Romulus and the Sabines (1961)

Very well executed

best movie i've ever seen.

Clever, believable, and super fun to watch. It totally has replay value.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Romulus, the founder of Rome and his men want wives. The Romans decide to take them from the Sabines and they head to Sabinia to find them. The men of Sabinia will fight back to save their wives and daughters from the first Romans.The movie is just okay (being generous), it's not really funny these days - but might have been humorous at the time of it's release.This film has 007 himself, Roger Moore, in his early career. Roger Moore fans might find this film interesting for that reason.Overall I was not happy with the film. It's just not funny to me.2/10

ROMULUS AND THE SABINES starts off on a strong footing as it keeps the action moving with plenty of peplum staples: there are plenty of gorgeous Italian women in low-cut dresses, sweaty guys on horseback, people chasing each other through the woods, and a little fighting here and there. The biggest novelty value of this film is the appearance of a pre-SAINT Roger Moore, playing Romulus, the founder of Rome! I admit I was a little bit sceptical of how Moore would 'fit' into a production like this, and it's hard to separate his suave, James Bond-type persona with the ancient hero and leader of men he plays here. Indeed Moore's character isn't much of a fighter either, preferring to spend his time seducing the ladies – so nothing new there then. However Moore's performance grew on me as the film went on, and it's as good an acting job as you'll find anywhere in a peplum film. And at least he dubs his own voice in this one.Otherwise the film is pretty low par, losing momentum about halfway through the proceedings and never really picking up from there. The simple story of kidnapped women isn't really enough to last the running time, so things are padded out with some laboured comedy involving a short-sighted comic character and an Amazon-type woman who only really appears at the beginning and end of the production. The filmmakers attempt to inject some excitement into the proceedings with a last-reel mass battle, but it ends on a ludicrous note – the attackers suddenly deciding they don't want to attack, after all – and unwisely takes place at night time, somewhat ruining the spectacle of guys getting arrows through their necks and women dying to protect their lovers.Aside from Moore, the film boasts plenty of decent roles for women, who take more of the centre stage here than usual. The likes of the classically beautiful Mylene Demongeot and Giorgia Moll certainly make this film easy on the eye. Folco Lulli gives Moore a run for his money as the wise king of Sabinia and there are cameo appearances from French star Jean Marais as Moore's father, who coincidentally is Mars, God of War! It's a shame the plot wasn't a little more involving, as with the talent involved it could have been something special.

This is really a rare movie. A totally forgotten one. In its times, it was lost among the deluge of others, more fortunate films of the genre so called "swords and sandals". It was a veritable Tower of Babel, mixing English, French, Italian, German and another languages between the cast and the crew. Today, it has survived in versions with dubbing in German, Spanish and French but not in English or Italian. Even it exists a copy in Russian, with the voices that make the translation, overlaying to the dialogue in German. And the formats are a nightmare. There are in the old 4:3 proportion, and in the new 16:9 standard, even in the original 2.35:1. And the editions of the film are also different, so don't dream about putting the sound track that you understand, in place of the one in another language because it's a task for the Mission Impossible Force. Nevertheless I confess that I like this unwanted concoction. Let's begin with the cast. Romulus is Roger Moore. This was the year 1961 and The Saint, The Persuaders! and James Bond were in the future. Sir Roger came from Hollywood, where in the fifties he had participated in a series of films for MGM and WB without much of a success. But in TV, already, he had three series under his belt: Ivanhoe, The Alaskans and the Fourth Season of Maverick replacing the great James Garner. Instead of muscle he created a very likable Romulus. Handsome, proud, ambitious, cunning but also vulnerable and caring. If you are a fan of Sir Roger, he will not disappoint you in this role. The romantic interest is brought about by french actress Mylene Demongeot, a sight for a sore eyes. She is Rea, the daughter of the King of the Sabines. She is breathtakingly beauty but she is consecrated as a Vestal, truly a precarious position for such alluring girl. Today Mylene is recognized as an excellent actress. But Romulus also elicits passions. Scilla Gabel, is the other woman in his life, the Fenician amazon Dusia. Scilla was the Stand-in of Sophia Loren and, in order to earn this job, a woman would have to be voluptuous and very well built. Scilla filled the bill and also had a volcanic temper. But the picture not only deals in lust and passion, there is also tenderness. The young lovers, Lavinia and Lino are very well represented by Giorgia Moll and Marino Mase. Giorgia was known for her part of a Vietamese girl, in the movie The Quiet American (1958). And the Olympic Gods, Venus and Mars, enter in a dream sequence while Romulus is asleep in the temple, debating about the merits of love and war as the driving force in the souls of little mortals. Specially invited for these roles were the Italian temptress, Rossana Schiaffino and the tough and multifaceted French actor, Jean Marais. Furthermore, among the beautiful Women of the Sabines, there is Luisa Mattioli as Silvia. For those who loves trivia, Luisa would become the third wife of Sir Roger and would abandon her incipient cinematic career in favor of the role of mother in real life. And acting as Titus Tasio, king of the Sabines, we found the experienced Italian actor Folco Lulli. The man who prevented the collapse of this Tower of Babel was the Austrian director Richard Pottier. Evidently, an expert in juggling different languages. The result was incredibly good. The story is based in the well known legend of the Kidnap of the Sabines Women, it has action and sense of humor, and it is apt for all audiences. It's not all about war and heroism and brute force. It's about how to be a just leader, a king and a companion and in the end choosing between a glorious future as a powerful monarch or the anonymous destiny beside the woman that one loves.

Below-par peplum which, more than anything else, serves to demonstrate that Roger Moore (playing Romulus, ruler of Rome and the son of a deity!) is as ill-suited to the genre as John Wayne or Alan Ladd had been!! Dealing with the popular legend of the Rape Of The Sabine Women - which also inspired the musical SEVEN BRIDES FOR SEVEN BROTHERS (1954) - the film is strictly a potboiler, with colorful scenery but little real action and obligatory hit-or-miss comedy relief provided by Moore's pint-sized, myopic spokesman. Mylene Demongeot - who seemed to have been a fixture with this type of film - is, as ever, a most lovely heroine (sparring for Moore's attentions with the duplicitous Scilla Gabel, who eventually expires in an incredible manner by way of a deflected arrow); meanwhile, Giorgia Moll and Marino Mase' fill in for the secondary romantic interest - while the thing is given some measure of dignity by the presence of Folco Lulli, playing the jovial Sabine king, and cameos (in the film's most interesting scene) by Jean Marais and Rosanna Schiaffino as Roman Gods, respectively Mars and Venus, who appear before the sleeping Romulus - pretty much in the style of the Tom & Jerry cartoons! - to 'influence' his thoughts (i.e. whether to pursue the path to war or love). While not quite as bad as the similar (and similarly-titled) COLOSSUS AND THE AMAZON QUEEN (1960), the best film to incorporate the Battle Of The Sexes into the peplum genre remains AMAZONS OF ROME (1961; co-directed by Vittorio Cottafavi).