The Single Standard (1929)

You won't be disappointed!

Although it has its amusing moments, in eneral the plot does not convince.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The acting in this movie is really good.

The Warner Archive print of The Single Standard is not in an immaculate condition, but I'd give it 9/10 nonetheless. This time, Nils Asther has a more complex role, but either he or director John S. Robertson decided that the part should be played with little depth so as not to distract viewers from the Garbo character who rightly occupies center stage. In fact the only actor whose role rivals Asther's is Johnny Mack Brown. Mr. Brown is awful, as usual, but he doesn't come across too badly because Robertson artfully places him in Garbo's shadow, thus diluting his excessive hamming to a point where he often (but not always) seems reasonably tolerable. All the other roles are small. Third-billed Dorothy Sebastian has such a miniscule part that most viewers would be unaware that she's in the picture at all. Aside from the three leads, the only players who make any impression are Joel McCrea as leader of the opening party-goers, Wade Boteler in an unusual role as an umbrella snatcher and Fred Solm as the hapless chauffeur. This time, the alluring Garbo is photographed by Oliver T. Marsh. In both this films and "Wild Orchids", she is costumed by Adrian. And both films have delightfully atmospheric music scores composed and conducted by William Axt. Oddly, Wild Orchids also has lots of sound effects, but Single Standard, though released later in 1929, has none at all. Not even a lion's roar!

Garbo would soon be talking, but still in 1929 MGM was putting her in silent films as they searched for the right property for her. Still when Greta Garbo made The Single Standard her future in sound was still a subject for speculation.With her Swedish accent it wasn't sure how it would register in sound. But watching The Single Standard Nils Asther and Johnny Mack Brown also had accent issues. Asther was also from Sweden and he's probably best known in talkies for playing the title role of a Chinese general in The Bitter Tea Of General Yen. He slipped back into B pictures and less with sound.So to did Johnny Mack Brown. Brown was an All American from the Crimson Tide of Alabama and had an accent to match. He who was a leading man to Garbo and Mary Pickford among others quickly went into westerns and soon enough B westerns for his career. Silent films were a great leveler in casting. As long as you looked believable in the role, no speech limitations could hinder you.It's why Garbo is playing an American socialite who is bored with her life and doesn't see why she shouldn't go out and sow wild oats like the men do. The Single Standard should apply to all.So she dumps good old reliable Brown to have a fling with first her chauffeur and then artist/boxer Nils Asther. This was a character that had to have been borrowed from current middleweight champion Mickey Walker although Walker was fighting more than painting at this point of his career.Asther is one romantic dude for a prizefighter and even when she goes back to Brown and has a son by him, he's still someone she can't shake.Sharp eyed viewers will note the presence of future stars Joel McCrea and Robert Montgomery in the cast as a couple of debonair men about town. The Single Standard is not the best of Garbo silents though she gets her moments in. Best for her are scenes with her young son, a harbinger of what she does in Anna Karenina some years later.A must for Garbo fans, yet all of her films are.

Before I will comment on this significant film with Greta Garbo and Nils Asther, let me make a short biographical notion.Many biographers of Greta Garbo, including Barry Paris and Karen Swenson, note that she came to Hollywood with her mentor Mauritz Stiller in September 1925... Although she was already a trained actress (having made two significant projects in Sweden and Germany), what she found in MGM was very different from what she experienced in Europe. The roles she was given, though being sometimes very successful roles (including the ultra popular Felicitas in FLESH AND THE DEVIL), were in majority the roles of vamps and temptresses. But Garbo...she disliked playing 'bad women.' When, in her prolonged contract, Garbo started to have a word in the roles she played and rejected some unattractive ones, more sophisticated projects appeared... One of such refreshing projects was, undeniably, THE SINGLE STANDARD. One the one hand, a movie appears to be ignored in many analysis of her film career (it appears to be forgotten by some Garbo fans as well); on the other hand, the movie is strangely an 'oldie' that many modern viewers find entertaining and appealing.It seems that the reason why this film is, at least, "known" among the fans of silver screen productions, is the pairing of Greta Garbo and Nils Asther. Indeed, both give tremendously convincing performances that still, after those decades, maintain their desirable authenticity. Who can possibly skip their unforgettable moments on the islands of eternal sunshine? How can we ignore their memorable chemistry when experiencing the Philosophy of Love? Who can ignore the perfect tension when the hearts are there but duties elsewhere...? Yes, Nils Asther appears to be one of the best co-stars Greta Garbo could ever play opposite.Another reason, I think, is Greta Garbo herself and her unforgettable moments throughout the film. Although the close-ups are not that outstanding like in her top productions of the 1930s, there are pretty pearls that should not be skipped at least by Garbo fans. For instance, this is the moment of her walk in rain when she humorously states: "I want to walk alone..." These are her unforgettable facial expressions when 'naughty men' come filled with wit having dated their delicious mistresses. This is, generally, the feeling she put in any kind of portrayal she did before the camera. But, here, let me concentrate more deeply on the role of Ms Stuart that Ms Garbo so beautifully portrays since there is one more rarity about the Swedish Sphynx: the power of THE SINGLE STANDARD lies specifically in the "refreshment" of Garbo's masterful acting. Arden Stuart is a woman who, on the other hand, wants to be independent from men but, on the other hand, learns to understand what living for others means. Although she wants to walk alone, she does not live her life all alone (though she has some great time on All Alone ship). She does not accept any "half measures" and treats life seriously being very genuine in what she does. As a free woman, Arden opens her heart to...love. However, this love will make her stand before the most important decision of her life... Among many scenes that remain in one's memory, including Arden's scenes with her child, I would like to share one moment with you, the moment that truly left a trace in my mind and in my heart. This is the moment when Arden has a trip with a chauffeur and she says that there is no difference whether it's a girl, a man but both have right to... life. It is the viewpoint that very well fixed to Garbo, to her powerful belief in personal freedom and happiness. Although some say that "Garbo plays a normal woman" in THE SINGLE STANDARD, I would say more: "Garbo plays a sophisticated human being" in THE SINGLE STANDARD, a human with her fears, her feelings, her decisions and reflections, her heart.Other aspects are, perhaps, not greatest merits of the movie (with some exceptions). It is true that the cinematography is not of top quality. The same may be said about some supporting roles. But here, two things may also work well for the film nowadays: firstly, it is the short length of THE SINGLE STANDARD which does not bore people; secondly, it is the tension - the viewers' attention is kept thanks to the wonderfully roused interest.At the end of my review, I would like to add one thing from me, personally. I would like to ask you not to treat my words as the ones said by a Garbo fan who tries to convince viewers to see yet another "oldie" with the greatest actress of all time. Although I consider myself a great Garbo admirer, I say it with all my heart: you do not have to be very knowledgeable about Greta Garbo and you may still see this film with great pleasure finding something for yourself. That is what I wish you from my heart. I rate the film 8/10

The wealthy Arden Stuart (Greta Garbo) is bored in a party; after refusing the wedding proposal of Tommy Hewlett (John Mack Brown), she drives her car with her driver to a lonely place. She has one night stand with him and returns to the party; then she witnesses the driver being fired by a relative and committing suicide. In a rainy day, Arden goes to an exposition and meets the painter and aspirant boxer Packy Cannon (Nils Asther). They sail to the South Seas together in his sailboat and Arden falls in love for him. However, a couple of months later, Packy dumps her and brings her back to her city, traveling to China alone. The heartbroken Arden is proposed again by Tommy and gets married with him. Three years later, Arden meets Packy by chance and becomes divided between her unconditional love for Packy and the love for her son. "The Single Standard" is a dated story about an emancipated woman in a hypocrite society where infidelity of men was accepted by his wives. Greta Garbo is astonishingly beautiful in the role of Arden Stuart, a woman ahead of time that believes in freedom and equal rights of "love" for men and women. It is very interesting to see the behavior and moral values of the dominant class in this silent movie, where apparently nobody works and seems to party every night. My vote is seven.Title (Brazil): "The Single Standard"