The Crime of Padre Amaro (2002)

Very Cool!!!

good back-story, and good acting

For all the hype it got I was expecting a lot more!

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Directed by Carlos Carrera, starring Gael Garcia Bernal (Amaro), Sancho Gracia (Benito), and Ana Talancon (Amelia), this film examines the presence of the Catholic church in Mexico and the grip it has on Mexican politics and reality (ironically, efforts were made by the church to block the film). It is based on the Portugese novel "O Crimen do Padre Amaro" by Queiroz. There are no fast-paced, action-packed and flashy qualities present in many blockbusters nowadays, but the film does keep one's interest in the melodrama and hypocrisy that unfolds.The movie starts with a fresh, newly ordained priest (Amaro) who is sent to a small town to study under the seasoned Benito. Amaro is immediately awakened to hypocrisy and corruption that his Catholic counterparts are steeped in. Amaro's morality is tested against his ambition, and the things like love and truth fall victim to his quest for power.The movie asks the crucial question, "What place does the Catholic church have in the modern era?" The movie treats the tradition of the church as an artifact, lost long ago and replaced by actions that are non-compatible with its teachings. This is voiced by Carrera in the opening scene where Amaro drives by Catholic tombstones: "They don't mean anything - they are forgotten." But the church remains very powerful, having symbiotic relationships with drug lords, government and media that allow it to persist and influence Mexico.So much detail was taken in the film's depiction of Mexico: the contrast of modernity and tradition (donkeys and cars on the streets), the economic woes of the 1990s and resulting corruption, the Catholic church's scandals, and increasing liberalism at the time. Although the movie does require some patience, it is well worth it. The film is thoughtful in every possible way, and the two main characters are quite the lookers.-JonLuther

Love, lust, scandal and sin, El Crimen Del Padre Amaro, tells the story of the conflict between one's faith, the desires of the flesh, and the consequences that entail. Father Amaro has been sent to Los Reyes to help Father Benito, and old priest, run the church. However, he soon becomes aware that scandal is not far behind. Father Benito becomes the focus of the deceitfulness of the priesthood, when exposed for being involved with the laundering of drug money. Not wanting to be the topic of controversy, the Bishop uses Father Amaro to cover up this expose. However, Father Amaro is not as innocent a priest as he may seem. He soon falls for a young virgin, and going against his sacred vow of chastity, they soon become involved in a sexual relationship. Director Carlos Carrera does a remarkable job in bringing lies and corruption of the church, to light. Carrera's intent was to show the audience that, although priest our men of God; they are still men, who have the same struggles and desires as anybody else. Your faith and relationship with God should be taken seriously and sometimes people put all their faith in those who are in charge of organized religion, and they are not always, what they seem. Carrera's use of still shots in the relics and deity's, throughout the film, gives the audience the insight into a man's heart, who knows he has done wrong and continuing to do wrong, but is to ashamed to confess his actions, in order to get back on the path of righteousness. Father Amaro wants to serve God and be obedient to his word, but the flesh is very powerful. In addition, when you do not obey the word of God, there will be consequences.

Only the third feature film by Mexican director Carlos Carrera, it was a Golden Globe and Oscar nominee. I am sure that the Catholic Church was not happy with that! I can see Bill Donahue of the Catholic League fuming and frothing over a film that features a pastor laundering drug money and sleeping with his housekeeper; another priest openly defying his Bishop to minister to the guerrillas in the mountains; a wacky woman who fakes taking communion only to hide it and carry it home to give to her cat; and, the greatest crime of all, Father Amaro deflowering a young girl, getting her pregnant, and praying for a miracle, which came, but not as the church would approve.There are the book purists who feel that Eça de Queirós' novel is not given proper respect, but a movie is not a book. Gael García Bernal (Babel, Bad Education, The Motorcycle Diaries) is very good as the immoral new priest who impregnates the pious Amelia (Ana Claudia Talancón - Fast Food Nation) while spouting Bible verses to her. Of course, he uses the Song of Solomon to talk about her hair and her breasts, which were ample, indeed.Sancho Gracia was very good as Padre Benito, the only authentic priest in the movie - the one the Bishop wanted to excommunicate! A least they didn't diddle any young boys.

So El Crimen del padre Amaro was quite a downer. Did anything good ever happen in this movie? Lets retrace our steps. On the bus, they all get held at gun point and robbed. Padre Amaro meets Padre Benito Diaz and quickly finds out he's having an affair with the maid. Then we find out he's making deals with a drug dealer to build his church. Padre Natalio, who we think is one of the better guys in the film for opposing Benito and trying to lift up his people against the drug trafficking, then has one of his men stab to death the lowly photographer and then Natalino lies about sending the photos to the newspaper, which is threatened over advertising by Amaro if the rebuttal is not run on the first page. Amaro has an affair with the maid's daughter in front of crippled woman suffering from cerebral palsy, who is later forced out of her home with her father because he, a masterful sexton who beats women, is fired by the oh so innocent Amaro. The maid's daughter ex boyfriend Ruben (probably the best guy in the film) loses it and attacks Amaro calling him derogatory homosexual terms. Amaro declines to press charges (maybe the happiest moment in the film). The bishop, maybe the only good guy (besides the journalist of course) strips down nude and we have to watch him jump in the bath. Was it necessary? No. The humanity! When Amelia dies, Amaro blames it on Ruben, spreading rumors that it was his child. Abortion hemorrhages, scandalous priests, the corrupt lady singing and shoving communion down the woman's throat, this movie had it all. If there was maybe one decent moment it's when the old man cowboy hat and all, offers Amaro a smoke. Just to show people never forget the good in people. But really thematically, this has absolutely nothing to do with this film, try as you might. So while I found the film captivating, I'd have to give it a thumbs down because I really never gained anything from it. It took one direction and never stopped spiraling down.