Very Happy Alexander (1968)

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

By the time the dramatic fireworks start popping off, each one feels earned.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

I have been searching for this film -- in any format -- for years. I saw it twice in two days in the late sixties at a small museum theater that showed mostly foreign and art films. And although it is, admittedly, a slight film and probably no one's idea of a great cinematic masterpiece, it has more charm than 99 out of 100 Hollywood comedies. It may be that the anarchic feeling of the film dovetailed so well with our own rebelliousness of that era. Maybe it was the dog. I imagine running it on a double bill with Marcel Pagnol's "The Baker's Wife" -- now THAT would be something!I have scoured the websites and catalogs of lots of distributors looking for some evidence that "Alexandre" is out there somewhere, aspiring to a new life on DVD (or even VHS!), but to no avail. Let's hope this charming gem of a comedy is not lost forever -- THAT would be a tragedy!

I saw this movie in 1967 when it was released, and thought it was wonderful. I've managed to find and buy another French movie (with English subtitles from around the same period of time - sold in the U.S.) but after having found "Alexander" and searching the Internet for a U.S. seller, I have had no luck. It appears, from what I can tell, that it's never been dubbed in English or has had a version made with English subtitles. I noticed that Amazon.com in France seems to be selling it on DVD (in French) but this would be extremely time consuming - with money conversion and transcontinental red tape, and it would probably be more costly than buying it in the U.S., etc. If someone has any information to the contrary, I would be very interested.

A parable of the "war between men & women & society." Alexandre (Philippe Noiret) is the hapless "Sad Sack" married in to a country-French farming family, headed by the beautiful daughter, Agathe (Marlene Jobert). Farming is hard business .. . made harder by Agathe's incessant "supervision" by walkie-talkie while Alexandre is farming in the fields. As hapless a driver as Alexandre is a farmer, Agathe constantly zips about in a bright red Citroen 2CV, ending in a fatality that removes both Agathe and her parents from the scene. Alexandre inherits the entire farm and proceeds to go on permanent vacation! The townspeople endeavor to bring Alexandre back into society, no doubt spurred on by his indolent example that's a threat to their society. There's the rub! This is a delightful, beautiful country farce reminiscent of a Mr. Hulot in Jacques Tati's Mononocle .. . how everyman adapts to the modern world, set in comedic proportions. No wonder the French take the glorious month of August off . .. I think I will too. Where's my dog? Enjoy!

A fable, a parable, an examination of the human condition, and a must see for anyone thinking of getting married. Certainly one of the strongest declarations on record of just why we love our dogs. There is always something rumpled about Noiret, a bit of a sad sack who somehow manages to wrest dignity from abuse or meager circumstance. Alexandre isn't his best film, or probably anybody's best film, but who can ignore this simple man who takes to bed, not in anguish over his loss, but in quiet enjoyment of what he has found through loss to the distress of his neighbors? Alexandre is a delicious comment on the benefits of breaking with convention and taking one's own road.It's now many years after I wrote the review above. I didn't remember having written it, but now that I read it, I know I did. My opinion hasn't changed. I'd gladly give $100 to have a good copy, but it seems to be unavailable. If you're reading this, I've got two more to add, if you can find them: Giuseppe Tornatore's "A Pure Formality" starring Gerard Depardieu and Roman Polanski, simply one of the most mesmerizing movies I've ever seen; and "Le Cadeau" ("The Gift"), of which I can find no trace, about a bank clerk or accountant with a shrewish wife who takes off for Venice with a gift some co-workers gave him--a singularly beautiful prostitute. He comes back a changed man with a restored relationship with his wife. A great movie. Why are these so hard to track down?