The Big Town (1987)

To me, this movie is perfection.

The Worst Film Ever

Simple and well acted, it has tension enough to knot the stomach.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I was attracted to this movie when I looked at cast list, but after I watched it I must admit that I felt a bit disappointed. The main problem of this movie is that actors aren't capable of holding this movie on their back. Why? Because of bad script. Although Dillon, Lane and Jones try very hard to take this movie on another level, there is no innovative storytelling and the direction is too ordinary. So for Matt Dillon fans this is watchable movie, just like for admirers of beautiful Diane Lane. Legendary Tommy Lee Jones is always great but this is not movie for him; far below his level. So if you get hooked up by this great cast watch it but don't expect anything big or extraordinary. The only thing that you'll remember about this flick is Diane Lane scenes; rest of it is very forgettable.

I could easily have imagined that this film was a hastily slapped together attempt to capitalize on the success of the "Cincinnati Kid". Grab a bunch of talent the likes of Dianne Lane, Tommy Lee Jones, Matt Dillon, and Bruce Dern, and Tom Skerritt, take away the card table and substitute a crap table and go collect your receipts. The only problems with this scenario are that the films are 22 years apart and that this a poorly slapped together effort. Oh yeah, and they're both remakes of a true classic. I suppose you could say the concept was used one other time between "Kid" and "Big Town" with "The Color of Money", but I categorize that as a sequel.It's the story of a young gambler (Newman – McQueen – Dillon) whose prodigious talent motivates his departure from small town small time to take on the best members of their calling. He risks losing his loyal true love (Laurie – Weld – Amis) in the pursuit of his dream, falls into the clutches of an evil influence (Scott – Ann-Margret – Lane), and learns a lesson from the older, wiser (Gleason – Robinson – Skerritt) whatever.Out front I must confess that Dianne Lane is one of my all time favorite actresses although I don't always like all her roles. In this film, however, she is the perfect amoral opportunistic little whore. In "Cincinnati" Edward G. Robinson's Lancey Howard comes very close to equaling Jackie Gleason's performance as Minnesota Fats, but Gleason's is simply perfect.I'm sure I'll see this film again just to see a 22 year-old Lane naked, and I'm a big Steve McQueen fan, but I'll take "The Hustler" every time.

How do you rate a movie like this, which will never be great, but realizes tolerably, pretty well, a genre shuffle? The genre we might call neo-noir, but perhaps neo-B is better. There is the various filler--jazz, night alley with gleaming wet pavement, lots of bars, a fight club, street jammed with clubs, a elevated train that sparks when the guy and the girl kiss. And neo-filler--more than one woman doing a striptease with feathers and pasties and a bit of French stuff in bed. 1987 pretending to be the 1950s--mom with a little hat coming from church, shiny suits, homely red car. Someplace pretending to be "Chicago," da Big Town. A dice game a smart guy can pretty much always win, even when it's played in many scenes.And Matt Dillon who's really into it, skinny guy always focused, doing a fine job. A "kid" who can be older, Tintin in a strip club. But it ain't "Drugstore Cowboy."

Tommy JOnes and Matt Dillon do the gambling world proud. The various moves with the wrists had to be learned as throwing craps is a skill in and of itself.There are a few surprises. AS cynical as we are today, I fully expected the 'good girl' to be crying over his grave, instead of his Buddy's. Especially with her remarks about 'going to the funeral of her best friend', when she first meets Matt. And then of course you expect Matt to kill the guy who threw battery acid in Mr. Allen's face, blinding him (interesting role by Bruce Dern). WRRROOONNNNGGG!!! some of the other Hollywood endings DO happen, but the writing is so excellent, the acting so carefully wrought that you're blissfully unaware.And the music is OUT OF THIS WORLD. Taking us back to the 50s when our 'native passions' were first being unleashed by the music of Ray Charles and Bo Diddley. Even a little racism raring its ugly head in Chicago, but at a club called, wonderfully, 'Biloxi' with a Confederate flag backing up the racist remarks. I'll be watching it again, just to hear the music. Good thing I have the FACTOTUM sound track, so I can listen to that in the car. Watch both together, and you'll see how Matt has matured....playing bar room characters in both. NOw that he owns a bar in the Paramount HOtel in NYC, he probably has great opportunity to do his studies. Great actor, just coming into his own. He shows finely nuanced performances ...the good and the bad in his characters. His 'young boy off the farm' is a great study, made especially poignant because of his bassett-hound eyes. He makes love, convincingly as well. Since he was in several movies with Diane Lane as a teen-ager, I wonder how that it ...making love to an actress you kinda grew up with. Adds conviction, I'll say that.