The Country Cousin (1936)

This movie is the proof that the world is becoming a sick and dumb place

A Major Disappointment

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

You get to tour the city this cartoon short, lead by Morty Citymouse. He takes his cousin Abner all around the city, resulting in some outrageous adventures and moments. A few laughs here and some nicely done animation.

This Walt Disney Silly Symphony cartoon won the Academy Award for 1936. Adopted from an Aesop Fables tale, The Country Cousin has the title character-a mouse-visiting his city counterpart at his 66 1/2 address. Then they go to a big buffet table where the country mouse gets in lots of his hunger and thirst in quick succession...Quite amusing if not hilarious though I did heartily laugh quite a bit. In other words, nothing too slapsticky but plenty of gently visual gags that made this quite entertaining in the usual Disney manner. It's probably a little rushed at the end but overall, The Country Cousin is still worth a look for anyone who loves all things animation and Disney.

So what if this is, as another reviewer noted, the stuff of a hundred Tom and Jerry cartoons to come? The character animation is the real attraction here, and it's excellent. This is some of the best drunken mouse animation I've ever seen, and that's saying something.It's true, they've turned the actual storyline into a goofy succession of tabletop gags with a chaotic climax tacked on (much like the one to appear at the end of the Pink Elephants sequence in Dumbo), and so the short as a whole is somewhat less satisfying than it could be, but the individual sequences are all nice - I particularly liked the bit with the sliced bread, and the mirror routine straight out of Duck Soup. Monty just sort of disappears at the end, doesn't he? Oh well, so maybe it's not the most memorable thing ever, but it's still a polished piece of cartoonery, to be sure.

This Disney short is well-executed visually (as you might expect from Disney in the 1930s) but isn't really all that memorable or impressive for all that. I'm frankly somewhat puzzled at its nomination for an Academy Award and more puzzled that it won. Perhaps it was more impressive in 1936 than it is today. It isn't a bad cartoon-there just isn't anything exceptional about it that struck me other than the visuals. It runs from time to time on the Ink and Paint Club.