Robin and the 7 Hoods (1964)

Memorable, crazy movie

Excellent adaptation.

In truth, there is barely enough story here to make a film.

This movie was so-so. It had it's moments, but wasn't the greatest.

Robbo a.k.a. Robin (Frank Sinatra) is a 1920's era Chicago mob rival of Guy Gisborne (Peter Falk). They operate speakeasy casinos which serve booze via broads along with the little vice machines: slots, roulette, etc. Sinatra's mentor Big Jim (Edward G. Robinson, uncredited; we see his portrait in Robbo's office) has just been snatched from Chicago to go that big speakeasy in the sky thanks to a new sheriff in town. The film begins with a rather "entertaining" outdoor funeral/send off where Big Jim's fellas give him a last goodbye with some singing, throwing hats, and some pistol shots, Just like they used to do when Capone was pulling Chicago's underworld strings.Now that Big Jim is gone, Guy Gisborne wants his operation to join with Robbo's so they can clean up the town, i.e. monopolize the gambling and the booze. Guy even says it would be better to be "the best of friends rather than the worst enemies." Robbo replies "finish your drink", meaning he's declined the offer. A new pool hustler, Little John, has come into town and wants to help Robbo with his operation. Sammy Davis Jr, has a role as one of Robbo's lackeys but, like Martin, contributes little to the actual story.Turns out Guy is a sore loser and ransacks Robbo's speakeasy. Robbo then returns the favor. Okay, it's about a rivalry between two mob bosses. But then it gets cheesy. Interspersed with this mostly harmless but absolutely fantasized scenario of the 1920's gang wars are a lot of songs, mostly forgettable. "All for One and One for All" is sung by Falk and company at the funeral of Big Jim. "Any Man Who Loves His Mother" is sung by Dean Martin. Of course Davis has a song and dance routine where he shoots up booze bottles in "Bang Bang", and when Crosby enters the story, it's not long before he sings as well. A song which should be fast-forwarded is "Don't be a Do-Badder" in which he and the orphan boys don green Robin Hood hats and sing and dance. Then Frankie, I mean Robbo, meets a beautiful blonde, Marian Stevens (Barbara Rush) who wants to see Robbo in private. Turns out she doesn't want a night out with Frankie. She's the daughter of Big Jim, willing to pay good money to hit whoever offed her father. The hit is carried out, but Robbo claims he had no part of it but ends with $50 G's (that's $50,000). He wants to return the money, which ends up in a charitable organization helping disadvantaged orphans run by none other than Bing Crosby as Minister Alan A. Dale. Robbo becomes an instant celebrity and labeled as the "Robin Hood" of Chicago for his charitable contributions. It starts to ring of "Guys and Dolls" meets "Going My Way" and/or "The Bells of St. Mary's" (where Crosby played a catholic priest, Father O'Malley). "My Kind of Town", Sinatra's big solo, was nominated for "Best Song" but there's not a lot here to cheer about. The scenario didn't take itself seriously about midway.The real standout is Peter Falk as Guy Gisborne but his role as the rival mob boss seems to have been cut in favor of endless and seemingly pointless song and dance routines. At one point Sinatra, Martin and Crosby do a song and dance routine, replete with hats and canes, as if they've been rehearsing for the latest Vaudeville show.Not a bad premise wasted on an unbalanced if not occasionally annoying script. The musical idea essentially ruined the seriousness of the story. It still could have been a comedy-drama fantasy but adding the musical numbers clouded and crowded what could have been a decent story,

I have to admit that I'm not always a fan of the "Rat-Pack". Frank Sinatra, as an actor often seems dry and just doesn't appeal to me and Dean Martin likewise.However, Robin and the 7 Hoods is lightened enormously by both the very funny script but mainly by Peter Falk. He is excellent. As wise-guy, wise-cracking new gangster-on-the-block Guy Gisborne, his characterful face eschews wit and confidence and brings back fond memories of this 'Columbo' legend.Yes, it's that old chestnut - Prohibition-era Chicago - done in spectacular style - witness Sammy Davis Jnr singing and tap-dancing on the saloon bar and then sprays machine-gun bullets into everything in time with the big-band music. For song & dance fanciers, it's pretty good, though none of the songs are classics.Not really having seen too much of other Rat-Pack films, I cannot really give more advice; the 60s when they were made is before my time. But, I would suggest that 7 Hoods is more family friendly than their others and of course, if you're a fan of any of the film's chief players, then you'll enjoy it, too.I saw it on BBC2, a highlight on terrestrial TV but not one that I like enough to buy on DVD.

Like we've taken the Robin Hood legend and changed the bows and arrows to machine guns! ... Like with songs yet! ... Like WILD! . In prohibition-era from 1920s Chicago, the racketeer marshal (Victor Buono) along with a mobster named Guy Gisborne , a corrupt(Peter Falk) who controls the south side , knock off the ringleader Big Jim (Edward G Robinson). Everyone falls in line behind Guy except the do-good gangster Robbo (Frank Sinatra) who rules north side in his last go-round . Robbo wishes to keep his own territory with a ¨Robbo project foundation¨ and his particular business . A pool-playing man from Indiana named Little John (Dean Martin)and the director of a boys' orphanage named Alen Dale (Bing Crosby) unite forces with Robbo and Will (Sammy Davis Jr). When he gives some money to the orphanage, he turns the toast of the town as a hood like Robin Hood and people shout ¨Chicago loves Robin¨. As Robbo along with his friends creates the ¨Robin Hood foundation¨ and a ¨Free soup kitchen¨ . Meanwhile, Guy schemes to get rid of Robbo, and Big Jim's heretofore unknown daughter named Marian (Barbara Rush) turns up and goes after from dudes attempting to encounter an ally in her quest to run the whole show. Later on , Robbo is detained and newspapers publicize : Robbo held for sheriff murder¨ .This is an amusing musical comedy with some Hollywood major stars reunited by Frank ¨Robbo¨ Sinatra and incarnating Robin and his merry men in modern times , including usual names as Little John , Will Scarlett , Marian and Guy Gisborne . It's a ¨Rat Pack¨ version of 1920's Chicago with Frank Sinatra and his boys as do-good mobsters in their last outing . Fine musical numbers with beautiful songs by Nelson Riddle as ¨Bang, Bang¨ , ¨Mister Booze¨, ¨Don't be a do-baddler¨ and ¨My kind of town¨ with Dean Martin, Bing Crosby and Frank Sinatra singing and dancing and dressed in smoking , besides another sensational show including Crosby dancing with children . This is a typical Rat Pack vehicle such as ¨ Ocean's eleven(1960) ¨, ¨ Four for Texas (63)¨ and finally ¨Cannoball run II (1984)¨ with the sympathetic trio Frank Sinatra-Sammy Davis Jr-Dean Martin . The motion picture is professionally constructed by Gordon Douglas. This is one of various and mediocre works of his long career as filmmaker. He was a Hollywood veteran director, directing early movies (Little rascals, Spanky), expert on Western (Chuka,Rio Conchos, Yellowstone Kelly, Only the valiant ), and usually worked for Frank Sinatra in various films (Lady in Cement, Tony Rome,The detective, Robin and the 7 Hoods). Rating : Passable and acceptable , 5,5 . This is a nice musical entertainment and to be liked for Frank Sinatra fans.

...no, but that might have made a more interesting picture than this. It's Prohibition-era Chicago, and Frank Sinatra coasts indifferently through his role as a gangster in 1928 trying to stay one step ahead of the law, aided by his faithful cronies. Sappy semi-musical doesn't even look good! It's a poor excuse to get the gang together. Sinatra, Dean Martin and Sammy Davis, Jr. are joined this time by Bing Crosby, Edward G. Robinson (uncredited), Victor Buono and--in the proverbial pretty girl role--Barbara Rush. Yet everyone here seems to be either distracted or suffering from a bad case of the blues, particularly Ol' Blue Eyes, who looks wrung-out. The film's only kick comes in seeing Crosby and Sinatra reunited from "High Society", and by Peter Falk doing lively work in a dim part. *1/2 from ****