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Resting Place

Resting Place (1986)

April. 27,1986
|
6.4
|
PG
| Drama

A television movie set in Rockville, Georgia, in 1972. Major Kendall Laird, a Survival Assistance Officer, arrives in this sleepy little town with the body of Lieutenant Dwyte Johnson, a Vietnam war hero. It's Laird's job to help Johnson's parents bury their son. But since the dead hero was black, his parents are turned away by the white racists who maintain the town's "all-white" cemetery.

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Reviews

Scanialara
1986/04/27

You won't be disappointed!

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Lucybespro
1986/04/28

It is a performances centric movie

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Janae Milner
1986/04/29

Easily the biggest piece of Right wing non sense propaganda I ever saw.

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Janis
1986/04/30

One of the most extraordinary films you will see this year. Take that as you want.

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merklekranz
1986/05/01

John Lithgow accompanies a Black Lieutenant soldier's body sent home for final resting in rural Georgia. Despite it being 1972, racial prejudice ensues as the soldier is refused burial in the town's all White cemetery. Although prominently featured on the DVD cover, the soldier's Father, Morgan Freeman, has little to do in the film. Things slow down considerably as Lithgow tries to get the truth about how the Lieutenant died, from many fruitless interviews with his Vietnam Unit. Eventually the truth begins to emerge. M. Emmet Walsh's part as a retired Sargent giving advice to Lithgow, seems like little more than time filler. Not a bad film , it just feels like it was stretched to fill a TV slot. - MERK

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Guy
1986/05/02

RESTING PLACE is a fractured mix of two dramas. It begins as a very conventional American race drama, in which Georgia locals refuse to have a black Vietnam Lieutenant buried in their all-white cemetery. It then morphs into a military-set mystery as the circumstances of the Lieutenant's death are revealed to be suspicious.This double narrative robs either story of the time needed to develop itself and makes the conclusion feel rushed and unsatisfying. Major characters, like the Lieutenant's parents (Morgan Freeman and C.C.H. Pounder), are abandoned for much of the film's running time. The split between the Georgia town and the local Army base ensures that neither comes alive.The film begins with a degree of racial subtlety as the local authorities explain their reasons for opposing the burial. Having avoided the racial violence in the South of the late 1960's they don't want to move too far, too fast in this post-Civil Rights Era, for fear of causing it. For once these are concerned citizens, not hate-filled rednecks. The second narrative has promise too. The Lieutenant's death turns out to be the result of a mistake he made that killed some of his men and lost him the trust of his platoon. Consequently in their next firefight he leads but nobody follows, assuring his death. Unfortunately subtlety is thrown out the window as an unconvincing racial subtext is introduced and the Lieutenant's mistake is revealed to have really been made by his radioman (motivated by racism).Handsome production values and some unusually restrained acting from John Lithgow fail to redeem the inability of the screenplay to combine its two stories.

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Rmcfg
1986/05/03

I just saw this movie recently by way of a DVD that I rented. As the "voice of experience" from having previously served in the US Army in the same duty as John Lithgow's character ... I must say that he did one Hell of a good job! I was totally amazed! I usually associate this actor with roles that are "dumb & goofy" ... but he amazed me by performing in a very serious role. The character traits were perfect. The costumes were on target for that period. It was even filmed on location at an army post in Georgia which is where the fictional story was to have taken place. I especially liked the ending when the combined efforts of the men in the (mostly white) Platoon became the force that turned the tide of southern racism and finally allowed a hero to be buried in a place where he originally had NOT been welcome for no other reason than the color of his skin. I grew up in Georgia and even during that same time period of the early 1970s, there were still small communities where the mindset of certain people was still like the 1950s before Civil Rights had taken effect. But overall, I felt that this film was excellent and really did NOT get the attention that it truly deserved when it was first released. Hallmark should replay this once again.---LTC Ralph Mitchell, US Army (ret)

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whpratt1
1986/05/04

Enjoyed viewing this film about an American Soldier who was being returned to his hometown a small city in Georgia. Major Kendall Laird, (John Lithgow) is escorting the remains of this soldier and he has to face the family, Luther Johnson, (Morgan Freeman) and his wife. This procedure usually takes a few days, however, Major Kendall experiences strange behavior by the men who were in combat with this Lt. Johnson, who has been awarded a medal for saving their lives. There is also another problem which involved the burial place for Lt. Johnson because of a racial problem with the town people who do not want a Black person to be buried in their cemetery. There are many twists and turns and this film reveals a very surprising story about what really happened to Lt. Johnson.

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