Dead Man's Walk (1996)

A brilliant film that helped define a genre

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

It's an amazing and heartbreaking story.

Exactly the movie you think it is, but not the movie you want it to be.

There were some elements of this film that I found unrealistic and caused me to stop watching. Here are a few examples. At one point, a group of well armed men sit and watch with horror as an Indian on horseback chases down and scalps one of their own. They were carrying long rifles and the distance was clearly within range of a Hawkins type rifle (let's say 100 yards or so). Even if they had been out of range, they could have mounted horses and moved up. In any case, in that situation, I'm sure any frontiersman would have shot that Indian right off of his pony. Also, in one scene, one of the characters picks up a severed turtle head. It looks realistic enough but from the way he squeezes it and it caves in without any resistance, one can see that the head is hollow and made of rubber. A little more careful handling by the actor would not have given this away although we all know a real turtle head wasn't used in filming.

This is a wonderful evocation of its period. The writing, direction and especially the acting are all above average -- even David Arquette does a reasonably successful job of playing a 30-years younger Robert Duvall-as-Gus-McCrae. He may be imitating Duvall's performance somewhat, but he does a decent job -- it's quite believable that this Gus McCrae developed into the later one.Jonny Lee Miller -- so tight-lipped it's sometimes unbelievable -- does a good job with a thankless role -- "Corporal" Woodrow Call, as the young Clara dubs him (to Gus's consernation).Jennifer Garner played Clara very well. Her flirtatious flippancy is both alluring and endearing -- and only a little annoying.Edward James Olmos is perfect, as usual. He's one of my favorite actors, has been since Zoot Suit.The costuming and setting are exemplary and very true to the pre-Mexican War Southwest.The only technical/historical problem I have with this film is the weaponry. The flintlock muskets and rifles don't sound correct, and don't discharge nearly enough smoke. (SEMI-SPOILER COMING) No firing squad would shoot with bayonets attached (they detract from accuracy). But the mixture of Colt's Patent Revolvers (tm) and single-shot pistols was correct.Of course this work pales in comparison to the book -- even the excellent Lonesome Dove was no match for the book. But this is far superior to the L-D sequel, Streets of Laredo.

I got this movie off of Netflix for one reason. I wanted to see Eric Schweig as legendary Buffalo Hump. But, about a minute into the movie, I started loving everything about it. As soon as the movie started off and we saw the old woman saying "beware of the dark woman on the white mule," it grabbed my attention and I knew it would be great. My whole family watched this movie together. My Dad, my Brother, my Mom, my niece and my brothers girlfriend sat there laughing, crying, just enjoying it, the whole way round. I'd have to say my favorite part is at the very end when the English Woman with Leporasy rode through the desert singing Opera and scaring the living daylights out of Eric. Another favorite moment was when Eric scalpped Zeke never slowing down his horse. Eric played the role to perfection. There were some snappy one-liners that my Dad and me still quote to this day. (Like that one about them green pastures!) I was surprised to see Jennifer Garner in the film and I was glad her and David Arquette's character, Gus McCray, got together in the end. I'd have to say my favorite character was Maddie. She hung in there. She reminds me a lot of myself. I loved it and recommend it to anyone and everyone who likes westerns. Even if you don't like westerns I suggest you see this movie. I give it 9 out of 10. (A point is deducted for the fact that Woodrow walked away from Maggie in the end. I hated that.)

Larry McMurtry seems to be turning "Lonesome Dove" into a cottage industry, but this "prequel" works fairly well on its own terms. It's mounted in good-looking style and has a first-rate whipping scene wherein Jonny Lee Miller, stripped to the waist, is tied to the back of a wagon and given 100 lashes, the first 50 by one man and the second 50 by another. When that first lash hits Miller's bare back, you not only see it and hear it -- you FEEL it!