A Killing Affair (1986)

Must See Movie...

Good start, but then it gets ruined

The best films of this genre always show a path and provide a takeaway for being a better person.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

WWII era West Virginia. In a rural area, there's a thoroughly despicable character named Pink Gresham (top character actor Bill Smitrovich), a mill foreman who not only screws over his employees, but cheats on his wife Maggie (Kathy Baker) to boot. Shortly into the story, Maggie finds Pink dead, and is then visited by a stranger, Baston Morris (Peter Weller). Maggie finds herself drawn to Baston, even after he informs her that he's murdered her husband. The balance of "A Killing Affair" shows how their relationship develops, as she struggles between possible feelings for him and an understandable amount of distrust for the man. Is Baston really on the level with her? He hides out on her homestead while the law searches for him.This marked the directing debut for screenwriter David Saperstein ("Cocoon"), who adapted the novel "Monday, Tuesday, Wednesday" by Robert Houston. This viewer didn't mind so much the fact that it is a pretty sordid story (with some interesting revelations along the way), but overall it lacks any truly intriguing features). It's got some decent period atmosphere, some mild titillation (a brief flashing of breasts), a draggy pace, and no on screen violence, but what it does have is a sympathetic, appealing performance by Ms. Baker. Weller is passable as the earnest, somewhat enigmatic Morris. Smitrovich is perfectly vile in his brief time on screen. And John Glover is solid, if not utilized to his full potential, as Maggies' brother who is also the local priest. The film does also have a lush, lovely score by ever reliable John Barry.Not bad, but not very memorable either.Six out of 10.

It's a real story, and I know who the characters are immediately. But the best part is the superb acting by Kathy Baker. This is her movie from start to finish. Sure, the others, (Weller, Smitrovich ) are good, but nothing in comparison to Baker.Her voice, the tone, the pauses, the eyes, the gestures, combine to tell the exact emotion, in an emotion-packed story. There is worry, doubt, fear, a tiny bit of joy - it's all there, compassion too. Not much to laugh about, in fact nothing at all, but that's not necessary in such a gripping story.Set in small-town USA in the forties, where the mill is supposedly short of able-bodied men. Flashbacks tell of the background as the horrible foreman acquires a wife from the distraught and stupid son of another horrible person who had locked his wife in a share-croppers shack for two years.As he is led away after being caught, he shouts "She's my wife, she belongs to me", and that seems to be the attitude of his son Sheb (John Glover) who later becomes a Baptist minister and proclaims the same horrible code. Maggie (Kathy Baker) is his sister. Sheb callously gives her to Pink Gresham, the Parrish Mill foreman. Pink cheats on his workers - deducting $5 *more* from their pay packet than usual (that would be a huge amount in today's money), but the workers are powerless to complain. Pink cheats on his wife too, spending the night with cute Sara (rather oddly, the credits say "Sarah's father"? (Danny Nelson) who doesn't say a word. His face says it all - disapproval, but powerless to interfere.Someone else that Pink has hurt is Baston Morris, (Weller) with whom Pink had stayed for a week whilst looking for workers to replace men who have been drafted or enlisted in the war. Pink buys gifts for the Morris children and especially their mother (another actor who doesn't say a word). The wife says (in a letter that Baston finds) that she will leave Baston and go to live with Pink. Needless to say, that upsets Morris so much that he comes after Pink. And gets him.When Morris shows up at the Gresham house, on the other side of the river with no road access, Maggie is effectively held hostage. She tries to get help from a neighbor, but fails. To add to the fear and danger, there are a pack of wild dogs in the area. Morris deals to them and threatens to do the same to Maggie unless she agrees to help him escape.There are a couple of very short scenes, half a second long, that need to be noticed and their relevance understood. That might take a second or third viewing of the DVD, well worth it. The neighbor's young son has seen a critical event between Maggie and Morris. That leads to the arrival of the Sheriff, and the inevitable conclusion.Great writing, lots of memorable lines, great direction and production. My only complaint might be the title, OK, there is a bit of killing, but that's not the main story, so perhaps "Hostage Affair" might have been better.

The lurid title isn't much of an improvement over the name of Robert Houston's original novel ('Monday, Tuesday, Wednesday') but it at least hints at the occasionally overwrought plotting in this Appalachian thriller, a murder/hostage drama set in rural West Virginia circa 1943. Some careful attention to period flavor helps give the film a definite sense of time and place, not that it matters after ignorant drifter Peter Weller kills a wicked mill foreman and holds his victim's long-suffering wife captive for three days. The set-up is dramatically sound, but every shred of credibility gets tossed out the window in the second act: Kathy Baker begins to sympathize with her captor; they sleep together; he's then revealed to be a homicidal maniac, and so forth. Perhaps it's all meant to be a parable of one woman's liberation out from under male authority, but the subtext is too confused for the film to work as anything deeper than a routine, violent psychodrama. In the end what might have been a real sleeper winds up as just another corpse.

I got some of the same feelings that I received from watching "Cold Mountain." There is an overriding threat throughout. People don't trust because there are people who usurp authority and control others, even though they have no real right to. Mr. Grisham is about as despicable as a man can be. He uses people, capitalizing on their poverty, uses women, and mistreats his family. Eventually he gets to pay for that. But, coming into the picture, is an enigmatic man who is seeking revenge. He claims that Grisham killed his wife and family. He admits that he killed Grisham in retaliation. This is where things get dicey. I will say no more about the plot. The acting is bleak. The setting is a morass of trees and vines, a river with no escape, and a pack of dogs that threatens the characters at every turn. Threre is bitterness from the black family that is, of course, mistreated and abused. There is the woman who has had to depend on a bastard of a husband, not knowing what to do and who to trust. She is victimized by her husband's reputation and his evil. This movie really captures a time period and a group of Virginians during an unhappy time in our history. It is gut wrenching and believable. A bit of a diamond in the rough.