Mr. Dynamite - The Rise of James Brown (2014)

People are voting emotionally.

Excellent, Without a doubt!!

Although it has its amusing moments, in eneral the plot does not convince.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is a documentary of Soul Brother No 1 by prolific filmmaker Alex Gibney. It follows the soul legend from his difficult childhood in the south to his mustache/jumpsuit decline and its influence in the rise of 80's hip hop. I feared this would be a scrubbed down version of his life. The first half does touch upon his wild side but mostly it attributes it to the world in which he survives. It seems like an easy treatment until the second half painting a fuller picture. While it does not shy away from the violence against women, it doesn't dwell on it either. It also paints him as a man alone unable to trust anyone. He is ruthless with his dealings with money. Essentially, he had no friends, just employees. He grew up in a world of violence and is heavily influenced by it. Although it tells the story, it doesn't really show it. It doesn't enough of his own words and it doesn't hit him as hard as I want. Of course, this has his amazing music. It tackles his politics with which I'm less familiar. I know about Black and Proud but I didn't know about backing Nixon. That's an intriguing part of his bio. This is a well-rounded TV doc of this American music legend.

An outstanding documentary on the "Godfather of Soul (and all the other names he made up for himself)." This is not a film where all the interviewees bend and pucker to JB's backside, and reminisce on how the celebrity is the best thing since the pop-top canned beer can."Mr. Dynamite" is about a very driven, egotistical man, an unabashed self-promoter, a perfectionist, a control freak, a deadbeat (sometimes his band was not paid for either both live performances and studio sessions), someone who didn't' appreciate (but took credit for) the influence his musicians had on the music, and was a committer of domestic violence. But he man instinctively understood how to play to an audience of any race color or creed.James Brown spent his formative years in poverty. His mother left the family when he was four years old. His father left when he was six. He took refuge with an aunt, who operated a whorehouse. He sang and danced in front of the whorehouse for nickels and dimes, which people passing by would throw on the ground. He was caught stealing and sentenced eight years. The formative years can stay with a person, and he is described later in life as "lonely." He didn't trust anybody. If your mother abandons a child at four, and a father abandoned a child at six, the child might inherently not trust anyone.The documentary also gives credit to his positive activity in the civil rights movement. On this subject, JB and others failed. What' the latest death rate by shooting in Chicago? But he tried his damned, as he always did. JB championed picking yourself up by your bootstraps ("I don't want nobody to give me nothing/open up the door/I'll get it myself") rather than government handouts. Despite his personal demons and other mental frailties – The man was a genius. A true original.

A must see for any James Brown fan. And a great introduction to anyone wanting to know more of him.It well illustrates the drive and originality of this musician. Certainly one of the greats of the 20th century. An innovator whose influence can be directly seen on Prince and Michael Jackson. And as the documentary well shows – an unbelievable tyrant to his band- members. A lot of interesting interviews and revelations - and WOW performances in this documentary. Fasten your seat belts – the man could move!! Also some very worthwhile special features.

Probably produced in parallel with the bio-pic "Get On Up" (a big clue is in Mick Jagger sharing production duties on both), this for me was indeed a dynamite documentary on the life and times of the great soul and funk artist James Brown.Brown's peak years of success were from around 1962 to 1972 after which he seemed to finally get caught up and overtaken by younger hipsters like Stevie Wonder, George Clinton and others with James starting to look and sound anachronistic and out of time. He still made some great records after '72, but this history stops with him at his peak somewhere in the mid-70's, which while lopping around 30 years off his life, does so to concentrate on his glory years as the hardest working man in show business.Eschewing star tributes (Mick Jagger apart), which are so often the staple in films like this, instead we get revealing interviews with the members of his band and entourage to deliver a superb inside-view of a musical genius but sometimes difficult man. The musical clips are fantastic, including his see-it-to-believe-it performance on the "T.A.M.I. Show", various knockout appearances on the "Ed Sullivan Show" and best of all, his historic televised performance in Boston in the immediate wake of the Martin Luther King assassination where you see him calmly but convincingly cooling down his over-heating audience.Brown's complexities and complications aren't completely ignored, but they do seem somewhat sidelined. These include his sometimes tyrannical and miserly treatment of his fantastic band, his attitude to women and especially his controversial political stance in the 70's where he unwisely hitched up with Nixon and in so doing alienated his own black audience, coincidentally about the time his musical star was just starting to fade.The performance clips are sensational, his singing and dancing both out of this world, with so many great records that he made in that golden decade. Little is told of his family background, where he certainly had his problems, but this obviously partisan movie concentrates on his musical and cultural status of the time to pay a great tribute to an artist as important, in my opinion, as almost any other you care to mention in the 20th century.