Free Hand for a Tough Cop (1976)

Excellent, Without a doubt!!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Starting with a mildly amusing postmodern joke – the movie opening as a western which is actually screened in a penitentiary –, Umberto Lenzi's fourth Eurocrime collaboration with jack of all trades Tomás Milián is already running out of ideas, verve and steam after the credits. While Lenzi's previous efforts (Roma a mano armata, and especially the completely depraved Almost Human) show him on top of the poliziotteschi game, outsmarting each and every other Italian director of the genre with his stunningly fiendish combinations of cynicism, merciless action and ultra-tolchocks, Il trucido e lo sbirro falls victim not only to its half-price production, but also to the stodgy run-of-the-mill story-line – cop & thugs cooperate to rescue a kidnapped kiddie girl – that wouldn't even be accepted by Kanal Ukrayina nowadays, the subprime soundtrack by a certain Bruno Canfora, and foremost the exceptionally unfunny "comic relief" spirit that began to wrecking-ball Italian crime cinema the same year concurrently with the first installment of the dumb-and-dumber Nico Giraldi cop series, also with Milián in the lead. If you want to know why US guest star Henry Silva's screen time lasts only about two-and-a-half minutes, take another look at Milián's beauty treatment. Those sixteen tons of eyeliner certainly did cost a whole lotta dough.

Another top-notch "polizia" offering from Umberto Lenzi, the director I'm gradually gaining more and more respect for after watching the different genres movies he made. FREE HAND FOR A TOUGH COP is everything you could want an Italo crime film to be - fast-paced, full of furious scenes of action, with plenty of violence, snappy dialogue, and quality performances from seasoned genre performers. The central plot conceit - that the good guys must rescue the kidnapped girl who only has a week to live - leads to lots of tense situations, double crosses, and twists in characters, as some become allies and others enemies. The film has a large cast and many interconnected characters which give it a realistic edge as Lenzi creates a corrupt and violent world for his characters to live in - take for example the two minor robbers who hit people with bricks before they steal from the tills!The action sequences are as great as always, with big guys letting loose with machine guns and innocent bystanders always getting caught up in the bloodshed. There are also some brief but cool car chases in which other road vehicles are literally smashed out of the way and moments of extreme violence that the genre is famous for. The casting is great, every actor here is perfect for his particular character, with lots of familiar faces for genre buffs. Taking the lead is Claudio Cassinelli (ISLAND OF THE MUTATIONS) who is always undeniably wooden, but to be fair he's not THAT bad here and could have been a lot worse - at least he's a believable policeman. Tomas Milian has great fun as the comic relief character "Garbage Can", but still proves to be instrumental in tracking down Brescianelli. Henry Silva is one of the best "bad guy" actors in recent history and puts in another commendably icy performance here and proves himself a force to be reckoned with.Another nice touch is that Lenzi litters his film with references to Italian cinema. Posters for the likes of SALON KITTY dot the walls and the film even opens with lead characters watching a spaghetti western. Just a small but rewarding touch for fans of Italian cinema. FREE HAND FOR A TOUGH COP has all the gritty violence and action that a genre fan could want, and on top of that its bolstered by a strong story which puts its "immiment deadline" plot device to good use.

Umberto Lenzi, for my money, is the king of the Polizi films and while Free Hand for a Tough Cop might not be the best known of his genre films, or as good as the likes of The Cynic, The Rat and the Fist or Almost Human, is still a damn fine piece of cinema and is sure to please anyone with a mind to see it. This film is different from the other Polizi films I've seen from Lenzi as the urban landscape that usually makes up the setting for this sort of film has been thrown out in favour of a more rural one. This sets the film apart from most of the rest genre, and it also gives it a feel that borders on Spaghetti western, which is nice. The plot is well worked and features a police officer who teams up with a dirty criminal known to friends and otherwise as 'Garbage Can'. They've been put together to find a girl being held for ransom by vicious gangster Brescianelli. They face a race against time as the girl has kidney problems, and there's also a secondary objective, which takes the form of taking down the gangster who is hoping to gain ransom from holding her.Free Hand for a Tough Cop benefits from a great musical score, which is amazingly catchy and also provides a nice backdrop for the movie. The film features all the shootouts and car chases that you would expect from this sort of film, and there's also a fair share of humour, which actually bodes quite well with the characters and plot line. Lenzi's direction is solid as always, and he pulls great performances out of his esteemed cast. The lead role, as you would expect, goes to Thomas Milian, who delivers a different sort of performance to the ones seen in most of Lenzi's crime films. He gets great backup from Claudio Cassinelli and Henry Silva, as well as a number of other memorable Italian crime flick faces. The characters are actually very well designed considering what you would expect from this sort of film, and that is another aspect that makes Free Hand for a Tough Cop better than your average Polizi flick. The conclusion to the story isn't difficult to guess, but Lenzi provides a nice bit of humour at the end that leaves the audience with a nice taste in their mouth.

This is definitely one of the best crime movies ever made, if not THE best... Cassinelli stars as a cop who teams up with a drug dealer (Tomas Milian) and three scummy thieves to save a kidnapped girl from slimey villain Henry Silva and his gang... well actually it's more about finally killing Silva.There's plenty of great action scenes, walk-on cameos by a large number of the Italian "regulars" like Luciano Rossi, Tom Felleghy, Giovanni Cianfriglia, and Riccardo Petrazzi... the same bunch who show up regularly in EVERY crime movie. What's best about this one is that while it has a good share of random crimes and killings (Italy had to be the least-safe place to live in the 70's), they all actually blend together into the greater story. The ending is one of the best in the genre and certainly surprising. What really gets me coming back to watch this one again and again is the abundance of really great, quotable, almost Tarantino-eque dialog. The best such quotes come from an understandably annoyed Silva as he tries to run a fairly incompetent kidnap syndicate, containing their fair share of expletives. Tomas Milian also has quite a few good lines as essentially the comic relief, but in the end he ends up being a pretty likable character even as he steals the good guy's wallet and jumps on a train.Topping that, this film has unusually bright and nicely-framed photography from Argento veteran cinematographer Luigi Kuveiller, as well as some very hummable music by the relatively unknown Bruno Canfora. The casting decisions are uniformally excellent; Cassinelli is wooden but convincing as the hard-nose cop, Biagio Pelligra, Roberto Undari, and Giuseppe Castellano are great as the trio of thugs unknowingly aiding the good guys, and Tomas Milian shines as "Garbage Can" Monezza.Unfortunately, this is one of the hardest of Lenzi's crime films to find, especially here in the states. Luckily it was released in Holland in English, though not in the full 'scope. Let's pray that DVD companies start picking these crime films up, and moreover... that this is one of them.