Some Folks Call It a Sling Blade (1994)

Instant Favorite.

I'll tell you why so serious

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Previous reviewers have commented (negatively) on Molly Ringwald's interpretation of the reporter. I have to disagree. I enjoyed it much more than the reporter in the full-length version (which is one of the greatest films of all times.) I didn't realize that the reporter was so weak in "Sling Blade" until I saw "Some Folk....". By the end of the interview with Karl, she (Ringwald) 'gets it' - she understands the horrific conditions that Karl endured, and why he did what he did, and she shows it, simply by the expressions on her face. I did not find this Karl any more menacing than the Karl of "Sling Blade" - I think it does show more the fear he has of leaving the safety and relative comfort of the hospital. Imagine how it would be if being in a hospital is a better situation than your only memories of life "outside". Long time prison inmates describe it all the time. This is a magnificent piece - where less is definitely more. I loved it.

I have mixed feelings about this short. Sling Blade is my all time favorite movie. I absolutely fell in love with it the first time I saw it and I still never tire of watching it. This, on the other hand, is an entirely different take on the Karl Childers character. While he is likeable and friendly in Sling Blade, he is intimidating and scary in "Some Folks Call it a Sling Blade". Also, I could not stand Molly Ringwold's version of the reporter. She was bitter, hateful, and downright cold while the reporter in Sling Blade has a timid, sweet manner and is kind to Karl. The ending left you with an odd feeling (yes, I know all of this was intentional) and made you wonder just WHY they were letting this menacing person out of the "nervous hospital". This is a very well done short. The mood is dark, the setting is perfect, and Hickenlooper really seems to know what he is doing. I just wasn't too crazy about his interpretation of the story. Had I seen this before I saw the full-length version, I'm sure I would have enjoyed it a lot more. The video has a really cool "behind the scenes" featurette that is a must for fans of Sling Blade. Oh, and thank you Billy Bob, for giving us YOUR interpretation of the story and telling it the way it was meant to be told.

Billy Bob Thornton's screenplay manages admirably to catch the inevitability of violence in impossible family situations. The question one might ask is: who has been wronged most? You simply can not lock up a child in a shed for years and expect it to act rationally. George Hickenlooper does well to restrict his staging to a cool minimum. The actors get more space that way. Molly Ringwald, J.T.Walsh and Billy Bob Thornton are equally good in this gripping short. Although I'm not certain whether I agree with Hickenlooper's choice of two-shot for the interview scene -B.B.Thornton shot the same scene almost completely in close up for his SLING BLADE; and to good effect- his decision to use black and white photography was a wise one. This kind of film is not a dime a dozen, it should be treasured.

Billy Bob Thornton proves himself to be great in this short independent picture about a killer who is released after 25 years in a mental home. This later was transformed into a longer version called Sling Blade which was released in 1993 to world-wide acclaim, but this is much better. Why, because technically, this is the beginning of the feature Sling Blade, and the beginning is the best part. Kudos to Thornton and director George Hickenlooper for creating a original short film that is as good as the hype. A+