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Getting Go: The Go Doc Project

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Getting Go: The Go Doc Project (2013)

March. 04,2013
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6.9
| Drama
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Too shy to make a proper introduction, a recent college grad devises to shoot a documentary about the NYC nightlife scene in order to meet the go-go guy he’s cyber-obsessed with.

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Reviews

BootDigest
2013/03/04

Such a frustrating disappointment

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SunnyHello
2013/03/05

Nice effects though.

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Platicsco
2013/03/06

Good story, Not enough for a whole film

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Forumrxes
2013/03/07

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

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hjames-97822
2013/03/08

What starts as a sort of pretend documentary finally morphs into a rambling series of shopping trips and fake interviews that leads to a sort of Beauty and the Beast sex romp that just left me wondering "Why?" One of the problems with any film that has anything to do with strippers and go-go dancers is that if you've seen one, you've basically seen them all. So here we have Camp, a real life dancer, who is supposedly being stalked (yes stalked) by Tanner Cohen's character.Instead of being concerned about this little geek chasing him, we are to believe he takes him shopping, to the gym and them home for a sort of carry out dinner. Naturally, in a total leap we are to believe that the hot dancer finds himself in lust with the nerd and now wants to have sex with him. And not just any sex, but to bottom for him too boot. (In an interview Camp confessed the director got them both drunk to do these scenes. If you have to get loaded, are you really much of an actor?) Anyway, this all trolls on for what seems an unusually long period of time before finally sinking like a giant lead balloon running out of gas. The film is badly, badly edited. Chopped up and presented with these dreadfully annoying split screen sequences like something out of Directing 101. It's all pretty lame.Just my opinion, but Camp is nice to look at if you go in for the muscle boy with lots of tats look. Cohen should reconsider and keep his clothes on.

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brianpetty
2013/03/09

Good Lord, another dreary tale of a guilt-ridden Jewish boy pursuing his elusive goy dream-boy. And Doc thinks himself a virgin although he had lots of oral sex in high school and college (???!). This is one of the most retrograde gay-themed movies I've ever seen, despite its millennial pretensions. The go-go dancer has his act together, and can do much better than this sad-sack. The soundtrack is appealing, but the dialog is often just silly. The premise is promising, that of anonymous virtual sex transitioning to real live contact. But Doc's infantile preconceptions about "saving himself" for his one and only sound more like that of a girl circa 1950.

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Hunky Stud
2013/03/10

The DVD cover looked really uninteresting and ugly. i thought that it was just another gay film with some hot almost naked guys talking and doing something funny. I was planning to watch it in two nights, but once I started, I can't stop.It feels as if those two boys were really in love. I wasn't sure if Tanner Cohen was really gay, but he looked like that he was really enjoying gay sex. hehe. both of them seemed to be good actors, they should do more films. they are totally talented. Then the ending is a little bit sad. I guess that most of viewers probably want to scream at Tanner for making such a bad decision. And at the end, probably everyone wishes that they can really following this gay boy's online account. Too bad, it is only a film. This story is not real.The sex scenes were a little too graphic for regular non-gay audiences. And the kissing at different places seem to be a little too much as if to fill the time for this film. If the director changed those two parts, I am sure that it could be an even better film just like the brokeback mountain.

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ilikeimdb
2013/03/11

This is a movie more about the juxtapositioning of surface thematics than about anything else...and you have lots of them: the innocent narcissist versus the vapid sex toy; the inherent sadness of loneliness versus the snarky adulation of the crowds; indulgent hero worship versus a pure insouciance. The movie uses a lot of interspersed video which itself is a commentary on the initial fragmentation of the characters into those thematic caricatures. Without needing a Pygmalion (Shaw) transition in either direction, the leads Go and Doc find themselves drawn towards each other on their own terms. They integrate rather than further fragment and find common ground right in the middle. The truly fabulous tour-of- NYC make-out scenes are celluloid-melting in a deeply romantic and convincing manner in the most egalitarian kissing yet filmed. They are equals and need no excuses. In the end Doc got exactly what he sought from the beginning: To know himself better through the non-judgmental eyes of a lost (but very sexy) soul.

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