1911 (2011)

Simply Perfect

Fantastic!

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

1911 is billed as Jackie Chan's Centential movie or in other words his 100th on screen movie credit which is quite an accomplishment for anyone.The story is of an epic nature in both scale and story a really well made movie with political intrigue based on historical characters. The story involved the Xinhai Revolution to take over the Qing Chinese Dynasty.While Jackie Chan might be the top billed actor in the movie in reality he's probably only the 2nd or 3rd lead role with the character of Yat Sen the leader of the Revolution being the main character and Jackie's character playing his most trusted General.

A story about the 1911 Chinese Revolution headed by Sun Yat Sen, which overthrew the Qing Dynasty, tries to cover too much ground for those unfamiliar with its details. It races over three continents with a cast of thousands, concentrating on several key figures, with some of the smallest titles on screen to tell you where and when you are in 1911/1912. It is quite confusing and, on DVD very difficult to follow the names of revolutionary heroes and changes of place and time - it is not told sequentially! However, one gets the gist of a powerful movement led by a small group trying to overthrow hundreds of years of history and a mighty (if decaying inwardly) imperial apparatus. Jackie Chan as part director and star (as the General who led the Revolutionary forces) is very good in a character role, but some of the others look a little po-faced as they play national heroes. The main strength of the film is the revolutionary rhetoric and the powerful battle scenes - leading the way towards the Great War (why did not the West look at how this war was fought before killing hundreds of thousands to learn lessons?!)- which grip and horrify in equal measure, and even manage to show some cowardice! A pity a much longer film or TV series was not attempted so that we Westerners could understand things a little better!

"1911" is an epic Chinese historical drama that honours the centennial anniversary of the revolution against the Qing dynasty. The movie convinces with great special effects in the battle scenes, beautiful and authentic locations, bombastic costumes, many intellectual words and impressive images and a bunch of great and internationally recognized actors such as the very unusual and surprisingly convincing Jackie Chan, the once again very diversified Joan Chan or the charming shooting star Bingbing Li. This movies teaches us a lot about Chinese culture and history and captures the essential of a complex story in a short and intense running time. Even for someone who doesn't know a lot about China, the introduction and the subtitles reveal and explain enough to understand and get into a beautiful movie even though the ending could have been a little bit more expanded. I think the movie could have focused a little bit more on the situation and the authentic everyday life of the Chinese population instead of focusing only on the fate of the famous historic characters.Normally, this movie would have got one point more but I cut off one point because this feature has some elements that remind me of a propaganda cinema. Good and evil are too opposite and well defined and I'm sure that this movie is not always faithful towards the true history behind it. The good guys are wise, selfless and honest while the camp of the bad guys are one dimensional, egoistic and helpless. The movie tries to create a lot of sympathy for the main characters such as Sun Yat-Sen. In one scene, he convinces with his wise words only a bunch of ignorant, selfish and capitalist politics representing a very negative image of the Western civilization. That's a very romantic and epic scene but it's simply to pathetic to be true. This kind of falsification spoils the enjoyment of this otherwise technically perfect movie a lot. At least, after many American, Russian and German propaganda movies that I saw, this is a rather intriguing and also moderate movie with propagandistic tendencies from an Asian country.Apart of this little but though important flaw, this movie is a definite must see and yet another great history flick from China that easily beats the boring patriotic American war movies that have flooded the cinemas of the world a decade ago. It's time for a change and from a qualitative and cultural point of view, I happen to find these detailed, epic and entertaining Chinese history flicks very addicting.

This film in a word is a mess.The problem with a lot of historical dramas in general is that their historical scopes are too big to fit neatly into the format of a film. 1911 suffers the same weakness as many other recent "propaganda" movies from mainland China: Irrespective of their propagandistic flairs or contents, they are all trying to cover everything and quickly into a usual 2 hrs duration, a task impossible if not improbable to do well. One has to question how much creative freedom Jackie really had with directing it but even without outside pressure, we can intuit that even Jackie won't want to be liberal with a source material so sensitive and "weighty". I am not going to delve into the history as you can find better information elsewhere but judging this historical film purely as film, it is unsatisfactory at best. If you want to learn about the 1911 Revolution then perhaps this film would give you a rundown of its historical development; it is mostly centred from the perspective of the revolutionary faction led by Dr. Sun Yat Sen, the founding father of modern nationhood and democracy in China. As required, you would see plenty of explosions and scenes of war, albeit distributed rather evenly throughout the film, providing as bits of "action" before or after the "civil" and political acts by Sun Yat Sen and the other "players" in the political manoeuvres. The film is littered with bits of textual information supposed to fill you in on the historical facts and significances, but if you are not a fast reader, all of it would fly past your head unless you are a professor in the study of the Revolution. So right off the bat you are witnessing an educational material that lacks substance and depth but only provides you with a general picture and even incomplete at that.With the typical colour filtering for battle scenes, you are treated with the usual grittiness of war. It is very apparent you are supposed to feel the up welling of emotion as men and women sacrificed their lives for the revolution but if anything, the scenes are so short that before you have the chance/time for up welling, it is over. All we know is that battles were fought, people died, and we move on to the (politic) next part. As a historical book, that is fine, as a movie, it does not work. (Granted some scenes might have been touching but within a film world crammed up with similar attempts at dragging out your inner weak spots, we are emotionally fatigued at best to be moved so easily.) One would also be appalled at the film's treatment of westerners. They are stereotyped/caricatured and acted awkwardly, seemingly only needed for their appearances and that none of the people hired to act knows how to act. (I mean come on, this is the 21th century, aren't we smart enough now to see through all the old stereotypes and know that people aren't paper cutouts?) Along with that comes some bad acting on the part of the Chinese casts, where most of them are either wooden or overly melodramatic, some even managed both. Even the Doctor at certain parts of the movie came out awkwardly.Cinematography. This might be much more centred on my own personal opinion but I find some of the cuts and techniques trying too hard, focusing on style rather than lending itself to the story and the scenes. A lot of potentially good scenes are ruined by fast cuts and awkward transitions which in some cases even provide some hilarious results on a film so centred on seriousness, making it somewhat a deadpan. I applaud Jackie for taking on directing but maybe perhaps this is not exactly the source material to work with. Personally I find historical films problematic in ways of execution, especially one about politics and dare I say revolutions? There is no way not to read a film like this in propagandistic terms. But then again can there be politic without propaganda? Maybe this one could be read as an irony? The solution to this is: Just don't take on so much, stop making epic political movies all together and give us something much more substantial than the emotionless husks we are always being offered in, dare I say, "sanctioned" art? (But in the case of China, this might be harder than one could imagine.) It is much better to focus on the smaller characters tangled within all these big events, see things from their eyes and get to understand the big picture. The detachment from human emotionality and focusing on the large picture history book-esque is only going to alienate people. For this story, as much as the personage of the doctor is "monumental" and of his endeavours, focus on Sun Yat Sen himself more, his personal struggles, what happens behind doors. Granted this would basically take the film into another direction but political epics just do not work.(At least I haven't seen it work. Western directors already understood the difficulty and infeasibility of trying to cover everything at once. Personally I haven't seen any western films done this way or similarly. If you have seen a successful one, please let me know, I want to learn.) If a metaphor could be used for this film, then it is akin to watch the scenes outside a fast moving train. Some scenes are nicely shot, well acted, and some sidelined characters having much more commanding presence than the main ones (In this case, I am speaking to the limited screen time roles played by Joan Chen as Empress Dowager Longyu and Chun Sun as Marshal Yuan Shi Kai), but the train is just going too fast for you to take a good look. All this makes you rather be out there...