Gypsy (1993)

Thanks for the memories!

In truth, there is barely enough story here to make a film.

To all those who have watched it: I hope you enjoyed it as much as I do.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Show queens will be arguing in 2059 when "Gypsy", the Broadway musical, turns 100. In the meantime, there probably will have been umpteen revivals on Broadway (one for next year is already rumored), and maybe even several more movie versions as has recently been announced as well with the legendary, if now too old Barbra Streisand. I have heard every recording of "Gypsy", from Merman, Lansbury, Tyne, Daly, Bernadette Peters, Patti LuPone, and two movie soundtracks with Rosalind Russell/Lisa Kirk and this version, featuring the phenomenal Bette Midler. When this first aired in 1993, I was working as a v.j. at a gay bar in West Hollywood, and was told to play this in a small portion of the bar, which got instant boo's from the crowd. Needless to say, within five minutes, it was back on in the entire bar.More than 20 years have gone by, and in comparing this to the 50+ year old Rosalind Russell movie, I have to say that this version outshines it. Bette is much more believable as the mother of youngsters, teenagers and eventually a young lady, and her devotion to her children is more believable than some of the older women who have played this part. Singing wonderfully with the dramatic flair that only Bette can, she truly is coming up Roses.Supported by a sweet Peter Riegert as the long-suffering Herbie and Cindy Gibbb as the initially shy Louise who ends up becoming the legendary Gypsy Rose Lee. Familiar stage, film and T.V. stars appear in bit parts, giving this T.V. version a friendly appeal. Even without saying a word, Michael Jeter's expressions say it all. Funny lady Andrea Martin adds flair in a bit as a secretary, while Christine Ebersole is a great headliner of the three strippers. All those bits include five Tony wins, not to mention Bette, soon to attack Dolly Levi. But any version of this classic musical is going to be judged by how the perfect score is performed, and it is without a doubt flawless. Colorful and perfect in period detail, this helped bring the T.V. musical back. Not live like recent entries, it is an amazing feat. Movie musicals have made a slight comeback on the big screen, but it took the step that the producers of this T.V. special did to speed that up. This is one musical that is fine with the gimmick it has. It doesn't need to add to the huge pot of paradise it is.

"Gypsy" is possibly the greatest musical ever written, so it's too bad that it's film version was such a disappointment. To make up for that, we have this re-make which, if not flawless, is an enjoyable and well done adaption of the musical. The script is completely accurate, all the songs included, and the staging remains close to the original Jerome Robbins' staging. Bette Midler is a deft choice for Rose, her singing and personality Merman-esquire, and her acting splendid. Peter Reigert is a fine Herby, if not a great singer, and Cynthia Gibb is a straight forward, natural Louise. In truth, a live taping of the 1989 revival with Tyne Daly might have been a better idea, if only because "Gypsy" is simply more exciting on stage, But this film is a fine translation of a great musical.

Such a highly-anticipated remake of a cherished musical classic and such a bitter pill it was to have to take. Very, very hard to swallow...all of it. It didn't have an ounce of believability anywhere. And when you don't have a Rose, you don't have a show.Bette Midler seemed born to play this part. Yet, all she was able to produce was a cute, funny, glitzy, trademark Bette Midler...weighed down with all the familiar Midlerisms. Roz Russell has nothing to worry about. She can rest in her grave knowing she is still the definitive Mama Rose (of film, anyway).I thought Midler was really going to put it across this time...to throw herself into what is one of the greatest musical roles of all time...like she did in "The Rose." But, no, she played it safe. She played herself. She made Rose a total dinner-theatre cartoon. Even her songs were uninspired. It was maddening to watch, knowing Midler has the talent to rise above her money-making schtick. She showed promise only once in this "Gypsy" and that was with "Rose's Turn." But, by then it was too little, too late.A sincere Cynthia Gibb as the titular heroine gave the film its only true spark and when the role of Gypsy outshines that of Rose, you know there's trouble in River City.A huge, huge letdown.

I loved this production of "Gypsy" so much that when my audiocassette of the Ethel Merman production got ruined I replaced it with a CD of the Midler "Gypsy." Bette Midler has the fire to do justice to this demanding role, and her supporting cast seemed agreeable to let her shine. But the highlight of the film for me was "You Gotta Have a Gimmick." The three strip women as a group are a comic delight.