The One That Got Away (1957)

I'll tell you why so serious

Awesome Movie

A brilliant film that helped define a genre

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The One that Got Away (1957)Not quite documentary in form, this is still a true life story told in a dry and sometimes rather funny British way about the one known P.O.W. who escaped from the British and returned to Germany in WWII. They tell you this in the opening titles, so in a way you know the whole plot.And this changes the way you look at it all, wondering, okay, now how is he going to escape. And then he does. Yes. But it's how it happens, and the incredible chutzpah and cleverness that let it follow through. It's the kind of part Brad Pitt would play, with a terrible German accent of course, but this one is 1957 and Hardy Kruger, who is German (he's still alive in his 80s), is played with dash and compassion. I liked him despite the ingrained sentiment we have (here in the U.S. at least) that Nazis in the movies are terrible people.This is Kruger's first significant film role, and he actually served in the German army as a teenager in the war. His character is so likable and cunning, you gradually come to admire and almost root for him, even though the British and later the Canadians are all doing a pretty decent job overall, however lax it might seem to us. This is set in 1940, and the U.S. isn't yet in the war and so represents neutral territory even for a Nazi (always a weird thing to swallow in retrospect) and this plays a role in the latter half the movie. The drawback of the film is its inevitability. And its linear quality, following the increasingly outrageous and difficult escape. But it's smartly done, with understatement, and if you like the bravery and adventure of a man on his own against the odds, this might just resonate. And of course WWII buffs will get it at least from the periphery. It's got some good glimpses of planes and flying, and a decent sense of life on the ground in this period.

A thoroughly entertaining (and true!) feature about a World War II German prisoner-of-war with a knack for escaping his British captors, The One That Got Away stars Hardy Kruger as Franz von Werra, a Luftwaffe officer shot down during the Battle of Britain. Unwilling to spend the next few years peeling potatoes or cracking rocks, von Werra immediately began plotting his return to Germany, and after a few misfires miraculously pulled off the feat after taking a detour to a remote POW camp in Canada. The film defies convention by actually allowing the Bad Guy to outfox the Good Guys and contrasts neatly with more traditional tales of Stalag-bound heroism such as The Colditz Story (1955) and even The Great Escape (1963). It also offered Kruger the opportunity to deliver the performance of a lifetime, highlighted by the final St. Lawrence Seaway sequence in which he brings a lumbering, Frankenstein's Monster demeanour to his character. Additionally, the film benefits immensely from tremendous location footage shot during the dead of winter, as well as the very wise decision to almost entirely fore go incidental music, which lends the film additional realism and allows the viewer to concentrate on the action at hand without being manipulated by the score. Quite simply, this is an excellent film that will stick with you.

'The One That Got Away' is the story of the only German to escape allied captivity. That much is evident from the title, but the main interest for me is the accurate portrayal of the British interrogation centres for enemy offices in, and around, London. Even in the 1950's when this film was made, much of this side of wartime intelligence work was concealed.I like the film- but I admit I always enjoy POW films- but I question the way we are manipulated to think of Von Werra as 'a good German'. It was necessary as we were rehabilitating West Germnay into a democratic Europe and NATO at the time the film was released, however, the the scriptwriter has erased most references to Nazi Germany, which obviously helped form the central character's personality and belief system. To say that Von Werra believed in nothing but himself is a cop-out.And of course, as a historian, I suspect the whole premise of 'The One...' surely others escaped, especially from temporary 'cages' in battle zones?

I was lucky to find a DVD of this film. In my memory the film was excellent and seeing it again after 30 years or so I was not disappointed. As an escape film it works beautifully. Someone tries - and in the end succeeds, as the title suggests - to escape from prison camp. What makes this film special is that it is a German who is portrayed as the hero. As a child it was the first time that I ever saw a war movie with a Good German in it (or at the very least not a bad and/or stupid one). Hardy Krüger was of course brilliant and he later did a similar job in Flight of the Phoenix where he played an arrogant but in the end sympathetic German. And the film does not even make the soldier a secret enemy of the Nazi regime. He is portrayed as a loyal German soldier who sees it as his duty to escape and to continue fighting the allies. For me to see that English film makers where able to make a film like this made me very optimistic. They avoid using clichés. And funny enough, they confirm the cliché about the English, namely that they are fair and good sportsmen, because that's what we have here. A game where the object is to escape from prison. A German wins and this is what we see. Thank you.