Summer and Smoke (1961)

You won't be disappointed!

Wonderful character development!

One of the worst ways to make a cult movie is to set out to make a cult movie.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Hardly the best of Tennessee Williams and this film version does nothing to improve on it. The director was Peter Glenville who may have been highly proficient on stage but who had no real idea of what made good cinema and this is turgid at best. Geraldine Page may have been ideally suited to the role of the repressed spinster Alma but her tremulous, hesitant and, of course, highly mannered performance is just annoying and you know something is askew when the usually wooden Laurence Harvey more than manages to hold his own against her. He's the good-for-nothing young doctor who seduces her and whose body just drives her wild with desire as a certain Miss Bowles might say. As the local tramp Rita Moreno barely gets a look in though Una Merkel makes a brave stab at playing Page's dotty mother, (she and Page were both Oscar-nominated). Williams later revised the piece under the title "Eccentricities of a Nightingale" which was filmed for television with Blythe Danner and Frank Langella.

Geraldine Page had her first true starring role in "Summer and Smoke" released in 1961. Yes, she had been a theatrical star and did television work, and did fine in 1953's "Hondo" opposite John Wayne. But here, Page brings the repressed Tennessee Williams character of Alma to glorious life. The story, set in the 1920's, deals with the Southern small town stifling morals of the day. Page is a preacher's daughter, making her even more repressed; her father is played by actor Malcom Atterbury with all the proper moral condemnation. Her mother, played by old Hollywood star Una Merkel, is mentally unbalanced, adding to the responsibility Alma feels, as she lives at home with both of them. Alma is at an age that would have been considered a "spinster" of the times. Enter the young handsome doctor John (Laurence Harvey), whom Alma has known since childhood, since he lives next door with his cantankerous doctor father (John McIntyre). Alma desires John, but her own sexual inhibitions will now allow her to explore that, so she secretly lusts after him. John is a fellow who focuses on the physical, and takes up with a woman who would have been considered quite loose at the time (Rita Moreno in an early performance). John knows Alma desires him, and he is not sure how to handle it. He tries to take the relationship further, but Alma resists his sexual advances. Neither of these individuals is wrong for how they feel - and they seem to go through the whole movie not connecting. This is probably the finest work Laurence Harvey did on screen - his smoldering sexuality is used here to great effect. He and Page have palpable chemistry. The supporting players are capable as well, but this is Geraldine Page's show, and her genteel demeanor and southern accent are spot on. We are left pondering Alma - she is both tragic and wonderful.

"Summer and Smoke" is another Tennessee Williams southern drama that, after debuting as a play, was made into a film and later an opera. Set earlier in the 20th Century, it's the story of repressed passion, unrequited love and desperation. Geraldine Page stars as Alma Winemiller, the uptight daughter of a minister. She teaches voice, sings a little, and lives with her father and an insane mother (Una Merkel). Alma, since childhood, has been in love with the young doctor next door, John Buchanan (Laurence Harvey), the son of a doctor and a playboy. Buchanan has recently returned to town and is still a reckless playboy. Now he's involved with Rosa Zacharias (Rita Moreno), a girl from the wrong class and the wrong side of town. On the evening that something could have happened between Alma and John, she runs from him. One night, while a wild party is going on at the Buchanan house, Alma goes next door and learns that Rosa and John are going to be married. Upset, she calls John's father (John MacIntyre) at the hospital and urges him to return home. The result is tragedy.This is a very powerful and poignant story of two people, one interested in earthly pleasures and one focused on the soul and spirit. Neither one is entirely right or wrong, but it creates a chasm between them. When each realizes what the other has been saying, it's too late for them.Geraldine Page, who played this role to great acclaim on stage, brings her magnificent portrayal to the screen. The role was based on Williams' sister, who eventually went insane. If physically Page is a little less delicate looking than one imagines Tennessee Williams' female characters, her portrayal contains all of the fragility of the role. The final scene between Alma and a salesman, played by Earl Holliman shows the shocking contrast between Alma in the beginning and at the end of the film. Geraldine Page gave us all too few gems on films, as she concentrated on the stage. We have to savor what we have.Laurence Harvey is very handsome and desirable, but probably a little too refined for the role of John. The role needs someone whose sexuality is less ethereal and more earthbound. Una Merkel is excellent as Alma's mother, a truly disturbed and frightening woman.Very good film based on a Williams play, worth seeing for the wonderful Geraldine Page and its thought-provoking story.

I saw this movie at a theater in Springfield, Ohio, at the time of its original theatrical release. I don't know if memory makes things seem better than they really were but I rate this as the most memorable movies I have ever seen. I thought it was fantastic. I've not seen the video and I'm not sure that I would want to since this VHS edition is not letter-boxed. It would have a 1.33 aspect ratio instead of the wide, 2.35 aspect ratio of the original Panavision film. I think that would destroy much of the film's visual appeal. If this movie ever comes out on DVD, in the original Panavision aspect ratio, I'll be certain to buy it!