The Baby Maker (1970)

Best movie of this year hands down!

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The acting in this movie is really good.

An excellent, if greatly underrated film. Philosophical author Thaddeus Golas, who lived with a hippie commune for several years in San Francisco in the '60s and 70s, pointed out that The Baby Maker wonderfully captured the spirit of youth in the '60s, far better than Hollywood caricatures like The Trip or Easy Rider. This is true, of course. This film is about the clash of worlds and paradigms. Like most films of the 1970s, it's true themes are hidden under layers, and the title gives few clues as to what the story is truly pointing at. Worth a viewing!

People didn't want to THINK about this movie at the time it first came out. The idea that a childless couple, so desperate to have a baby, would have the husband meet a young surrogate at a hotel room to "make a baby" while the wife sits nervously at home, looking at the clock, anticipating his return home. That was too much for people. It was titillating and had a sleaziness to it.Sex can do a lot of things. Barbara Hershey was very good in her part and started to have "feelings" for the husband (this often happens after sex). She has a boyfriend (Scott Glenn), whom she catches in bed with another woman, which sends her over the edge.I don't remember the end, but I used to have this on tape. I wouldn't mind seeing it again.

Barbara Hershey plays a hippie girl who is hired to have the baby of a middle class couple (Collin Wilcox-Horne & Sam Groom). The film deals with the clash of values between Hershey, along with her boyfriend (Scott Glenn), and the couple. It also deals honestly and surprisingly fairly with the emotional turmoil all four characters go through. Supposedly the film was dismissed upon its released because of the way it depicted hippie culture, but it is much more positive than a good amount of the films of the day (see Joe, for instance). It neither accepts nor dismisses either of the two classes, but instead deals with the four principals as individuals. The four characters are sensitively written (director Bridges, most famous for writing and directing The China Syndrome, wrote the script here, as well). Hershey, Wilcox-Horne (AKA Wilcox Paxton), Groom, and Glenn all give exceptional performances.

An upper-class, childless couple in Southern California "hires" a comely hippie to bear the husband's baby (this being 1970, she conceives the old-fashioned way); soon, the straight-laced twosome are drawn into the young woman's world. Interesting, insightful, provocative (for its time), the movie does follow a typical by-the-numbers pattern (with an "open minded" boyfriend, jealousies and friction on all sides), but writer-director James Bridges is very tasteful and unhurried. He also gets some lovely shots of Barbara Hershey at her chestnut-haired, go-go-booted best (my favorites were her run across the street at the beginning, a stunning glimpse of her through a rain-soaked car window, and under the sheets in bed). The incredible finale refuses to compromise, and even though the medical aspects of the story are dated, the emotions are still on-target. *** from ****