Postcards from London (2018)

Very very predictable, including the post credit scene !!!

Plenty to Like, Plenty to Dislike

Admirable film.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The cinematography is very much like watching a play transposed to cinema, the set (small) scenes and lighting just seems like someone has taken a moderately successful stage-play and done a somewhat lazy transposition to the screen. I appreciate that budgets might have been small, but producing for the stage vs cinema is a very different thing. don't get me wrong, I like the slightly surreal aspects (the parent's dining table) but the execution didn't quite make it, it's just a too too literal translation of the set-design and the lighting-design onto screen which just doesn't work. I don't want to be harsh, because there are precious few interesting indie movies out there but its not 'grand budapest hotel' or 'gods own country'a solid 6, but with a different producer / designer / director then it could have been better. can't really fault the actors at all.I've continued watching, after the 1st 'chapter', it does move into other directions!

Was not expecting it to be like this, but it is a very good movie! Lighting is definitely a strong point in the movie. This is a very good pick, unless you don't like art or is not willing to learn some with the movie. The storyline kept me going, nothing too mind-blowing, nor too simple, and the end was also very good.

The only reason to watch this film is Harris Dickinson. He has a boyish charm that draws you into his world. Unfortunately, even he is not enough to sit through this pretension dibble of a film. The style of filming, the colours, the set designs were eye catching, but not as much as Dickinson who with the proper script will one day shine as an actor, perhaps taking on Hollywood. For now, we can hope he finds another Beach Rat where there is a storyline.

The film will not get widespread acclaim as it is a classic, non-classic, arty film in the same way that Betty Blue, Withnail & I, Donnie Darko, Jonny Suede and Cool World were. It's a showcase for the undoubted talents of Harris Dickinson, a man who exudes charm and emotion - also in real life, which will get him far in a transition from indie to mainstream. Keep an eye out for him.