The Yellow Canary (1963)

Pretty Good

If you don't like this, we can't be friends.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Despite the five favorable commentaries submitted to this forum, "The Yellow Canary", the 1963 film that showed up on cable recently, it is not a good film. Evidently, it is a piece of nostalgia to those viewers that rated it so highly.It is surprising that someone of the stature of Rod Serling could produce such paper thin premise as the one used in the narrative. It is too obvious who the kidnapper is from the start, so it comes as a no-brainer how this person could fool Andy Paxton, the man at the center of the story, as well as the police that are called to help solve the case.The film shows a bland Pat Boone trying a dramatic role. Mr. Boone was a singer that had his popularity in the late 1950s, and early 1960s. As an actor, he was wise not to leave his daytime job. The direction of Buzz Kulik, a man that worked extensively on television, does not do anything out of the ordinary to stage the film in a different fashion that might have made a better movie. Barbara Eden's Lissa does not make much sense either. Steve Forrest is about the one that fares best. Others in supporting roles include the great Jesse White, Jack Klugman, and Harold Gould.The best thing is the crisp black and white photography by Floyd Crosby of the Los Angeles of that era. The jazzy musical score is by Kenyon Hopkins.

Pat Boone plays a popular male crooner (with the silly, generic name of Andy Paxton) who is callous to his estranged wife and indifferent to their baby boy, but who jumps into action once the infant is kidnapped for a ransom of 200 G's. Whether he's resisting police lieutenant Jack Klugman's help or comforting stressed spouse Barbara Eden, real-life vocalist Boone turns in a surprisingly strong performance; he handles the s.o.b. stuff at the beginning quite well, and his on-stage numbers are flawlessly rendered. Klugman and Eden are also solid, which is a good thing because the midsection of this melodrama is definitely not. Rod Serling, adapting Whit Masterson's novel "Evil Come, Evil Go", writes some crisp, crackling dialogue--but the trouble is, there's too much of it. Serling forgets that a heated crime scenario such as this has to flow with a little action. Things get bogged down once Boone suspects one of his entourage of the kidnapping, doing his own detective work in-between bouts of the bottle. When the tense climax finally arrives and one is filled with questions pertaining to motive...Serling suddenly clams up! The finale is satisfying only on the most basic of levels, with point and purpose left strangely unresolved. ** from ****

I agree 100% with Jonboy1 from Texas. Pat Boone gives a very credible performance as the smooth nightclub singer, Andy Paxton. He teams again with Barbara Eden (together first in "All Hands on Deck - 1961?) who plays his wife, and is the "yellow canary" who like the proverbial worm, turns. Jack Klugman, always a welcome presence on screen appears as the probing Lieutenant Bonner. 1950s film luminary, Jeff Corey also makes an appearance. I cannot understand why this film has been canned when many less deserving films appear on DVD. Another of Pat's efforts "Never Put It In Writing" is similarly discarded while the nonsensical "The Horror of it All" is available. Strange! If anyone knows where I can buy a copy, I would be obliged.

"The Yellow Canary", movie is the story of a singer who's baby is kidnapped. The best acting in the film is from Barbara Eden in one of her best dramatic roles of Lissa Paxton, the wife of the singer and mother of the baby son who's kidnapped. The reaction when she comes home and finds her baby son kidnapped is one of the best scenes in the film. A good mystery and story from Rod Serling.