Bone (1972)

Powerful

One of my all time favorites.

A Masterpiece!

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Larry Cohen would become famous for schlock horror and thrillers, but his directorial debut was this absurd little black comedy. The basic plot is a lot like the one that features in any number of exploitation films, although the consequences are handled differently. It would seem that Cohen was tying to make some points on race and culture classes; but that side of the film doesn't come across particularly well, and it's better to enjoy Bone for what it is. The comedy was never going to appeal to a mainstream audience because its pitch black and at times, it's difficult to tell if the film is actually meant to be funny. The plot focuses on Beverley Hill's couple Bill, a used car salesman, and his wife Bernadette. Their lives are thrown into turmoil one day when a black man named Bone breaks into their house and demands money. However, all is not rosy for him either - as it soon transpires that despite having the biggest house in the neighbourhood, Bill and Bernadette aren't well off at all, and their marriage doesn't seem to be as happy as first assumed.This film stands out from a lot of other seventies stuff simply because it is so bizarre, and because of the odd way in which the plot plays out. Cohen sets up the film so that it's not always obvious where he's going to take it, and while there aren't a great deal of surprises with the plot; it at least isn't predictable. The acting is of a rather high standard considering that the film is very much a B-movie. Granted, none of the cast deserves an award for their performances; but all fit into their respective roles well, and none of the performances are particularly over the top. Larry Cohen would go on to prove himself as a more than capable director in the years after this film was released, with films the likes of The Stuff, It's Alive and The Ambulance; but even here, on his directorial debut, Cohen still manages to direct his film with style and panache, which elevates above the level of most similar films. Overall, despite not being as trashy as his later films; Bone is still well worth tracking down for the Larry Cohen fan, and gets a definite thumbs up from me!

This movie didn't have much to offer in the way of well, anything.Everything's kind of played for laughs and made in the semi-surreal documentary style of filming that was sort of in vogue at the time.The acting was OK by everyone except Yaphett Kotto who never has learned how to not overact. You can argue that he's supposed to be playing a maniac, yet he acts the same in every movie he's been in.I had high hopes for this movie, Larry Cohen's directorial debut, Yapphet Kotto playing a racist homicidal rapist, etc. But Kotto seems about as harmless as a parakeet and the story is just very flat. Just mediocre all the way around.

BONE (3+ outta 5 stars) Very odd film that gets better and better the more times you see it. The plot sounds like an average thriller... but the movie is really a comedy... a very black, very subversive comedy. A well-to-do middle-aged couple (Andrew Duggan, Joyce Van Patten) have their bickering interrupted by a mysterious, threatening black man (Yaphet Kotto) who seems to come out of nowhere. He ransacks the house, looking for money. After coming up dry he sends the husband to the bank to withdraw some cash... if he doesn't come back in an hour he is going to rape the wife. Well, the husband takes the opportunity to run out on his wife and have a one night stand with a crazy woman he meets outside of the bank. The wife and her captor, in the meantime, actually begin to form a bond... and soon take off after the errant husband to seek their revenge. Or do they? Excellent performances and dialogue. I was a little taken aback by the movie the first time I saw it because I wasn't sure where it was going... so you'll need to keep an open mind to fully appreciate it. Why was Yaphet Kotto never a big movie star? He OWNS this movie! (Then again, he pretty well owns EVERY movie he appears in.) Classic opening dream sequence of Andrew Duggan selling used cars filled with gruesome accident victims!

The white middle/upper middle/upper class of America is corrupt, materialistic and empty of all humanity. This is the thesis of a number of films. They come in many flavors including dramatic (ex: "The Swimmer"), funny (ex: "Into The Night") and satiric (ex: "Bone"). The biggest crime this film commits is that it is predictable. It works too hard to get to a place that we've been to too many times. Still, it should not be ignored. Anyone interested in film should see this one once. We've been here before, but it's a nice reference point. The acting actually rises above the script. Two brilliant actresses from the 1970's never reached their potential in Hollywood. They are Kitty Winn and Jeannie Berlin. Both had an extraordinary command of their craft. Whenever one of their films is released on DVD it is a treat. Jeannie Berlin's performance alone is enough to make rental of this film worthwhile.