About Alex (2014)

best movie i've ever seen.

Although it has its amusing moments, in eneral the plot does not convince.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I would like to start by saying that the dialogue was—for the most part—well written, the characters were good, and the actors were really good. It sounds like a good movie right? Well, it would have been if it hadn't all been done before. I mean REALLY ALL BEEN DONE BEFORE.The Big Chill was the aftermath of a suicide in a group of college friends. The same thing here except he didn't succeed. Both characters are even named Alex! Several of the characters are carbon copies of Big Chill characters. One of the characters in About Alex is SO similar to a character in The Big Chill that they even dressed him the same right down to the horn rimmed glasses and THEN went out and found the actor that most resembled the original—Jeff Goldblum —cast member!! It was laughable! I've never experienced anything like this before. Some of the conversations were direct lifts as well regarding music of eras past. One cast member even refers to movies from the eighties. Unbelievable! The only way to logically explain it is that someone (the writer? the director?) wanted to remake The Big Chill but couldn't get the rights. So the changed as much as they had to for legal reasons. The movie closes with a flashback of the group meeting for the first time. Lawrence Kasdan also fined this scene but cut it from his film. I found myself enjoying that because I had always wanted to see that scene in The Big Chill. By the time I reached the end, the two were almost interchangeable. Oh, one more thing, the group shot at the end of About Alex i the same as the group shot on the cover of the video box for The Big Chill. Unreal.

My bias before viewing was an expectation of a massive boring failure that I would regret watching because it dealt with attempted suicide. I couldn't have been more mistaken. My reticence in watching was duly derived from substantial repetitive experiences from most all films of this type: one location with characters you never really get to know, complex back stories left unexplained, and dark subject matter. What a surprise was in store for me! In fact the sole reason drawing me to the film was the beautiful & talented Maggie Grace and a growing appreciation for Jason Ritter. Friendship in a time where Facebook & texting have relegated meeting & talking to the fate that cd's rendered the 8 track, is a constant presence in my thoughts. So, it was invigorating to see college friends nearing 30 come together to support a friend, traveling from across the country for a whirlwind philosophical, confrontational, emotive, supportive & well paced weekend of collective personal growth. There were just enough characters to keep every minute fresh with information & few enough to not gloss over any single character & give each a quality part in the story without getting lost. This movie was extremely dynamic and as such, had no lulls. It's been said, "what a difference a day makes". Lucky for the viewer, a weekend of real, old-fashioned, interpersonal exploration & reflection makes one powerful movie. There wasn't a single moral. There were many. Whether you experienced college or high school, or were close with your neighborhood friends, this movie will without a doubt hit home for you. It was interesting how the friends had achieved varied levels of societal & romantic success, yet fell right back into the rhythm of their group identities like only a summer had passed. This will be a familiar feeling to everyone. It wasn't a love fest full of sympathy & crying on shoulders, which would be totally natural & expected. It was engrossing because of the diversity of honest feelings & reactions that made the viewer easily identify with each character. All actors were grade A, & I look forward to enjoying their acting in future films. Ritter, his best friend, & Grace were the standouts & I was relieved to see Aubrey Plaza tone down her typical sarcastic personality. In doing so, she made her character more appealing & closer to the personalities of the collective cast. I think viewers on average will rate this movie ranging from 6-9/10, but as you can see for me it hammered home an expectation-defying 8/10. I highly recommend this movie as a modern adaptation of "The Big Chill" without the killer soundtrack. It was as informative and enjoyable as much as it was provocative and insightful. Knox D. Alford, III

Five college friends and a plus one physically come together to watch a friend after he tries to commit suicide but in all other regards they spend the majority of the weekend egocentrically delving into their own unresolved self-generated baggage.It is hard for a film, when it's basically a remake pretending not to be because this time the suicide victim isn't a victim but an attemptee but is hypocritically self-aware and gives homage to its predecessor, to do what it wants authentically without resembling a rip-off. And, fair warning, I have seen The Big Chill, and unintentionally watched it again a week before watching About Alex.From the get-go you know to expect self-indulgent intellectualisms but About Alex is nothing but pretentious ramblings, giving it a loathsome hipsterly quality. The atmosphere of the entire movie is bordering on combative as they angrily banter through the tension. Maybe this was a deliberate decision from writer/director Jesse Zwick; to put a mirror to the disjointed self absorbed nature of the generation and act as a representation and critique of the Facebook age. One would think that people coming together to help another through the days immediately following a suicide attempt would be kind and loving but for the most of the movie you forget they were even friends. The acting is good and roles fully formed, of which Jane Levy and Max Greenfield are most successful, but they can not save their faulted characters.The directing and composition of shots was uninspired, average, and literal. There is an art to telling a story without having it plainly done with the characters' dialogue and that is completely missing from About Alex. This is evident from the very beginning when Zwick decides to waste five minutes showing: the suicide attempt, everyone getting the call about the suicide attempt and making their arrangements to go and deal with the suicide attempt. Instead he could have saved five minutes, had everyone somberly encounter one another, leaving the dialogue as-is where the true subject for being together is implied and pussyfooted around and then cut to the one friend left at the cabin as he tries to clean the bloodstained bathtub. All conversations between two characters are over the shoulder framed close-ups that cut back and forth as they talk to one another.I wanted to like this movie, the trailer had me so hopeful and the cast is sublime but About Alex is masturbatory and decidedly not The Big Chill of our generation.Check out our website for more movie and television reviews!

Large ensembles have the opportunity to say different things from different characters. Before screening at Tribeca, many were calling this "our generation's" Big Chill from 1984, which was directed by Lawrence Kasdan and nominated for three Academy Awards including Best Picture. While there are obvious similarities in the number of people who are present, and themes surrounding love and death, newcomer Jesse Zwick, son of producer/director Edward Zwick, pours his heart and soul into each frame and reinvents a masterful motion picture. About Alex is a raw and beautiful morality piece about where the late twenty- somethings are presently. I loved nearly every second.About Alex tells the story of seven friends who reunite over a three-day weekend after one of them attempts suicide. As the friends take shifts to watch their unpredictable old friend Alex, past and new feelings come to the surface.An all-star is assembled that includes Aubrey Plaza (NBC's "Park and Recreation"), Maggie Grace (Taken), Max Minghella (The Social Network), Nate Parker (Arbitrage), Jason Ritter (Freddy vs. Jason), Max Greenfield (FOX's "New Girl"), and Jane Levy (ABC's "Suburgatory"). Each one of the actor's know their parts, actions, motivations, and completely immerse themselves in the characters. In particular, the standouts include Greenfield, who continues to steal every frame, from every show or film he's in, and Plaza, who takes on a new departure for herself and succeeds.Jesse Zwick, for his first writing and directorial feature, shows much promise of what could be an elaborate career. He handles his scenes with firm hands and a watchful eye of what he chooses to show and not show the viewer. He allows the surroundings, both inside and outside, become two new characters for the audience to embrace. Everything put together in About Alex is simply impressive.There are some technical hiccups that the film suffers from. Choices made by the film's editor doesn't smoothly transition from one scene to the other. As independent films go, the film stands tall on its own merits but I would have liked a more polished final product.All in all, About Alex is an absolute dream. Full of laughs and tears, the film raises the bar for this type of genre. It's a thoughtful piece that will have admirers for years to come. It's the best cast ensemble seen this year and of the Tribeca Film Festival.