Mr. Six (2015)

Very well executed

I'll tell you why so serious

Good movie but grossly overrated

Absolutely Brilliant!

"Even in a fight, there are principles."Watching with a Chinese friend, he explained the important social issue which Mr Six highlights - the rapid development and urbanisation of China over the past few decades means that the old, more traditional China is juxtaposed with the modern, changed China. This is an issue many elderly Chinese face, particularly in Beijing where you can visually see it when finding traditional buildings in amidst ultra-modern skyscrapers.In the movie, Mr Six - a 'gangster' leader in his youth, but also a man of principles - remains well- respected in what's left of old Beijing. He struggles to come to terms with a city he hardly recognises anymore, and must deal with the new, young gangsters who lack any and all principles. It's quite deep and Feng Xiaogang does excellent in the main role. The movie is well-known for it's heavy use of the Beijing dialect, which is very rarely seen in such large proportions in cinema. Main weakness of the movie was the last 20 mins of the film, which was a bit weird. Other than that, very good. Even Kris Wu was OK. Would recommend.

Epic, of a slow burn kind of epic which does not rely on empty coolness. Unnecessary long, but which I did not regret having seen (while I would like to get back the time lost with the super cool, super empty, super onanistic exercise of style of Hateful Eight). It has does not excel in any aspect, it is no unforgettable masterpiece, but it touches all the right chords, with its imperfection, with its mah moments, but steadily, with no hurry, no noxious Hollywood bullying narcissistic superiority.Do not let you fool by the synopsis. This is no "Taken" (thanks God!). It is not "if you will not let my son go I will find you and I will kill you". There is no trace of the typical American megalomaniac testosteronic super-cool hyper-heroism. There is just "an ordinary citizen", who totally ordinary is not. Because he can teach a few values, although he is an ex gangster.And I am not old enough to complain about the society of "today". But I felt it very real, his complaints, the portrait he gives of our empty times...I am having a hard time finding good movies. Stupid comedies, depressive drama, empty boom boom, hyper-sentimental moralistic bonbons, hyper-sadistic horrors, hyper-intellectual blabla... It seems that our society faces a severe lack of contents, and must put loads of extra sugar, extra salt, extra oil and energy, following the motto of Advertisings, "if you have nothing to say, say it loud".Whatever I watch, it is boring. This was not.

A so-so movie about some Chinese old farts who failed to adapt themselves into the ever changing, rapidly deteriorating environment and social structure in China, especially the horrible turn-out of Beijing. This film signed up the famous and controversial director as the leading character, an old fart that got nothing to do everyday, but hold and hanging a bird cage, walking around to deal with some injustice happened daily in that part of the Capital. An old fart who had a dark background and history when he was young, a widower with a rebellious son who didn't respect at all but despise him. The animosity and misunderstanding between father and son finally clashed and tested when the young one involved in a trouble, and his old fart father had tried to solve it with his old but die-hard rigid moral principles originated from his mobster time when he was young.The whole movie was stretched too long just for the purpose of allowing these Beijing old farts to deliver some wise-cracking dialog that made the old Beijing people so self-important and so self-pompous, considering themselves a notch higher than the other people living outside of the Capital city. The wise-cracking dialog had stretched so thin that sometimes really needed your patience to sit tight to watch. The storyline and the scenarios involved lot of unnecessary sub-plots to patch up the whole somehow very hollow and weak story. It totally relied on this actor/director to deliver most of the pointless dialog. At first, the leading character gave you an impression that he indeed could talk the talk and walk the walk, but then, suddenly his obnoxious attitude and his toughness surrendered to his physical conditions, with heart disease. An old fart, tough with his mouth but scared to death to surgery and the small scalpels to be used in his surgery.The storyline later turned out to be more ridiculous when he tried to meet the gangsters from the other side. So pretentious gestures in his preparation before the final encounter: shaving his hairs, putting up an old green military long coat, long boots and then, taking out a Japanese Katana, riding a bike through the Beijing streets, with an escaped ostrich aside all along.....These, are all parts of the prolonged to the extreme unnecessary scenes, so overly contrived to certain unbearable limit. And then, what we got is nothing but mucho thunders, not even thunderbolts, albeit rains.This movie is just too Chinese to be appreciated by any other country's viewers. Even to the Chinese who did not grow up in Beijing would have a quite tough time to sit through the whole nine yards if the dialog in Chinese didn't keep interpreting with ( ) to make them understandable. A very contrite and pretentious, sometimes even quite shallow movie. Not too bad, but definitely not great either. Watchable, but need some patience to sit through.

This movie is really a cultural thing and it's for the people that grew in Beijing. Gladly, I am. Even a lot of Chinese people can't understand it since it contains a lot of Beijing dialect. As a guy born in Beijing and lived there for 15 years. I can't understand all the dialect in the movie. So it is impossible for foreigners to have a perfect experience on this movie since the dialect is the part that makes it a good movie (unless you're really good at Chinese and actually lived in Beijing for many years).Although I admit there is some bad acting choice or bad filming, but it is a realistic represent of those Beijing "Lao Pao er". It appeals a lot to Chinese. Right now, we're losing a lot of these dialect and culture, this movie is about help us to recollect those tradition.My advise is: Don't watch it. If you are interested in it and going to watch it, take it easy, don't have any thoughts like "this movie is gonna be amazing" before you watch it. The target consumers is Chinese (and mainly some of the Chinese). Asking foreigners to truly understand this movie is like asking a man to use a sanitary napkin.