Vincent N Roxxy (2016)

This movie is the proof that the world is becoming a sick and dumb place

Good start, but then it gets ruined

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Vincent (Emile Hirsch) runs into Roxxy (Zoë Kravitz) on a fender bender and saves her from an angry driver with a gun. The two of them have a past and opt not to report anything and take off in Vincent's car. Vincent offer's Roxxy a place to chill out on a remote farm, which she eventually accepts. However, their past catches up with them.Emile Hirsch was dull and dry in spite having a few action scenes. We know Roxxy is on the lam and her brother was killed, but not much more. Outside of a party, there was any one smiling, just a bunch of grim faces creating mid-action drama until the end when things come together. Most of the film was boring...you know bar fight, where were you when mama died type of stuff.Guide: F-word, sex, nudity (Zoë Kravitz)

Vincent (Emile Hirsch) rescues Roxxy (Zoë Kravitz) from being attacked. She reveals that she's in trouble after her brother's murder. Vincent is reluctantly helping his brother JC (Emory Cohen) start his own garage. JC's girlfriend Kate (Zoey Deutch) helps Roxxy get a job at the bar. JC is unable to let go of violence and Roxxy's trouble follows her.This is a violent crime drama. With a couple of intriguing actors, this seems set for an interesting movie. In the end, the writing is not up to the job and the directing has limitations. It needs to get to the conflict sooner. There are too many filler scenes especially in the first act. The dialogue is weak. Hirsch and Kravitz could have been great but they are allowed to be static. The violence is a little shocking at first but it is nowhere enough to save this.

Vincent N Roxxy is a crime thriller from writer-director Gary Shultz and stars Emile Hirsch and Zoe Kravitz in the titular roles with the supporting cast made up of Emory Cohen and (briefly) Kid Cudi. The story sounds a helluva lot better on paper than how Shultz constructs it. Instead of grasping on to the story and themes at hand such as toxic masculinity or uncontrollable rage, Shultz gives a bare bones effort with a script that it is so poorly written, it felt like a first draft.First off, the film is 106 minutes and feels a half hour too long. The beginning starts strong and bombastic, introducing our titular characters through a car accident in very pulpy fashion. Then the film tries its hand at being a film grounded in realism for the remainder and it fails just as bombastically as it starts. Hirsch plays his role so much like Gosling from Drive that it is hard not to assume Shultz had the film on repeat during the writing process. Vincent is a cold man prone to violent outbursts much like Gosling's character in that film. It worked for Drive, it fails miserably here. Zoe Kravitz is slowly becoming one good actress and for every step forward there is bound to be a step back somewhere and that is where this film comes in. Her performance is lucid and barely there, so much so that you wonder if she was just doing this for a paycheck. No matter how often we can fault the actors, the real culprit here is Gary Shultz.The screenplay is so under-cooked that it really makes me wonder if this was a first draft and, if so, why the hell was it allowed to be shot? It is an answer I doubt we'll ever know so we can only assume. The script works against itself at every moment it gets. First we're with Vincent and Roxxy as they talk about sticking together despite not knowing one another and then Vincent (who is supposed to be street smart) tells this woman, who was just accosted by some pretty angry gangsters about money she owes, where he is heading and living. It all felt so ridiculous and ill plotted that I almost gave up after seeing that scene come in so early in the film with barely any character development. Furthermore, Shultz then takes Vincent on his own for awhile. He gives him a couple subplots that go nowhere and then sets him up for the finale to finish the main story that was left abandoned after the first 10 minutes. All in all, it's horribly plotted and the ending is one of the worst in recent memory. I'm all for some dark endings but ones that have points and this one didn't. Honestly, this is an ending that is violent for the sake of being violent and is a half- assed attempt at being edgy and dark. It all translates the same: it is rather banal.Overall, Vincent N Roxxy is one of poorest written films I've seen in recent memory. With Refn's Drive serving as a painfully obvious homage to the film, it is hard to take any of it seriously especially when none of the actors seem like they are into it in the first place. While I do credit Shultz for sticking to his guns, he really should have looked into a rewrite or two before settling on this very murky and muddled vision of something that could have been great.

This gritty and provocative film, written and directed by Gary Michael Schultz, combines themes and style from Kurosawa, Jarmusch, and De Palma. Zoe Kravitz is a force as she portrays both damsel in distress and vengeful heroine, on the run from a ruthless gangster (Mescudi, aka Kid Cudi). Emile Hirsch delivers a searing performance as the brooding but well intentioned Vincent. But personally, I feel that Emory Cohen steals every scene he's in, flaunting a dynamic bravado as Vincent's brother JC. This film fights all convention: there is a violent beginning that evolves into an honest and beautiful love story and then it jarringly returns to it's violent roots. It is necessary that directors like this be championed for their singular vision and ability to capture real and beautifully nuanced performances from their actors...both seasoned and comparably inexperienced. If you loved: Ghost Dog (Way of the Samurai), True Romance, or All the Real Girls...you should watch this movie.