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Peg o' My Heart

Peg o' My Heart (1933)

May. 26,1933
|
6.5
| Drama Romance

Peg and her father live a simple life in an Irish fishing village. One day Sir Gerald arrives at the village to tell Pat that Peg is heir to estate of her grandfather, who hated Pat. The upshot of the will is that she must go to England for 3 years to learn to be a lady and that Pat can never see her again.

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Karry
1933/05/26

Best movie of this year hands down!

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Afouotos
1933/05/27

Although it has its amusing moments, in eneral the plot does not convince.

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Senteur
1933/05/28

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

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Tayloriona
1933/05/29

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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bkoganbing
1933/05/30

Marion Davies was given quite the acting challenge by MGM and her paramour William Randolph Hearst. In doing Peg O' My Heart she was taking on a role that was made immortal on stage and in a silent screen version by Laurette Taylor. But Marion was more than up to the challenge.In fact the film was the best of possible worlds for Davies. She could be the sweet heroine that Mr. Hearst always saw her as. But the part called for some singing and Irish dancing and Marion's great talents for mimicry. She's got the brogue down perfect, she really does sound like J. Farrell MacDonald's daughter and he came by his brogue naturally.The play was written for Laurette Taylor by her husband J. Hartley Manners and became Taylor's signature part. Davies did make it her own. The play was considerably expanded from the stage version which only takes place in the drawing room of the Chichester home in Great Britain.Young Peg O'Connell was the daughter of MacDonald and an English mother who left them because she couldn't stand the life in the fishing village in the west of Ireland. What's great for some is bad for others, the village looks and feels a whole lot like Innisfree where John Wayne couldn't wait to move to in The Quiet Man.But mom's died and she's left a will that says the Chichester family will be paid an installment to educate young Peg in proper English ways and then Peg's to receive a big inheritance. Looks like mom made out quite fine after she left J. Farrell MacDonald. Anyway she's also to cut off contact from her father completely.The usual English and Irish stereotypes circa 1912 when Peg O' My Heart opened on Broadway for a 603 performance run abound in the film version. Peg's presence however changes quite a few things in the lives of the Chichesters before she makes up her mind what her destiny is.Marion is just fine in the part, I certainly would like to know what Laurette Taylor might have thought of her performance.

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MartinHafer
1933/05/31

While this isn't one of Miss Davies' very worst films, it is pretty bad. And it's sad that in a revisionist fashion, recent IMDb raters have deliberately over-inflated the scores on some of her films to make up for her being slighted in the past--or so it seems. For years, conventional wisdom has been that Davies was a terrible actress and only got the roles she got because her beau, William Randolph Hearst, bought her way into Hollywood. This certainly is the image created in Orson Welles' CITIZEN KANE. It is true that Hearst did use his considerable wealth and clout to build Davies' career. With all this money, it's not surprising that she made some excellent films and it isn't surprising that people got snippy due to all the extra attention she got. Sleeping with the man who finances your films is bound to get noticed. However, despite this edge, she also made a decent number of bad films and I think we really need balance when it comes to the scores of her movies. After all, no rational person could believe that as of today (1/5/08), PEG O' MY HEART and two other Davies films recently shown on Turner Classic Movies (THE FLORODORA GIRL and MARIANNE) deserved the exceptionally high scores--ranking them higher than such films as HIGH NOON, BEN HUR, THE BEST YEARS OF OUR LIVES and ALL QUIET ON THE WESTERN FRONT!! In fact, MARIANNE would now rank as the fifth best movie ever according to IMDb with a score of 8.8!!! Considering most people out there don't even know who Marion Davies was AND most of her movies were financial disasters, this is a serious problem!! However, she was a much better actress than CITIZEN KANE implied and initially broke into films before she began sleeping with Hearst.What sets PEG O' MY HEART apart from these two other movies, is that MARIANNE and THE FLORODORA GIRL were pleasant little films--while PEG O' MY HEART is in some ways just terrible. Much of the reason was the terrible miscasting of Marion. While her French accent in MARIANNE was cute, in PEG her Irish accent just sounded bizarre--not particularly Irish. Plus, and perhaps I'm mistaken, but her continual use of the word 'ye' makes her sound like she should be doing Shakespeare, not a film set in 1933 Ireland! Also, there was a bizarre insistence that Marion should be the consummate multi-talented star--so they had her not just act but dance and sing. The singing actually fit the scripts in some of her films, but here it seemed out of place and seriously detracted from the film. It just seemed like you could almost hear Hearst shouting out "see--she IS a great actress---look at her sing and dance". Sadly, Marion just looked uncomfortable and out of place in many of these scenes. But for me, the biggest problem was the idea of having 36 year-old Marion playing such a youthful role. It was obvious that the character she played at the beginning of the film was supposed to be like the ones Mary Pickford played in the teens and twenties--complete with the pig tails and plucky attitude. Miss Pickford COULD carry off these roles even though she, too, wasn't a girl any more. But here, Marion had put on a bit of weight and looked at least 30. No offense--she looked fine for her age--but she DID NOT look like a teen! Oddly, with the millions that Hearts spent on Marion's career, he never realized that the most important thing he needed to spend his money on was a good script and one that fit Marion's talents. Believe me, I have rated several of her films very high (I especially adore SHOW PEOPLE), but here she just couldn't help but flop--this film was a turkey.

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whpratt1
1933/06/01

Marion Davies, (Peg O'Connell) plays the role of a very young girl who lives with her father Pat O'Connell, (J.Farrell MacDonald) in a simple fishing village where she is a bit of a tom boy gal who is full of energy and fun and well liked. One day Pat & Peg are visited by Sir Gerald Markham, (Onslow Stevens) who tells Peg & Pat they are heirs to the estate of her grandfather, who hated Pat. Peg is told she has to go to England for three years to learn to become a lady and she is never to see her father Pat. Things start to change in Peg's life and she begins to want to live with her father and does her very best to find her dad. Peg has many lovers and falls in love with one man and he decides to marry another woman. There is plenty of drama and comedy in this film and Marion Davies gives an outstanding performance.

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Niro
1933/06/02

Just watched this today on TCM, where the other reviewers here saw it.Sorry that I was the only one to find Davies a weak actress, with a truly awful attempt at an Irish (Irish-American or otherwise) accent. As she's the star, it was sort of hard for me to get past that -- especially as the other reviewers have said that this was her finest performance.Another particularly terrible Davies performance was in "Marianne" (1929), which I also watched today. In this film, given a 9 of 10 rating here, her accent switches from that of a (correct) French woman to an odd combination of Italian and Swiss.Interestingly, in TCM's one-hour bio of Davies -- "Captured on Film: The True Story of Marion Davies" (2001) -- film historian Jeanine Basinger claims that "one of the things that you note about Marion Davies in her sound work is how good she is at doing accents." Of course this bio also includes commentary by fans (make of that what you will).Davies was a very attractive young woman, and by all accounts a terrific comedienne in real life.And because a part of her anatomy added immeasurably to the real-life answer to Joseph Cotten's character's search for the meaning behind Kane's final word in the opening scene of the great "Citizen Kane," she's earned her spot among the great stories if Hollywood's history.But I think Welles & Mankiewicz got it right for the most part with the "Susan Alexander" facsimile of the real article.Don't bother voting as to whether you agree or disagree with this post as I really couldn't care less.

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