The Singing Detective (1986)

Plenty to Like, Plenty to Dislike

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

An old-fashioned movie made with new-fashioned finesse.

The Singing Detective is without a doubt, the best television miniseries ever! That being said, where is the Amazon.com link and the DVD link? What's up IMDb? I read where Amazon owned you guys and I am thinking maybe they don't anymore? I miss those links. Please bring them back. How else am I going to know when stuff is available on DVD? Anyway, go buy The Singing Detective. I pities the fool that doesn't get to see this TV show. "Am I right or am I right?" It follows the exploits of Philip Marlow a writer of detective stories who is bedridden with a terrible skin/joint disease and involves his wild fantasies induced by said disease while lying in bed. The story in his head clashes with the real world and also incorporates memories of his childhood. Sometimes the stories become intermixed. It still packs an emotional wallop after 25 years. Michael Gambon is a revelation as both the writer and as 'The Singing Detective'.

The Singing Detective is one of those great works that inspire something deep within the viewer, leaving them both shaken and elated by the spectacle they have just witnessed. Few cinematic works can inspire such a feeling, let alone a work for television; and it is this sense of genius that elevates this work above the comparatively "okay" likes of say, Cracker, Brideshead Revisited, and Prime Suspect et al. This is down to the fact that The Singing Detective is a work far greater than anything else; a microcosm of life, love, anger, defeat, consciousness and the sub-conscious. It deals with the intricate realms of fantasy and reality, the written, the understood and the real. If this sounds complicated then we're on the right track, because this is one of Dennis Potter's most detailed narrative constructs. The story chronicles a writer's decent into personal hell, as well as a decent into a book being written in his own imagination and a book written many years before; with his past, present and future all jostling for our attention throughout the epic, six-hours-plus running-time.It is a testament to Potter's ability as a screenwriter that the whole thing zips along so quickly, with the multi-layered story never pausing for a moment; constantly being carried along at every step by the combined genius of Potter's characters, the skillful and visually rich direction of Jon Amiel and that towering central performance from the brilliant Michael Gambon. The writing is truly ecstatic, with Potter obviously relishing every chance he gets to play with both the musical and detective-movie clichés - bringing to mind both Casablanca and Potter's own-classic Pennies From Heaven - whilst the dialog of Gambon's inner-monologues have more in common with the profane poetry of 60's playwrights that anything you'd expect to hear on BBC 2. The story also has obvious political overtones, with Potter using the hospital setting of the present sequences to double as an allegory of 80's Britain under the tyrannical leadership of Margaret Thatcher (bringing to mind the Elvis Costello song Tramp the Dirt Down and those other hospital set political parables, One Flew Over the Cuckoo's Nest and Britannia Hospital).The story is also somewhat semi-autobiographical from Potter's point of view, with the writer, at this point in time, suffering from the same psoriatic-arthritis that Gambon's character Marlow has (creating that devastating, iconic image of the paralytic Marlow languishing half-naked in bed, being greased by a young Joanne Whally). There are also the much deeper autobiographical aspects with the young Marlow's childhood in the shady and evergreen Forest of Dean, in which the pastoral setting gives way to some truly shocking moments; recalling similar childhood traumas from such diverse examples as Iain Bank's Complicity and Rob Reiner's film Stand by Me. However, within this mire of bitterness, surrealism, bouts of lip-synced cabaret and phantasmagorical shoot-outs, there is also a great deal of humour. Anyone who has seen one of Potter's early TV plays or, for that matter, later classics like Karaoke and Cold Lazarus will know of his depth and range as both a humorist and a satirist; and it is this darkly acerbic wit that underlines the central narrative strands of The Singing Detective.Some would argue that this is the best that television has to offer, though I would politely disagree. The Singing Detective is a work of art too good to be considered simply for television. Now, thanks to the magic of DVD we have the chance to experience Potter's classic in its definitive unabridged, unedited, uninterrupted from. A truly great piece of work.

Apparently this is a "cult" movie (OK, miniseries) like Rocky Horror or Repo Man. There's a small group of people who love it and think it's the greatest thing ever, while most of the world is blissfully unaware of its existence. A friend lent me a copy, and I really couldn't get into it. It's just too oblique. There's tons of stuff going on, on all sorts of levels, but somehow I didn't care. The production quality is mediocre at best, and the main character, Marlow, is not all that likable. There are some great moments -- like when the hospital doctors burst into a rousing rendition of "Dem Bones" -- but mostly it just meanders along, zig-zagging between past and present, reality and fantasy. If you want to watch a surreal movie, I recommend "Brazil" over this, any day!

Anyone who thinks television is only for the brain-dead should see this drama. Written by Dennis Potter,the most exciting writer to ever work for television, it is a multi-layered story of a writer hospitalised with a disabling skin disease, who retells the story of his most famous book (which is coincidentally being read by another patient), relives incidents from his childhood, imagines contemporary events and the people around him bursting into song. It is hard to describe, but it is sharp, funny, superbly intelligent and challenging - among the best six hours ever made for television.