The Year My Voice Broke (1988)

Nice effects though.

If you don't like this, we can't be friends.

A Masterpiece!

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

I don't usually write reviews, but this Movie forced me to write one to alert others whoever are planning to watch this..OMG!!What a disgusting movie this is...Don't get fooled by the award that this movie got..and its story is the same like the plot..nothing changes/happens..Its basically a movie where a guy just watches his girlfriend getting f***** and do NOTHING!!Like WTF!!!You cant believe how boring this movie is..I cant even call this a movie..I wonder who gave this movie 7.1 rating!!like seriously!!its a like a crime which can delude people..Please Don't watch this Crap..Neither this is a romantic or drama type movie..nor its any kind of sad movie..its just a cumulative of plain stupid story which will only give you a headache..This movie is like its trailer...whatever happens u can know from the trailer..Do NOT WASTE UR LIFE WATCHING THIS..

Coming of age films aren't exactly new to cinema. It's a subject that has been revisited in every generation, ever since James Dean helped Hollywood discover a new species – the teenager.Although 1955's "Rebel Without a Cause" probably wasn't top-of-mind when John Duigan made "The Year My Voice Broke" in 1987, the alienation, emotional confusion and search for identity felt by many teenagers provides a common theme even if separated by three decades, different stories and different continents.With its nostalgic narration, slow pans of the landscape and soaring strings on the soundtrack, "The Year My Voice Broke" could have been cloying; instead it is captivating. It gets you in and keeps you there thanks to inspired casting, an unusual setting, and a seductive mood – thanks in no small part to those soaring strings.The story revolves around three teenagers living in an Australian country town in 1962, Danny Embling, Freya Olsen and Trevor Leishman, played by Noah Taylor, Leone Carmen and Ben Mendleson.Danny narrates the story. He is in love with Freya, a girl who has lived her whole life in the town, but is treated as an outsider by many of the townspeople. Freya sees Danny as a friend, but has stronger feelings for the rebellious Trevor. Eventually Trevor gets into trouble with the law – and also gets Freya into trouble – a tough situation for a girl in a country town in 1962. Danny discovers the reason why Freya is treated as an outsider, and Trevor's wildness and criminal tendencies cause tragedy. Freya departs never to return, leaving Danny with memories of a love that was never returned.This poignant film shows Duigan's understanding of his teenage characters; their lack of sophistication, their loyalties, the conflicts with their peers, and the pressures they face in a small town.However, the film really hangs on Leone Carmen's performance. Nicole Kidman was considered for the role but Leone Carmen was chosen. While Nicole Kidman is the epitome of a movie star, Leone Carmen projects an almost opposite quality. Attractive, but with not so perfect teeth and hair she is refreshingly natural; almost too real, she gives life to the role of the tomboy developing into a woman who does not quite fit in.Noah Taylor shines as the awkward 15-year old who knows that he will never win the girl he is obsessed with; he looks unhappy in just about every scene and we feel his pain. Ben Mendelsohn's Trevor, the catalyst for much of the action, is an unappealing youth with a reckless streak. Freya is drawn to Trevor's sense of danger. But Mendelsohn overdoes Trevor's mannerism, especially the affected laugh – less would have delivered more as it does in his calmer scenes.Vaughan Williams' "The Lark Ascending" is one of the most emotive pieces of music ever composed. Originally written for the concert hall, it was an inspired choice for the film – it's really Danny's theme, capturing his anguish and, as the music swells and soars, his eventual acceptance of things he can't control.This movie has a unique quality. Where it could have been overly sentimental, it projects honesty instead. Like all movies that really matter, it stays with you.

"The Year My Voice Broke" is one of those unknown, quintessential diamond-in-the-rough films that can't seem to find its way into the DVD market, but breaths Criterion throughout the entire viewing. The daring, honest, and descriptive story of a young boy, his love for this older girl, and the tribulations of growing up in a small town are merely scratching the surface to what this film has to offer. It speaks, and pays homage, to those classic films from the late 40s, early 50s by creating a town with character, mythology, and individuality. One could argue that the town in which this film takes place is our fourth character, behind Danny, Freya, and Trevor – but perhaps this enthusiast is getting ahead of himself. Watching this import on a used VHS, the picture was grainy, the player made noise, and the sound was utterly destructive – yet the heart of this film oozed from the screen. The power of the characters, the detail of our story, and the truth in director/screenwriter John Duigan's words went from having meaning in a 1987 film (that was supposed to take place in 1962) to creating a story that didn't feel dated or old watching it today, at the end of 2009. That is the legacy of "The Year My Voice Broke", the raw emotion harassed in this film continues to be relevant today – perhaps even more. As Hollywood uses every CGI possible to recreate the same effect, all one needs to do is look back at films that used the old-fashioned method…great actors, a daring script, and a background that could knock your socks off.To applaud this film, one would need to pat the back of a very young, a very talented, Noah Taylor. Taking on not just an awkward role, he needed to show his anger, his teenage frustration, as well as his headiness for brains instead of brawn. Noah Taylor, known to me as Technical Support in "Vanilla Sky", succeeded gracefully and with the power of most of our top paid American stars. His ability to show us his unconditional love for Freya, his quizzical hatred for Trevor, as well as his sleuthing skills proved that this kid was ready for anything. His co-workers inhabiting each scene worked with his dynamic and equally pushed their talents. Freya, played by Loene Coleman, a newbie to the screen, was enchanting as the love interest. While she wasn't quite the level of Mr. Taylor, her ability to carry her scenes worked. She was the classical bad-girl-next-door with secrets. Her chemistry with Taylor kept me glued to the screen. The same can be said for Trevor, played by Ben Mendelsohn, who's diabolical, nearly irritating, laugh created a character all his own. As the wildcard, we never knew what he was going to do next, and both our characters and our audience were scared of that. To demonstrate the intensity of these actors, watch closely the scene in which they spend the night in the "haunted" house near the railroad tracks. Each one has a motive, each actor/character delivers their emotion, and with each line the scene gets more and more powerful. I wasn't expecting this with children so young.With these three dominate characters; one may ask what else would be needed for an independent film to succeed? One more, the town. As mentioned before, the town that these three (and many others) reside is reminiscent of our American "Bedford Falls". There are residents that have been their all their lives and secrets many of them keep to protect their town. Throughout the film, our characters are continually building their moments via smaller lives within the town. We learn about Danny's passion for the black arts, that Trevor knows the police firsthand, and that Freya's unknown secret keeps the town at bay. Without the closeness of this town, "The Year My Voice Broke" wouldn't have worked. If filmed in a bigger city, the intimate feeling of a protective yet destructive town would have floundered. The town drunk would have been less poignant, Danny's dad's role would have felt less personal, and the idea of home being safe would have felt less comforting. The town had to be a character in this film. Duigan knew it, developed it, and built it strongly into his film.This was a character driven film. Without Noah Taylor, Loene Coleman, or Ben Mendelsohn, this film would have failed. It is hard to imagine anyone else being able to carry these characters, or that an American reality would pack as much of a punch. It was impressive to see Australia in 1962, a place we don't explore in cinema enough over past centuries. Director Duigan, if I haven't already drooled over him enough, understood this film, wrote a genuine story, and built a cinematic triumph. Alas, this film has been forgotten, but look closely at the cinematography, the lavish landscapes, the devotion of our characters, the above mentioned town – these all could not have been accomplished without a passionate eye. I applaud Duigan for his talent and ability to transform this 1980s film into a universally emotional and exciting moment of cinema.Overall, I have said enough. I loved this movie. It was detailed, emotional, and beautiful. Everyone, from director to actors performed superbly. It was a rough couple of prior films, but "The Year My Voice Broke" provided that classic niche. It felt fresh and new, despite the age. I recommend this to everyone. Buy a VHS player and get a copy of this movie, you will not be disappointed.Grade: **** 1/2 out of *****

This 1987 film written and directed by John Duigan and starring the ingenious Noah Taylor is a undiscovered gem. Set in 1952 in rural Australia the story centers around Danny Embling, a likeable and thoughtful boy outcast by his peers. He is in love with his best friend Freyia,and it is their turbulent relationship that is the heart of the story. When Freyia falls in love with Trevor, a hyper-active and troubled boy, the three struggle with their emerging feelings and the life altering decisions that they must make. Certainly, we've seen this all before but not like this. Never in my life have I seen such an honest portrayal of youth. The dialogue is not filled with ridiculous pop culture references or complex vocabulary but that is the charm. These people talk just like us. The story is never contrived and the acting is completely natural. Although all the performances are commendable,none so much as Noah Taylor's heartfelt portrayal of our bumbling hero. This is his first major film role and he floats through it naturally. His acting is subtle yet varied and he is one of the greatest undiscovered actors of our time. This is a wonderful film that everyone, art film buff to action fan,from 14 to 94 should see for the sweet story and natural performances especially from the wonderful Noah Taylor.