly reflecting on, and then reconciling with and dismissing their old lives and actions, and starting completely anew. Landlocked, deep inside a continent, this attitude, way of life, world view, is so hard to relate to, that such a movie is a desperately needed breath of sea air.Sure, there are minor weaknesses; the native (or not native? he looked like a pudgy Chinese mandarin) coffee buyer was badly handled; it doesn't effect the outcome. The efflorescence of the lush vegetation, culture and women from the sand and rain, that's what's important.The simple production emphasizes the fragility of the relationship between the two cultures, and in a good way. Highly recommended.

Wow, I wasn't sure what to expect but my wife wanted to see a rom-com one night so we saw Bitter/Sweet at a festival and were very pleased.Everything from the actors to the setting were beautiful, the directing and acting were spot on - we believed what everyone was saying, feeling and they all looked to part as well. Kip Pardue was good and Borlin too, we did not expect the film to end the way it did. And we felt the connection between the two main characters and the movie made us want to not only go to Thailand but drink the coffee.So if you like coffee, Thailand or just rom-coms - see this film as you will no regret it.

I couldn't work out if this a poor made for TV film or a Thai production. I think its the latter. On the plus side it shows how stunning Asian ladies look. On the down side, the lead character Ticha cannot act. The other girls around her could.Spencer Garrett as Werner stole every scene he was in - which tells you a lot about the acting standards of the rest of the cast.If only they had dropped the pointless James Brolin (a big name added for the film backers?), spiced up the love scenes then this could've been a really good film. A cynic would say this is simply one big advert for Thai coffee - certainly had me going for the instant stuff!!A missed opportunity. Catch it on a movie channel

Charming performances, lushly exotic Thai locations and a feel-good spirit accent this award-winning, thoroughly enjoyable romantic comedy-drama crafted by writer-director Jeff Hare.An engaging Kip Pardue stars as work-consumed Brian Chandler, who's drafted by coffee king Calvert Jenkins (James Brolin) to journey to Thailand to explore coffee-field pockets for a potential crop purchase. While there, he encounters the quirky locals, but most importantly he meets Ticha, the percolating female scion of a coffee family. Worldviews soon conflict, commerce clashes with the earnest art of coffee production, and the two immediately lock horns. Yet what is originally bitter can indeed turn sweet, and both Brian and Ticha take a journey of self-discovery amid this paradise spread."Bitter/Sweet" may appear to be a date movie--but it emerges as much more than that (though couples will certainly enjoy it together). Rather, it's a character-driven play complete with a jolting twist, a rich brew that nudges memories of three other quality films. In the vein of "Slumdog Millionaire," it delivers a sweet-and-low relationship stacked against the odds in a mesmerizing land. And just as "Sideways" is a fine-vintage voyage that toasts to wine and vineyard aficionados, so too does "Bitter/Sweet" intrinsically treat is arching theme--coffee and coffee connoisseurs--with care and respect. The film additionally shares the spirit of Bill Forsyth's 1983 winner, "Local Hero," in which an outsider arrives in an insular community, stirring up the local denizens and the regional status quo.Director Jeff Hare continues to display his vibrant cinematic talent while adeptly tackling yet another genre. His 1999 short, "A Perfect Little Man," starring Neal McDonough, was a searing, intensely dark psychological drama about a man's ill-destined spiral into madness and violence. His 2005 dramedy, "Checking Out," was an appealing ensemble piece that featured snap-crackle-pop dialog and, in this viewer's humble opinion, one of Peter Falk's best-ever performances.Now, with this film, Hare sets his keen eye on colliding cultures and the whims of romance--and ultimately he executes a sheer delight that brims with a whole latte love.