The Grey Fox (1983)

Powerful

Absolutely Fantastic

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Exactly the movie you think it is, but not the movie you want it to be.

Bill Miner, the "Gentleman Robber" robbed stages and trains from Arizona to British Columbia. This is a beautifully photographed and lyrical telling of his later career, fighting the law and the law winning.... for a while at least. Richard Farnsworth handed in a great and totally credible performance as the laid back but cunning Miner and his love affair with most interesting woman in Kamloops. All the characters are the real thing... no Hollywood veneer here. Great pace and photography- get it with John Sayles' Matewan and have an authentic trip back into time. Its' a pity that Phillip Borsos didn't live long enough to put out a few more of these.

Surely one of the most direct, honest and accurate depictions of life in the "Old West," the Grey Fox does not resort to violence, bluster or machismo to present its story. Instead, the film comes across as a story of a man whose life has gone wrong as the result of carefully thought out and well-reasoned choices, though nevertheless bad choices. This alone is particularly refreshing in a Western movie and makes the film a worthwhile experience.The late Richard Farnsworth relies on his considerable skills as an actor and makes his character sympathetic and heroic, never losing sight that he is in fact a thief. The costumes, setting, dialog and yes, even the miserable weather are true to the historical period and makes the viewer feel as if they were there alongside the characters in this elegant story.It's a wonderful film and a visual feast!

This IMHO is the best western movie to come out after Josey Wales and before Pale Rider. It's even much better than that much lauded Dance With Wolves. This is a sort of low key Canadian made movie and it offered Farnsworth arguably his best role as star. The story concerns one Bill Miner, a train robber, since the the Civil War days. He's been locked up in prison since 1868 and is released from prison in 1901 just in time to be delivered into the 20th century. Bill is thrilled and awed by what he sees in 1901. The first motorcars, the earliest motion pictures, the phonograph. They all tell of the future. Although a robber and convict, Bill is a soft hearted guy perhaps mellowed with age and the years spent in prison. But he can still take care of himself such as one scene in a barroom when a bully tries to threaten him and Bill breaks a large bottle over the thugs head and then pointing the muzzle of his revolver in the thugs face. Unable to make ends meet financially he meets with a loser criminal named Shorty and they get into robbing trains and stealing again. Bill & Shorty go into hiding and the Pinkerton detectives are hot on their trail. Shorty & Bill are caught in the woods after Shorty panics while routinely being searched by the Canadian Mounted Police. Bill however manages to escape and goes on the lam. He later meets up with a woman who is an opera & arts enthusiast named Kate(Jackie Burroughs). She plays some Caruso on her phonograph while painting outdoors. She and Bill become lovers. Another person Bill befriends is a young rookie Police Sergeant. The young man, new to his job, tells Bill that the whole town is after Bill Miner. The only thing is that the sergeant doesn't recognize Miner & the older guy he has befriended as being one and the same. Great character study here. Finally, Bill is caught by those unceasing Pinkerton detectives and is led to the train station and to jail in a flamboyant manner for the whole town to see. This scene harks back to those seen in the old time westerns even as far back as to silent film westerns. At the end of the movie, actually behind the rolling of the credits, we see & read that Bill has gone missing or has escaped out of prison as of 1907. We're left wondering if Bill died in the Canadian Wilderness or somehow made it to Europe on the arm of an attractive lady. Quite possibly his lover Kate. Great Story. Nicely shot

This is a well-acted, well-produced film about a nineteenth century stagecoach robber forced to adapt himself to the dawn of the twentieth century. But am I the only one who has trouble with the math at the beginning of the film? We're told Bill Miner committed his first robbery in 1863 at age 16, committed 26 more robberies in the next 18 years, then served 33 years in San Quentin and was released in 1901. That just doesn't work. If the first two statements are true, he went to prison in 1881 and served 20 years before his release. If the last statement is true, he went to prison in 1868 after only a five year career as a robber. The real Bill Miner was born in 1847, committed his first robbery in 1866 at age 19 and spent most of the rest of his life serving various prison sentences (including a 21-year stint from 1881-1902), punctuated by daring but frequently unsuccessful robberies. Liberties must be taken with the facts to make a good movie, but there's no good reason for not using the factual dates in this case. Richard Farnsworth is perfectly cast as the "Gentleman Outlaw," the dark and misty environment of the film works perfectly, and the transitional period of the turn of the century is one of the most fascinating eras. Bill Miner was a complex and controversial figure, more interesting in many ways than better known outlaws like Jesse James or Billy the Kid.