Hellhole (1985)

Too much of everything

Don't listen to the negative reviews

Blistering performances.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Hellhole (1985) ** (out of 4) Susan (Judy Landers) witnesses her mom murdered due to her having some papers, which could lead her boss to prison. The young woman takes off running and the killer believes he has finished her off but she survives and in order to cover up the crime she is sent to a mental hospital. Once inside the hospital Susan realizes that the evil Dr. Fletcher (Mary Woronov) is doing bizarre experiments on the women.Pierre De Moro made three films in his short career and this here was his final credit. Producer Samuel Z. Arkoff wanted to make a WIP movie and the end result is something that isn't nearly as raw as the Jess Franco films of the 1970s like BARBED WIRE DOLLS and ILSA: THE WICKED WARDEN but at the same time it's a tad bit sleazier than the majority of the American films from the genre.As you'd expect, when one makes a WIP movies there's a checklist that the screenwriter goes down. This includes an innocent hot woman. There's also the nudity. There are the drugs. There are the lesbian scenes as well as the lovely shower scenes. There's also the butch-type warden/leader doing the bad experiments. There's also the sweet guy who tries to save the innocent woman. All of that stuff is included here and for the most part it's mildly entertaining as long as you're not expecting an Orson Welles type of film.The performances are pretty much what you'd expect from a film like this, although I found Landers to be a bit too bland in the lead. Woronov is certainly the best thing about the picture but there's plenty of nice eye-candy as well. The biggest problem with HELLHOLE is the fact that it runs way too long at 95-minutes. The film certainly could have used some editing and the "plot" tries to do way too many things.

Hellhole is one of the silliest films I've seen. It's camp, but bad camp at that. It waste's a good cast, but does have one asset, Edy Williams. She pops up here and there, one scene involving a naked cat fight in a shower block, amongst a lot of other women void of their clothes. Two other scenes with her are my favorites. One in a spa with Edy and her lesbian lover making out, then we have an intrusion. Bad guy, Ray Sharkey (a fine actor, who's not among us anymore) who whips off his clothes and gets in the spa with our two lovelies. The other scene involves Edy coming into Sharkey's room, on the grounds of this sanitarium. His walls are adorned with pictures of naked women. He starts taking photos of Edy in naked poses, before they end up on top of each other. It's actually a highly erotic scene. Basically the story concerns, Judy Landers, who at least doesn't come into a room, and start getting older guys, hot, where they either end up running out to cool themselves down, or their blood pressure goes sky high. Unfortunately our poor Judy, whose character is one of ill fortune is knocked out, after Sharkey murders her mother. He's after these certain documents. Landers mistaken for the killer ends up in this prison sanitarium, where Sharkey now resides, for reasons obvious. And if you're really lucky folks, you may even graduate to hellhole, the base stayings of this loony bin, where experiments are performed, some of it's results ending in death. The picked cast in this film is interesting. Richard Cox (the killer in Al Pacino's 'Cruising') is the good samaritan/prison inspector who tries to help Landers with her innocence. He highly suspects somethings off with the runnings of this prison. Mary Woronov plays the sadistic doctor who also likes to a naked lesbian lover on standby. She's the evil bitch who performs experiments on the prisoners, using them as lab rats. It's one of Woronov's better performances. Good solid stuff. Fine actor, Marjoe Gortner, who pops up in a movie here and there, plays her disapproving assistant who's not really aware of her real motives. Hellhole does have nudity a plus, something I like a lot about this movie. But the fact remains, this is an ultra bad movie. A ludicrous movie. Something's really off about it. The performances from the score of mains are good, especially Sharkey, with Gortner runner up. The late Sharkey, who incidentally died, three days after my twenty third birthday, another victim of descent in B grade, was an actor I'd really admired seeing him in The Idolmaker. With this flick, he should of just walked away. Tasteless crap. Evade this movie at all costs, before it costs you.

Maybe the golden years of sleazy & campy "Women in Prison" were long history by then already; maybe it didn't get properly promoted or announced in trailers (like "Reform School Girls", for example) or maybe it's just not good enough to compete with other & more successful films with a similar theme, but "Hell Hole" is a totally anonymous & overlooked 80's exploitation flick that only a handful of genre fanatics have heard of. The obscure status of this film honestly surprises me, as it has a fairly interesting cast (including Ray Sharkey, Judy Landers, Mary "Eating Raoul" Woronov and even Robert "Maniac Cop" Z'Dar) and a plot outline that certainly appeals to fans of rancid exploitation. Landers stars as a twenty-something and supposedly sexy young woman who witnesses her mother getting killed by cheesy and unconvincing killer Sharkey, because he's looking for "papers" that apparently are very important to him as well as to the people who hired him to kill the woman and to get rid of any other possible witnesses. Just what exactly are these papers? Damned if I know… Throughout the entire movie, the value and importance of these papers is continuously emphasized, yet not one character ever reveals anything about their content. Anyway, Sharkey fails to get rid of Landers properly, but instead she falls down a construction site and suffers from amnesia. She's brought to a sanatorium where a she faces a whole new series of issues, like sadistic wardens, lesbian and power-mad inmates and – of course – the female head doctor who submits patients to grotesque lobotomy experiments. If all that isn't enough, Sharkey shows up in the clinic as well (as a fake doctor) and uses his charms on other patients to get rid of Susan. "Hollhole" is a crazy, incompetent and overall ridiculous film. The screenplay doesn't make any sense and seriously lacks coherence as well as basic logic. There seem to be very few wardens and security personnel in the clinic. Most of the time, the patients – who are supposed to be dangerous and severely unstable – are left completely unsupervised and whenever a riot or cat-fight breaks out, it literally takes several minutes before someone in a white coat shows up. Dr. Fletcher's experiments in the basement of the asylum are quite stupid & pointless, and don't expect to see much gore or sadistic images here, neither. Admittedly there's a fair amount of sleaze and female nudity to enjoy in "Hellhole", but the same girls exclusively provide it over and over again. In case you're hoping to catch a glimpse at Judy Landers voluptuous curves, don't hold your breath… Apparently, her contracted stated that she could keep a robe on at all times. The last half hour of this movie is indescribably retarded and boring at the same time, which certainly isn't the best combination. It's fun to watch Robert Z'Dar playing a crazed sanatorium warden, but he as well as Mary Woronov are given way too few screen time. Only recommended in case you're really, really bored …. Or in case you feel the urge to check out every single variant of Women in Prison movies that ever got released.

There is a lot of nudity in this film. There is a mud bath and a girl on girl fight in the asylum showers. As far as the horror goes, the lobotomized victims do act like zombies. The leather and studs killer, named "Silk" leaves something to be desired. After a slow start the film picks up the pace only to have a drawn out ending where far too many characters need to be killed off. Some familiar B-movie stars on this not very common tape. I did not care for the ugly 80's make-up that the main character always wears, even too bed. Still, there is no real reason to pick at the plot details in this kind of film. At least it does not try to be too socially conscious.