The Crucifer of Blood (1991)

One of my all time favorites.

Just perfect...

I gave it a 7.5 out of 10

What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.Both loosely based on, and also in a way closely indebted to, 'The Sign of Four', 'The Crucifer of Blood' is worth a look, but more as a one time watch rather than repeat viewings. Not one of the best Sherlock Holmes adaptations, like the best of the Jeremy Brett Granada series and the best of the Basil Rathbone films. Also not one of the worst, not like any of the Matt Frewer films (particularly 'The Sign of Four') or the abominable Peter Cook version of 'The Hound of the Baskervilles'. There are a good deal of strengths here. It has an eerie opening and the ending is attention-grabbing and really quite genius. The touches of the 'The Sign of Four' story provided a good deal of entertainment, as do the detective work and deductions that there's a heavy emphasis of. Some thought provoking dialogue and nice photography also. There are some good performances, with Richard Johnson a strong, loyal Watson and Susannah Harker quite touching. Bernard Fox and John Castle give scene-stealing turns, especially Castle as the most interesting supporting character. Clive Wood is a good Jonathan Small, though nowhere near as much as John Thaw in the Brett adaptation, and Kiran Shah is quite freaky as Tonga.Charlton Heston didn't work for me as Holmes. Like Heston, just not as Holmes, a character that he portrays almost like he was spoofing Holmes or something, with nowhere near enough nuance, warmth or intensity, and it doesn't work. Although Lestrade was never the most intelligent of inspectors, he has rarely been this much of an idiot or bumbler which Simon Callow overdoes. Enough of the story does intrigue but there is some plodding pacing, a general lack of suspense and at times too much tongue-in-cheek, some implausibility or things not explained as well as they ought and it all feels rather stagy and restricted and with too much of a standard made for television feel. The production values generally look like they were hastily made on a tight budget and the direction doesn't seem to know whether to go the suspense or tongue-in-cheek route, instead going for both and doesn't gel.Overall, not great but far from bad. Worth a one-time watch. 5/10 Bethany Cox

By the deadbeat standard of TV movies, The Crucifer of Blood (1991) is a really remarkable achievement. For one thing, the budget is extensive enough to pass muster as a theatrical feature. For another, it has an interesting, suspenseful screenplay. But even more importantly, it has a really great cast led by Susannah Harker (who is absolutely terrific), Richard Johnson (an excellent Watson), and Simon Callow (perfectly at home as Lestrade). Although miscast as Holmes, Charlton Heston does pick up his game as the movie progresses and – provided you ignore his accent – is not as great a liability as his first scene suggests. Yes, the movie could stand a bit of re-editing (I would scissor at least ten minutes, particularly from the opening scenes), but all told – and thanks principally to Miss Harker – a must-see installment for Sherlock's legion of fans.

Speaking as someone who is not necessarily the most well-read follower of all things Sherlock Holmes, but who is indeed a fan of Charlton Heston's work, this was an okay presentation featuring Heston as the legendary detective. Here, he joins up with Richard Johnson (as Dr. Watson) in unraveling the mystery of a 30-year-old curse involving a pretty young woman (Susannah Harker) and her aging father, who once made a blood pact with another man and whose life might be in jeopardy. For me it was fun just getting to see Heston as the calculating Holmes, and as someone who enjoys the old Basil Rathbone series of films, this retained a lot of similar ingredients such as Watson being slightly clueless, and Inspector Lestrade (Simon Callow) being made to look rather foolish around Holmes. Dr. Watson also gets to fall in love this time around. This being a Turner TV movie, it sometimes has the feeling of being rather slight or artificial in spots. Directed by Charlton's son, Fraser Heston. **1/2 out of ****

During the making of Khartoum Charlton Heston formed a lifetime friendship with Richard Johnson who played his aide in that film. They worked on a number of projects together and had a run in the United Kingdom in this play. We're fortunate indeed to have Heston give his interpretation of the master sleuth, Sherlock Holmes in a The Crucifer of Blood.Heston takes his place right along side Jeremy Brett and Basil Rathbone as a fine delineater of the analytical character of Sherlock Holmes. In the Rathbone series, Holmes purists are usually quite upset about Nigel Bruce's Dr. Watson being made more and more a bumbling idiot as the series progressed. Watson as conceived by Conan Doyle was not as bright as Holmes, but who is. His medical training in fact helps Holmes on more than a few cases.But in this film Watson is a fool though, a fool for love as he falls for Sussanah Harker, a woman who has sought out the help of Sherlock Holmes. Three men who thirty years earlier stole a maharajah's treasure while serving in India during the Sepoy mutiny are being targeted for terror and probably worse, one of them being Harker's father. Several dead bodies later Holmes does come up with the answer as we know he always does.Edward Fox and John Castle are two of the men who do the stealing and Castle as the opium addicted father of Harker is the best in the film. One man who is played as a bumbling idiot is Holmes's rival at Scotland Yard, Inspector Lestrade as played by Simon Callew. Dennis Hoey was never as dumb as this guy.I'm glad Charlton Heston's interpretation of Holmes for which he got good critical notices for the stage play is preserved here and his fans will like it. Holmes fans will like it as well.