A Woman of Substance (1984)

Surprisingly incoherent and boring

Redundant and unnecessary.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Engrossing saga of a determined woman's climb to the pinnacle of success. Usually having two actresses share a lead minimizes the impact of that role but the excellent match up of Jenny Seagrove and the great Deborah Kerr avoids that here since they share more than a passing resemblance. Both give strong performances again matching in temperament for a seemly whole. Another great thing about these older minis is getting to see actors who went on to acclaim just starting out or prior to their breakouts. Such is the case with Miranda Richardson, who went from this straight into Dance With a Stranger, and particularly Liam Neeson who is terrific as the stalwart Blackie. Even at six hours though it still seems like it scrimps on some of the more interesting aspects of her business success for conventional romantic complications. Overall though an interesting show. Also worth checking out are the special features, in particular the one with Diane Baker who was the producer of this as well as playing a role and offers good insights into what goes into getting something like this made. If you are a fan of the hers and remember her from her late fifties early sixties heyday its great to see her looking so wonderfully well and still so lively.

This just has to be the best television mini-series ever produced. Based on the international best seller of the same name, with excellent actors against a backdrop of magnificent locations. Anyone who has read the book will only be more enchanted after they see the film. First, Jenny Seagrove has be one of the best actresses. Sadly I don't see her on much in the U.S. She plays the character of the young and ever determined Emma Harte brilliantly. The way she delivers the ice cold lines of revenge. She makes Joan Collin's Alexis look like a Sunday school teacher. This film also stars a young actor by the name of Liam Neeson as Blackie. When you see his performance in this film, you will know why he is a star today. And we must not forget that this is one of the last performances of Deborah Kerr. I believe her actual last performance was in the sequel to this film Hold The Dream. A Woman of Substance..always the Best!

Spoilers herein.Most people don't need much to justify their time in front of a screen. For them, this has two elements as an excuse: pretty good and convincing sets (except the war) and the remarkable face of Jenny Seagrove. Jenny isn't quite up to making her role believable in the large: what with sexual problems, revenge, passion-then-problems, incest, final emptiness. But she is fine in the small, especially at the beginning few hours where she isn?t a wasted human being, and someone we root for.Her face is very appealing, in fact is precisely half way between Nichole Kidman and Liv Tyler. I found two things remarkable here: the first is that most women (and there are many) have red hair or are often lit so that their hair is red. I think this is not an accident, and only part can be explained by familial relationships.The other wonder full thing is: why do we have this new genre of generational scope? I know whey we have the "mini-series" -- because it is a balance of costs, rewards and the attention span of viewers. But in the past, Austen?s time -- we would have focused on one set of characters and had room for development, not three generations and no room at all.The reason is the power of genre. Genre is a shorthand that allows the writer to assume with confidence that the viewer will assume certain things. Austen's Britain was a rigid class society, and every reader could be assumed to know and bring to the story elements that would otherwise have taken dozens of volumes to prepare. American audiences, the target of this project and the book, have no such benefit. As this is Pseudo-Austen (or more precisely pseudo-Bronte), it still has to have the superficial trappings: set in England, involve class struggle. But it has to invent the context pretty much from scratch, so we have to wade through all the stuff that Bronte's audience would know: the privilege, the sneering at servants, the sexual and economicexploitation and on and on. We have to SEE a father sacrifice his life for a Fairley. We have to SEE a Fairley attempt a rape. We have to SEE a Fairley brutalizing workers... and on and on.The problem is that we have to do so much work as viewers to advance the story. Too much. And by the end, the writers haven?t worked as hard. There is a crisis of sorts, and a resolution of sorts, but it is not related to all the work we have done.Ted's Evaluation -- 2 of 4: Has some interesting elements.

I enjoyed this series from beginning to end. Jenny Seagrove was fantastic as the young Emma Harte. Deborah Kerr was magnificent as the older Emma Harte. It was wonderful seeing her again. Liam Neeson was great as Blackie. This is the story of the fictional Emma Harte, a Yorkshire girl who works her way up from lowly domestic servant to the head of her own mega empire. She outsmarts and outdeals some of the biggest tycoons in the world. She finds love and loses love, but never loses her Yorkshire country values. Unfortunately, she's the mother of a bunch of money hungry, backstabbing children who plot against her. Have no fear, she knows how to outsmart them. I won't reveal the ending. You've got to see it for yourself. It was awesome! The only part of this series that I didn't like was Barry Bostwick's portrayal of Emma's Australian boyfriend, Paul McGill. His accent was virtually non-existant. He should've played a Canadian. He was also a bit whimpy for the part. The role needed someone with more presence and strength. His performance was mediocre at best. I highly recommend this series and it's sequel, Hold The Dream. Rent them. You won't regret it.