Go Tell the Spartans (1978)

Just what I expected

Expected more

This story has more twists and turns than a second-rate soap opera.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

In 1954 the French lost the war to keep their Indochina colonies and those colonies became North and South Vietnam . Then the North aided a rebellion in the South and the US sent in Military Advisers to help South Vietnam fight the communist . In 1964 the war in Vietnam was still a little one , confused and far away . There a tough veteran Major , But Lancaster , is ordered to establish a garrison at Muc Wa with a platoon of burned out soldiers and Vietnamese Mercenaries . But some soldiers start to wonder : What we are doing over there.Moving Vietnam war movie set in 1964 , it is a strong , provoking vision of the conflict . A tough view of the early Vietnam war that is provided in all terrible , bloody and violent detail . Blundering and a little boring war film , but politically interesting pre-dating the flood of the eighties , plenty of patriotic , jingoist , apologetic Vietnam pictures . As we watch the violent events , slaughters , crossfires and atrocities in Vietnam . The bloody ending reflects the bitterness and disillusion felt by most Americans . Based on Daniel Ford novel titled ¨Incident at Muc Wa¨ , it describes a pretty honest portrayal of America's early days in Vietnam . Including a realist and thought-provoking dialog and dealing with foreign intervention in Vietnam . Burt Lancaster gives nice interpretation as the hard-boiled Major who faces himself the combat . Remaining cast is pretty well , shining in adequate acting , such as : Craig Wasson , David Clennon , Jonathan Goldsmith , James Hong , and Mark Singer's film debut , among others . Atmospheric cinematography by Harry Stradling Jr , though a perfect remastering being necessary . Inappropriate setting , in fact , the film was not shot in Asia at all but filmed in California , USA with Vietnamese migrants to America portraying the Vietcong . The motion picture was compelling and professionally directed by Ted Post who directed to Clint Eastwood in ¨Magnum force¨ , ¨Hang'em high¨ and Chuck Norris in ¨Good guys wear black¨ . Post made all kinds of genres as SciFi : ¨Beneath of the planet of apes¨, ¨Harrard experiment¨ , as Thriller : ¨Nightkill¨, ¨The baby¨ and Western : ¨Yuma¨ , ¨Stagecoach¨.

As one who served as an MACV adviser (1965) and later in the infantry in Vietnam (1966), I can only echo those that say this is the best Vietnam film ever made. The cast is excellent. Johnathan Goldsmith was right on with his burnt out NCO portrayal. The overall tone of the film was perfect. This film had no political ax to grind and showed the situation we found ourselves in on a daily basis. No other film about Vietnam comes close to the truth as this one does. Burt Lancaster's best performance since "7 Days in May". Ted Post was never given the credit he richly deserves for his direction. Craig Wasson showed what a "rookie" was up against being thrown into an overwhelming spot. Everyone looked the part of a MACV adviser. I can speak to that from the position of: "Been there, done that, got the T shirt"

For some reason, I hadn't seen this film before. I was in the army from 67-70 (did not go to Vietnam) and have read, written, and watched films about that time ever since. Burt Lancaster was...Burt Lancaster. He had some great lines, but I agree with the reviewer who commented on his age being a bit of a distraction. But the story more than compensated. This was when Americans in general had never heard of Vietnam. Burt's amazement that a draftee would be there spoke volumes about how early in our engagement this was. Yet, there were engagements. The US military was actively supporting the south Vietnamese, including fighting battles on the ground and giving air support. The ensemble cast felt like a stereotypical war movie cast, but the lighter dialogue in the first half of the film starts to give way to the seriousness of the situation. And finally, by the end of the film's "second act" it takes on more of an "alamo" feeling.Burt's character's cynicism, plus the viewers' historical knowledge of how things turned out for the US military in Vietnam, makes for some powerful moments. It also leads me to consider this an anti-war film. Because in the end, what did all the soldiers who died in the movie die for? As Burt's Major tells the hung-ho captain, this isn't like world war II. This one is just running us in circles. He knew the score in 1964, but unfortunately it was generals like Dolph Sweet's character who drove the policies that LBJ followed that resulted in so many more needless deaths.

This exceptional, totally deromanticized and unjustly forgotten knockout got undeservedly lost in the shuffle in the late 70's when it had the grave misfortune to come out around the same time as such more widely recognized 'Nam features "The Deer Hunter," "Coming Home," and "Apocalpyse Now." The film depicts the early stage of the war circa 1964, when American troops where initially sent over strictly as "military advisers." Burt Lancaster gives one of his finest, grittiest and most appealingly ragged performances as a rugged, irascible, foul-mouthed major in charge of a ragtag army base who's beginning to have serious misgivings about America's involvement in the war. Equally crackerjack characterizations are contributed by Craig Wasson as a naive, soft-hearted raw recruit with romantic notions about the glory of war who quickly learns that war itself is an intrinsically ugly and unfair thing, Joe Unger as a foolishly gung-ho corporal, Jonathan Goldsmith as a frazzled, alcoholic, battle weary combat vet, Dennis Howard as an oblivious to the world dope-head, an especially chilling Evan Kim as brutish, bloodthirsty South Vietnamese mercenary Cowboy, Marc Singer in his film debut as Lancaster's loyal, yet cynical aide-de-camp, Dolph Sweet as Lancaster's stern, overbearing, overconfident superior, and James Hong as a helpful elderly villager.Ted Post's strong, precise, tough-minded direction, ably packed up by Harry Stradling, Jr.'s crisp, skillful cinematography and Dick Halligan's tense, shuddery, moody score, injects a genuine heart-rending sense of loss and anguish into the grim proceedings, therefor adding the right element of roughhewn authenticity to the movie to make it poignant and convincing. Wendell Mayes' sterling script -- it's profane, dryly perceptive and often sardonically funny, with a laudably obdurate refusal to resort to either cheap macho heroics or mushy patriotic sentiment which goes a long way in explaining exactly why it spent seven years languishing on a shelf before third-tier studio Avco Embassy finally decided to make it into a movie -- spells out the savage, upsetting reality of war in very stark, bleak and no uncertain terms: It's nothing more than a horrendous, chaotic, futile ordeal in which the participants do their utmost to stay alive and intact under circumstances of ever-increasing severity. An absolute powerhouse.