Dear America: Letters Home from Vietnam (1987)

So much average

Admirable film.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Couturié builds his authentic human story on the framework of nightly network news broadcasts, mostly in black and white, from the ratcheting up of America's "commitment" (when LBJ ascended to the presidency) thru the so-called Vietnamization of the war—withdrawing American troops—in the years following the Tet Offensive of 1968. Also, the director posts, on a black and white background showing aircraft in the sky, the statistics at the end of every year: (American) dead, wounded, missing. Final tally: 58,159 dead, 303,635 wounded, 2,000 missing. You watch the stats grow every year, and shake your head.Such remarkable simplicity in a cinematic creation does not happen by chance, and the love in "this labor of" shines through......For my complete review of this movie and for other movie and book reviews, please visit my site TheCoffeeCoaster.com.Brian Wright Copyright 2009

Dear America is an HBO documentary derived from the book of the same name. If you have not had the privilege of reading the book, I heartedly recommend it.When I see and read the newscasts daily of young soldiers being killed in the Middle East, it reminds me of this book and film.The film offers readings by celebrities of letters from soldiers serving in Vietnam to friends and relatives back home. In the film, the letters are certainly poignant, but needless-to-say, are far more shattering in the book.The thing that gives the film its extra punch is that all videos are actual recordings of the time, and it is filled with news broadcasts of the time. The most haunting newscast comes early in the film in which President Johnson is stating his justification for increasing the forces and activity in Vietnam. If you substitute "terrorists" for "Communists" and "Iraq" for "Vietnam," Our President Bush could have given the speech word for word. Obviously, this proves that those in power cannot learn from history and that is the bent of bilious, old politicians to send young soldiers off to be slaughtered in places of no consequence for any justifiable reasons, and these are certainly bipartisan sins.The film ends with a reading by Ellen Burstyn written by the mother of William R. Stocks on February 13, 1984 - fifteen years after his death - that she placed at the Vietnam Memorial. It is wrought with emotion but so eloquently states the mindset of both soldiers and those who wait at home in fear that one cannot help to be affected by the message.If you are too young to remember Vietnam, this film is a great history lesson. If you lived during that era, this film is a sober reminder. Watch it, learn, or remember.

For close to a decade we simply pretended that it never happened. We lost. It was a mistake. But by the Eighties, the United States, strengthened by distance from the event, spent a lot of cultural capital expatiating the Vietnam War: tell-all books; magisterial policy summaries; sordid and violent fiction; meticulous PBS documentaries; TV dramas (remember *China Beach*?); the magnificent work of art that is the Vietnam War Veterans Memorial; and, of course, movies. Aside from that great and powerful Wall, I believe that this humble HBO documentary, *Dear America: Letters Home from Vietnam* is perhaps the most artful and cogent assessment of the War. 86 minutes in length, it boasts entirely historical footage from both NBC News archives and soldiers' own video, the urgent and timeless rock music of the period, and, of course, the soldiers' letters to their loved ones back in The World.The letters, ironically, reveal the only blemish to this wonderful film: the somewhat misguided decision to allow celebrity actors to read them. Funnily, most of these actors were "veterans" of Vietnam War movies: Tom Berenger (*Platoon*); Robert De Niro (*The Deer Hunter*); Michael J. Fox and Sean Penn (*Casualties of War*), Robin Williams (*Good Morning, Vietnam*), Martin Sheen (*Apocaylpse Now*), and so on. One can't shake the feeling that the stars must have felt a kinship -- unearned, obviously -- with the average joes who wrote the letters. When you suddenly hear the instantly recognizable voice of, say, Robert De Niro, you are necessarily taken out of the visceral experience that the movie creates. Although I honor the big shots' intentions (they took no pay for this), their services weren't really required, here.Thankfully, the selections are brief enough so as to minimize any thespian showboating. And this brevity highlights, rather than diminishes, the eloquence, humor, desperation, and meaning of the soldiers' words. They write about the day-to-day routines of camp, the abject terror of hacking their way through elephant grass wherein the unseen enemy lurks, the beauty of an improvised fireworks show (miraculously caught on film, providing a visual accompaniment to the letter), the seedy delights that await the next R&R excursion in Saigon, the despair of losing your best friends in battle, and so much more. Visually, the film may be even more impressive: there's some amazing footage of bombardments, mortar attacks, firefights right in the midst of the action, and the day-to-day horseplay in camp. Perhaps the most stunning footage was shot in Khe Sanh: a group of besieged Marines, anxious to fight, depressed at being shut in, hair slowly growing to mop-top proportions, wax philosophically about their situation even as that situation grows worse day by day. (Ultimately, there were 77 of those days.) Occasionally, their forced calm gets rattled by a devastating mortar attack on their ramparts from the Viet Cong. Just amazing footage. Of real historical value, too. Speaking of amazing and historical, the North Vietnamese footage of American POWs gingerly celebrating Christmas while in custody will haunt you.On the periphery of all this found footage, director Bill Couturie keeps a chronological record of the Big Picture, with the assistance of the archives of NBC News. (He somehow located the video of the first 3,500 troops who landed in country in 1964!) On each December 31, title cards inform us of the growing death and casualty tolls suffered by American troops -- by the end of 1968, these numbers have grown to horrifying proportions. Couturie doesn't delve into the background of the conflict, and rightly so: this is the soldiers' story, not a thesis paper by a policy wonk. What does emerge, however, is the utter helplessness of those in command, from LBJ to General Westmoreland to Richard Nixon. One gets the sense that our leaders were trapped in a policy of their own devising. No way out. No victory forthcoming, no matter how many bombs we dropped. A war feeding itself; a self-perpetuating machine. These small-minded men clearly had no solutions -- none, at least, that would salvage enough of the nation's honor to mitigate the whole misbegotten enterprise.Boy, this all sounds familiar, doesn't it? -- read the news lately? Oh well. Santayana's advice about history is always cited and never followed. In any event, this Veteran's Day (three days from now as of this writing), I'll watch *Dear America* -- now on DVD -- with my father, a Vietnam veteran awarded the Bronze Star, Purple Heart, and even a yellowing certificate of Merit from the long-gone South Vietnamese government. For many years, he, like the rest of country, couldn't talk about the war. Now, he looks back on it with wonder, sadness, and pride. For those GenX children of surviving Vietnam Veterans, consider how lucky you are if your Dad was one of the lucky ones to get back to The World alive, and listen, listen, listen. These men and women have much to teach us, now more than ever. *Dear America: Letters Home from Vietnam* can help get that conversation started. Thank you, Mr. Couturie, for this important film.9 stars out of 10.

What's there to say about a documentary which combines letters from soldiers in the Vietnam War with news clips and music of the day?I saw "Dear America" only once, back in 1987 as a senior in high school, yet I remember it as well as movies I saw last year. Celebrities--including Tom Berenger, Willem Dafoe, Robert DeNiro, and Michael J. Fox--read actual letters from the soldiers fighting the war with such passion, it seemed the letters were read by their writers. But somehow, the focus stayed on the grunts who wrote the letters.The most moving and memorable was the final letter, read by Ellen Burstyn, written by a mother to the son she lost to the war. The actual letter was placed at the Vietnam War Memorial in Washington, DC.It's been nearly 17 years since I first watched "Dear America." I use the video now, a lifetime later, to teach *my* high school students about the Vietnam War.PG13: real war footage, mild language, and brief nudity. Despite the rating, less mature middle and high schoolers might see "Dear America" as just another war movie and not appreciate its importance.