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Risen

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Risen (2016)

February. 18,2016
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6.3
|
PG-13
| Adventure Fantasy Drama Action
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Clavius, a powerful Roman military tribune, and his aide, Lucius, are tasked with solving the mystery of what happened to Jesus in the weeks following the crucifixion, in order to disprove the rumors of a risen Messiah and prevent an uprising in Jerusalem.

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ThiefHott
2016/02/18

Too much of everything

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Lovesusti
2016/02/19

The Worst Film Ever

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Rexanne
2016/02/20

It’s sentimental, ridiculously long and only occasionally funny

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Bob
2016/02/21

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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andrewashere-886-187667
2016/02/22

This is a very good movie. It's not exactly the Biblical telling of what happened after the crucifixion but it is a good and powerful story as seen fictionally through the eyes of Pontius Pilate's right hand man Clavis.

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Michael Ledo
2016/02/23

The film centers on Clavius Aquila Valerius Niger (Joseph Fiennes), a fictional Roman Tribune who is tasked to find the missing body of Jesus He is assisted by Lucius (Tom Felton) who is less inspired by the discoveries. The film starts with the crucifixion and ends with Christ's ascension at Galilee. The production weaves information from the various Gospels while omitting other information such as the resurrection of the saints, perhaps wanting to avoid the criticisms that came with "Noah." I thought the film climaxed at an hour into the feature where our Roman bears witness to the doubting Thomas scene. I was not overwhelmed by the performances. Joseph Fiennes was rather bland and unemotional. He lacked character. Cliff Curtis who played Jesus or Yeshua was less than inspiring considering his role. He played a rather subdued messiah who just simply smiled a lot. Bartholomew (Stephen Hagan) was perhaps my favorite as he had personality, and acted euphoric.In the film Pilate is concerned about some fictional upcoming visit by Emperor Tiberius. Tiberius never visited Judea, or had plans to do so. This aspect was poorly researched. Clavius finds the burial shroud of Jesus which displays the famous photographic NEGATIVE of the shroud, perhaps the biggest miracle of the film, as unintentional as it was. It was one of those "tells" that the film producers are more concerned about perception and making money than simple facts.Symbolically Clavius represents the modern skeptic who must open his heart and be shown the way. This plays well with Christian audiences who will overlook mediocre performances and various English accents for the message.

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Robert J. Maxwell
2016/02/24

A tale of a responsible but weary Roman Tirbune in Judea (Feinnes, as Clavius) who is ordered by Pontius Pilate (Firth) to go and make sure the Nazarene Yeshua (Curtis), who has been crucified and hanging up there for three days is dead yet. "Do him a favor. Break his legs," suggests Pilate, no unkindly. Clavius does as ordered, reluctantly because as a soldier he's already seen so much death. Clavius decides to bring on Yeshua's death more quickly by ordering a spear thrust into his side, and Yeshua promptly dies.But all the unrest isn't over. The Hebrew council, the Sanhedrin, need to be sure their authority isn't challenged by this newcomer who is considered the Messiah, so they ask Pontius Pilate to give them the body, which they will seal in a rocky tomb under the eyes of the Romans. This is to prevent any chicanery because there is this myth going around that Yeshua will rise from the dead. Despite the two Roman guards left overnight at the tomb, whose discipline was admittedly slack, the next day the ropes have been burst from the seal, the stone rolled away, and the tomb empty.The rest of the film has Pilate ordering Clavius to find the body. During an extensive search Clavius does, in fact, find the body -- alive and well, and still bearing the wounds incurred during its crucifixion. Not only that, but Yeshua heals a leper and brings about the miracle of the fishes. Clavius more or less converts, helps the apostles to safety but, unable to bring himself to join them in spreading the gospel, he wanders off alone and thoroughly despondent. He gives his esteemed and valuable Tribune ring to the keeper of a dilapidated inn falling apart in the desert. In the words of the old song, "one thousand miles from home, and I don't even know my name," while the apostles are off on their several treks singing Gumbaya with all the converts they're making.The theme of the pagan warrior being converted to Christianity or at least to a belief in the risen Christ isn't a new one. See films like "The Robe" or "Ben Hur." But this one is a cut above most, partly because of the ambiance and mostly because of the intelligent script and some first-rate performances. The green-speckled rocks and dunes are almost lavender. And although the iconography is not as raw as Pasolini's "The Gospel According to St. Mathew", it's pretty rough. Everybody is dusty and sometimes caked with blood. In other words, the characters and settings look credible. Feinnes is outstanding as Clavius, who undergoes a transformation but winds up more bewildered than before. As Yeshua, Curtis has a distinctly unprepossessing appearance. He's not Jeffrey Hunter, Robert Powell, or even Max von Sydow. He looks like an ordinary Mediterranean type who, except for his ever-present smile, might not appear out of place in a police mug shot. Firth is smooth as the practical and unflappable, but understanding Pontius Pilate.Bad stuff. Not much of it. But the music is a cliché from beginning to end, what with holy choirs, as Yeshua backs away from the apostles into a rising sun and disappears in a blaze of glory, a blaze the mature viewer might well have done without. In "Faust," the devil was modest enough to disappear in a puff of smoke.

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GwydionMW
2016/02/25

It trims away most of what the Bible says, apart from the matter of the Resurrection that obviously has to be there.All of the early followers of Jesus were Jewish. There was a big row later on, when Paul wanted to admit as full Christians people who would not live by Jewish law, including being circumcised.Clavius could not possibly have been accepted the way he is.It is nicely done. Unlike "The Passion of the Christ", it is not obsessed with suffering and death.Like all modern versions except Passolini's, it totally ignores the radical anti-privilege message that is unambiguously there. I suppose Hollywood would not care to fund a film that would tell them they were sinners.Also nothing about chastity: also not fashionable.If you want to believe in Jesus, which I do not, then you make yourself ridiculous if you ignore the bits that don't suit you.

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