Bright Lights, Big City (1988)

You won't be disappointed!

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

This is a dark and sometimes deeply uncomfortable drama

The movie really just wants to entertain people.

Really love this unrated movie. In a lot off ways i'm a fan off this type of movies.

I was fooled by comments here into watching this one. It is, in a sense, all flashback without an establishing context. We don't learn until the end that much of Fox's problem results from his mother's death. The other reason -- the 'divorce' -- is made much of but no context for that is established. So -- he drinks, snorts, and fails in his job as a fact-checker for a Vanity Fair type of magazine. And -- so what? The motivation seems just to be self-destruction, and that is not particularly interesting. I suppose the Robards character (like the coma baby) is a 'reflector' of the main character. But the Robards character seems actually to have had a life at some point in the distant past. What is he doing now? Is he still holding down a job? Why was Fox's character broke at some points yet affluent at others? Can anyone drink vodka all day, snort, and still function? His treatment of his brother was not only nasty, but unmotivated. What was the point of the ferret episode? The main character's equation of his friend and ex-wife at the end was incomprehensible. This is an incoherent ramble. No story. Tedious and radically un-involving.

It must have struck cinematographer Gordon Willis as highly ironic that he would shoot a film with the title "Bright Lights, Big City". Willis, known for his fabulous work with dark, muted colors and characters in shadows or silhouettes, seems absolutely lost within this night-life milieu, which isn't bright and hardly seems big. Jay McInerney adapted his own 1984 novel about a would-be writer in New York City whose job in the research department of a prominent magazine (Gotham!) is constantly threatened by his drug use, which may stem from a broken marriage and memories of his deceased mother. It's not difficult to pinpoint what went wrong here: although Michael J. Fox may seem well-cast from the outset, it clearly becomes apparent he's in over his head. Fox (whose plastic voice-over narration was probably supposed to sound hard-boiled) is too well-scrubbed and corn-fed to be convincing as a party maniac; acting disoriented by blinking his eyes heavily and tightening his thin mouth, Fox is strictly a morose good-time guy, mourning the separation from fashion model spouse Phoebe Cates. But there's nothing at stake for this kid when he stays up all night (except for his job at the magazine, which hardly matters to us since the sequences set there are wholly unconvincing). Director James Bridges takes an episodic approach to the narrative, but his continuity (or perhaps the editing) is sloppy and gummy, and the people in Fox's small circle aren't terribly interesting. And did the movie go through a budgetary crisis? The weak nightclubbing scenes look barren and cheap (aside from some city vistas and subway rides, the picture could easily take place in Passaic, New Jersey for all we know). When Fox goes out on a blind date with Tracy Pollan, we know instantly these two clean-cut kids will click on their appearance alone: they look like an upscale young couple coming home from a Republican fundraiser. There's nothing dangerous about Michael J. Fox or his approach to this part. He drinks, he snorts, he swears, but he doesn't live the highs and lows of an addict on the edge. Or, is this guy an addict? There's no visual punch in Bridges' staging to suggest he's anything more than a spoiled kid looking for a girl to adore him. *1/2 from ****

Bright Lights Big City A truly Amazing Movie it's now one of my favourite Movies.Bright Lights Big City is about a Jamie Conway (Michael J Fox) a writer who moves to Manhattan and gets caught in the New York scene partly because of his friend Tad (Kieer Sutherland). But mainly because of a reason I can't say as it will spoil the Movie.The best thing about a Michael J Fox Movie is when Michael acts the character perfectly. I know that's what acting is all about but Michael will take your breath away. Kieer Sutherland was just right of the roll as Tad. Vicky (Tracy Pollan) only has a little but the most important roll in whole film you will see .The phone call at the end of the film make you want to cry. (Danne West) who plays the role of Jamie's mother again has a little roll but gives a brilliant performance. The only thing I thought was unnecessary is the bit with the ferret but that just me. This Movie is a good example how you can be so down but you can always bring yourself back up. Sometimes you just have to see you'll be OK. I would give this amazing film 10/10.