Home > Drama >

Torch Song Trilogy

Torch Song Trilogy (1988)

December. 14,1988
|
7.8
|
R
| Drama Comedy Romance

A very personal story that is both funny and poignant, TORCH SONG TRILOGY chronicles a New Yorker's search for love, respect and tradition in a world that seems not especially made for him.

...

Watch Trailer

Cast

Similar titles

Reviews

Evengyny
1988/12/14

Thanks for the memories!

More
Greenes
1988/12/15

Please don't spend money on this.

More
Fairaher
1988/12/16

The film makes a home in your brain and the only cure is to see it again.

More
Zlatica
1988/12/17

One of the worst ways to make a cult movie is to set out to make a cult movie.

More
J Kendall Dane
1988/12/18

One of the best gay-themed films of all time. Definitely in the top five!This movie takes you on a roller coaster ride of feelings as it touches every emotion possible...so be prepared to laugh hysterically sometimes, on your feet cheering at others, and you'll be reaching for the Kleenex occasionally, too. But one thing's certain, you will be smiling at the end and will watch it over and over.Brilliantly written and portrayed by the stars. The kiss Matthew Broderick shares with Brian Kerwin in the barn loft was so well done even Johnny Carson dared ask him on the Tonight Show if he was coming out?Bottom line is: You don't fully qualify for a pink card unless you've seen this one! ;)

More
giffey-1
1988/12/19

When the three plays that make up this film were first combined and opened on Broadway, it was well received and had a long run. Why the movie didn't do better, I will never understand. The story of a man who is looking for love in a world that doesn't understand him is universal, it doesn't matter if he is gay or straight. Arnold Beckoff is a female illusionist in a successful club in New York. In the opening, as we watch him assume his stage persona (Virginia Hamm, we hear him expound on his views of relationships as a gay man who can be self assured and still not like himself much. We watch a typical performance with admiration for the work involved. After the performance we see Arnold and his friend Murray headed out for a nightcap and see Arnold's insecurities up close. While Murray appears to have a more hedonistic approach to the gay bar scene, Aronld clearly appears out of his element. As he bumps into Ed, we see a classic film meet-cute. They are both awkward and shy, but clearly attracted to one another. As the relation ship develops, we see that Arnold has almost a need to be in love, while Ed feels he needs to be in love-with a woman. Ed believes that he has to project an image, not just for his family and friends, but for himself. That is the one thing we learn that Arnold has no problem with, he wants people to know he's gay, and that is something he accepts in himself, whether or not his family does. We see a family dinner with his brother and parents, and that scene broke my heart. When his father offers him money until he "gets back on his feet", I was uncomfortable and didn't understand why until a minute later when Arnold and his brother are out on the patio having a smoke, and Arnold reveals he makes more money than his father, and I realized just how uncomfortable his parents were with his life and the choices he has made, his mother especially. Soon Arnold does find love with Alan, a young model who came to one of Arnold's shows. Alan, like Arnold, is comfortable with who he is, and he and Arnold become a couple. Ed comes back briefly into their lives at this point, as he and his wife invite them to visit the rural home that Ed has rebuilt. This central part of the film is taken from the second play in the Trilogy-Fugue in a Nursery. This was the part that I felt the film did a disservice to by opening up. In the play, this takes place with the four characters in the same bed, with a wonderful lighting effect that highlights the actors as they interact with each other. The film does not ruin it by any means, but you do not get the urgency that the play brings out and the quick cuts become jarring, in my opinion. This section brings tension to both couples, but Arnold and Alan overcome it, and look forward to adopting a child, and moving to a new apartment. However, the night they move in, Alan makes a choice that while heroic, changes the course of Arnold's life. The change is what we see in the final part of the film. We learn that there have been changes with Ed as well. The section of the film becomes ultimately a healing. How family relationships change, how romantic relations change and mature, and how the first generation (Arnold's mother) comes to understand the third (David, Arnold's adopted son) as well as deriving a better understand of her son and the life he has made for himself. This is ultimately an uplifting and emotional film, with dream performances. I urge everyone to see it, but I think it may hold the most meaning to those people who have a friend or family member who is gay, but just doesn't understand. Watch this film and get some answers.

More
moonspinner55
1988/12/20

Ineffective, miscast, and curiously awkward comedy-drama about a gay drag queen's search for true love. Harvey Fierstein adapted his stage triumph for the screen and has the leading role, but Fierstein (who has proved to be a great character actor in showy supporting roles) isn't quite able to carry off a lead, at least not on film. On-screen almost constantly, his sandpaper voice breaking up in mock-happiness or despair, he's too needy, too unsure of himself, and he takes visual and verbal short-cuts to emotions without taking the audience's sense of rhythm into consideration (he's always two steps ahead, beating us to the laughs and the pathos). As for his script, the dialogue has the unmistakable ring of late-night-movie clichés, and director Paul Bogart's comic timing is gummy and rehearsed. Anne Bancroft, a great actress, is miscast once again as Harvey's mother (she seldom found a role that suited her, particularly after "The Graduate"). Tidy, lackluster scenario is plastic and unconvincing, as are Matthew Broderick and Brian Kerwin as Fierstein's lovers. It's a harmless sitcom...and what a shame that is. ** from ****

More
bartboy_60657
1988/12/21

i have seen this movie 8 times & love it more, the acting is fabulous. i recommend it 100%. Harvey Fienstein is a great actor and does a fabulous job in all his movies. and Mathew Broderick is so cute, I think he really enjoyed making this movie.i recommend this movie and broke-back mountain. you really need to see both of these movies, because they tell a story, and the story is that this is America.if you want to see good movies contact me because i know what i'm talking about.i hope everyone sees them and does a good comment on them.

More