They Came to Rob Las Vegas (1969)

Tied for the best movie I have ever seen

Better than most people think

The best films of this genre always show a path and provide a takeaway for being a better person.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Great thriller. I can't believe that was filmed in 1968! That was a wonderful year for the cinema. The rhythm is excellent for a film of that time. The plot and twists shows a marvelous creativity (never seen in another film until 2018: the rob is so ingenious!). The music is so beautiful that became a classic! Unforgettable film to recommend to everyone that love police stories! OK, it's not perfect, some errors, etc., but you'll enjoy it anyway!

When this film came out in 68, being that it was foreign, and the worst crime of all, dubbed, it was generally ignored or poorly received by the American film critics. One so called reviewer (I wonder if he really saw the film) wrote that it was not the worst movie of the year, but it will do.Some have suggested that Michael Angelo Antonioni might have seen this film and been influenced by it when he made his critically panned Zabriske's Point. Certainly this film has been influenced by Antonioni.The film is about a robbery of an armored truck, and the unusual circumstances that complicate matters as three sides collide. However underlying it perhaps is a comment on modern society of the time, and the idea of wanting to reclaim a lost or innocent past of heroism, even if it is criminal. This is brought out in the character of Geno, played by Jean Servais who became better known due to his staring role in the 56 heist film Rififi from the mid 50's, and I think it is no accident that he is in the film, though briefly, as his participation may mean a heroic past, but one that will not work in 1968. Gary Lockwood as Tony, was 31 at the time, while Servias was 58. The film makes references to the past as with movie posters seen on a street that would probably have not been seen on those streets of 68, and one of Tony's friends referring to some of Geno's friends as from a George Raft movie.There is also an interesting connection made between Geno, and the adversary to Tony, named Skorsky played by Lee J Cobb. One man has lived in the past and will die with it, and the other Skorsky (note they were about the same age)has adapted to this new age, outwardly respectable, but below a criminal. He will want out of his criminal activities, though as one of the mob men points out, it is not easy, and "you have eaten off the table". Tony will refer to both of Geno and Sorsky as ugly, but the meaning is different.ideas of loyalty are also noted. The older group of Geno's feel a sense of loyalty, no mater how stupid something is. But as it will be shown with Tony's group, loyalty might not mean much, unless you are the older man of that group, who will remain loyal to the end. Some may be turned off by the fact that some of the ones with poor loyalty are shown to be gay, and probably today would not pass muster. But this was 1968, and the portrayal of gays were not always shown in a good light. But it is interesting that Tony is shown to have them as friends, if not loyal ones.Many have criticized the cast of Lockwood, feeling that he is a weak leading man. I felt this way at the beginning, feeling that Jack Palance would have been better as Tony, and perhaps in relation to Geno more believable. While Palance would have been a more attractive choice, Lockwood is showing the modern man of that time, and I think is the proper choice. As the film gets to its climax, I realized that his casting was correct, and we see that Tony is a man who perhaps has been in great pain and guilt, but until the near end, has been able to hide it from us and his partners, and most certainly Elke Sommer as Ann. Interesting also that Geno had accused Tony of not being interested in money, while Ann a few minutes later in the film will say otherwise.Elke Sommer has been said by some was only eye candy here in the film. But I think she represents a woman who is looking into the future while Tony may be in the past. Yes she is pretty here, but I think that she brings out the sense of being insecure in her role of a woman in 1968, and her involvement and use by both Tony and Skorsky, who she is having a relationship on the side despite his being married. her character and thoughts brought to my mind the women's liberation movement that was just around the corner.jack Palance as Russel is great, I like the way Palance uses reading glasses in the film. While he is introduced at one time as James Bond by Skorsky, he is different from conventional Hollywood hero police types. He is not shown with a girl friend or wife, he also doesn't kill anyone, or punch anyone out. I also liked his relationship with the local police chief, the camaraderie they have, and loyalty.Also the film does not make us hate anyone. We sometimes are made to understand Skorsky, and wish him to be able to be free of the mob. He is also not the most cold blooded character in the film, that person is also against conventions.With its haunting music, used perfectly throughout the film. There is some lapses of logic, but this lapse helps move the story along. Often wonderful editing is used. If this is not director Antonio Isasi-Isasmendi of Spain greatest film, perhaps he needs a long overdue retrospective.

This is an average to above-average heist film that is helped immeasurably by the lovely Elke Sommer's presence. Once again, she wasn't able to do much with her character, beside being eye candy. Gary Lockwood is staid, Lee J. Cobb gruff, and Jack Palance wired tight as we have come to expect.A 6 out of 10. Best performance = Elke Sommer. These late 60's crime pics were churned out ad nauseum, but the criminals' plan itself is fairly interesting. Elke adds a measure of class with her beauty and poise that helps it plug along. I remember seeing this at the drive-in on a double bill with THE WILD BUNCH.

Lee J. Cobb, Jack Palance, Elke Sommer and Gary Lockwood (2001) in caper film set in Las Vegas. Some wonderful actors who don't really have the chance to interact. Elke is fabulous as usual, but we don't see enough of her, and her dalliances with Cobb and Lockwood to create any real excitement. Palance and Cobb growl their best but are let down by the ponderous pace. Some great scenes and ideas (hiding the armored car in the middle of the Nevada desert), and some truncated interplay between Palance and Sommer that suggests that a lot was left on the cutting room floor. But great fun to watch just to see a great looking classic sixties cast. Whatever happened to Gary Lockwood?