Dying Laughing (2017)

Highly Overrated But Still Good

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

This movie feels like it was made purely to piss off people who want good shows

After the shock of Robin Williams death the world was alerted by the complexities of being a comedian. Being a stand-up comedian is both complicated and rewarding. At times it can be self-deprecatory and lonely. This is what I gathered from "Dying Laughing". Making others laugh is a great experience to these comedians but when that stimulus isn't there it can leave a void that can only be refilled by external social gratification. It's an interesting documentary for people who enjoy stand-up, but seeing How I'm not one of those people I found it rather boring and pretentiously narcissistic.

How many talking heads docs about comedians talking about comedy do we need? Apparently one more…. The stories are good as always, but this one is hit with a crate of unnecessary pretension (black and white? Really?). Kevin Pollack's "Misery Loves Comedy" is similar, but is better and more focused; watch that instead.

I don't watch a huge amount of documentaries, but when I do I am rarely disappointed. But what makes this one special is that this features people who didn't just do a bunch of research and got it published in journals and made books. These are working comedians, of various success, and it was all about their collective experiences. Many of which conflicted, such as not every comedian having mental health issues or a terrible life. And with that, I feel if you really were interested in comedy, be it out of curiosity or perhaps as a career, you got the type of information you'd need to make a decision for yourself.

Greetings again from the darkness. We all want to be funny. Making people laugh allows for an immediate connection … plus it just feels good to make someone else happy. Co-directors Lloyd Stanton and Paul Toogood show us the dark side (or at least the backside) of comedy through a series of black and white filmed interviews with dozens of stand-up comedians. In this age of political correctness, Chris Rock explains that there is only one group who says what they want to say: stand-up comedians.It plays not so much as "how to become a comedian", but rather a therapy session for those who already are. It's loosely structured into segments that provide very specific insight and real life stories on: the first time on stage, life on the road, dealing with hecklers, the devastation of bombing, how to connect with an audience, and what it's like to be "on" or really kill it.The list of participants is too long to list here, but includes such stalwarts as the aforementioned Mr. Rock, Jerry Seinfeld, Sarah Silverman, Jerry Lewis, Kevin Hart, Amy Schumer, Billy Connolly, and Dave Attell. Those at the top of their profession open up about what it takes and how they made it. Think "Take a Parent to School Day", without the societal filter or peer pressure. These folks spend most of their waking hours looking outward for material, but here they are generous enough to look inward so that we might better understand their craft.A diverse cross-section of comedians provide examples of racism, sexism and most any other ism. There is also the admission that a need/desire for acceptance exists pretty much across the profession. The struggles and challenges make up the experience which is vital to the growth and survival of a comedian … and maybe even what strands of sanity they possess. We hear stories of writing and re-writing jokes over and over again for years, before finally hitting on the right wording and delivery. We learn Smartphones often contain pages of notes on ideas and partial jokes, and that pain on stage often leads to a better act.Jerry Seinfeld produced a documentary in 2002 entitled Comedian, and it dealt with the rigors of honing the act in front of audiences, and when combined with this project, we are reminded that comedy is at its best when it is about SOMETHING (fertile ground these days) … and that every comedian gets knocked down – but then gets up again (tip of the cap to Chumbawamba). The film is dedicated to the late Garry Shandling (who also appears in the film) and leaves us with the thought that "the laugh is your reward as a comedian". And that's pretty sweet.