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The Black Balloon

The Black Balloon (2008)

December. 05,2008
|
7.2
|
PG-13
| Drama

Thomas is turning 16. His dad's in the army and they've just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who's autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother's keeper, or is Charlie's disability going to prove more than Thomas can handle?

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Listonixio
2008/12/05

Fresh and Exciting

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Numerootno
2008/12/06

A story that's too fascinating to pass by...

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Philippa
2008/12/07

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Bob
2008/12/08

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Rich Wright
2008/12/09

I've seen some dysfunctional families in my time, but Thomas REALLY has it rough. His mother is about to give birth and doesn't get off his case, his dad seems to take orders from a teddy called Rex, as well as being completely useless... and there's his brother Charlie. Who happens to be severely autistic. We're talking about constantly rocking back and forth, unable to communicate apart from with sign language, having random fits in public and rushing into total stranger's houses to use their bathroom facilities. To call him a 'handful' would be a gross understatement.Thomas wants out. He's fed up of doing everything around the house, his sibling embarrassing him in public and being bullied at school due to his 'situation'. Then, thanks in part to his brother's antics, he meets a lovely girl called Jackie, and things start looking up. Not only is she a beautiful, warm, compassionate human being, she can seemingly look past Charlie's bizarre behaviour and appreciate who he is. Even if he does steal tampons from her bag and suck on them...The key to the success of The Black Balloon is it really puts us in Thomas's shoes, and we suffer alongside him as he tries to make the best of a very stressful lifestyle. It's bad enough having to watch his brother 24/7, but when he starts acting up around people who don't understand his condition and they just look on with contempt, what can he do? He hates his brother due to the unwanted attention he attracts everywhere, and you can understand why he lashes out at Charlie several times. Only judge if you've worked a mile in their shoes, etc.The performances are out of this world, is Luke Ford (as Charlie) not disabled in real life? Every little detail, from the facial expressions, to the little tics he displays rings true. Note to Dustin Hoffman: THIS is someone with a serious handicap, not your card-counting, won't-go-on-plane has-difficulty-dancing social misfit from Rain Man. We dislike Charlie for the way he disrupts everyone's lives... but he can't help it, and he still shows enough during his quieter moments to demonstrate he can be very good-natured. Rhys Wakefield also effectively garners sympathy as the woe-be-gone Thomas, and Toni Collette as usual adds a touch of class as the mum of this chaotic brood.Filled with heartbreaking and inspirational moments, it's a treasure of a film... especially for those who have to live this way. If it teaches us anything, it's that should never give up on those you love. The more you put in, the more you'll get back in the long run... 8/10

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Howard Schumann
2008/12/10

If love means accepting someone the way that they are and the way that they are not, the biggest test of that love may come if you must spend your life with an individual that is so disabled that they require constant attention to ensure their safety and that of others. Such is the case for the parents and siblings of Charlie Mollison (Luke Ford) in first-time director Elissa Down's The Black Balloon, the story of a family that has to muster all of its strength to cope with their disabled son Charlie. Charlie is now a teenager but his mental age is around two. Unable to speak or communicate with other than grunts and sign language, he is not only autistic but suffers from attention deficit disorder with hyperactive tendencies.Because his father Simon (Erik Thomson) is a soldier who must move often, Charlie and his family have recently moved to Sydney, Australia. This means a new period of adjustment for all, but mostly for fifteen-year-old Thomas (Rhys Wakefield), a shy teenager who has the additional task of looking after his brother while his mother Maggie (Toni Collette) is pregnant. Life for the Mollisons is not easy or pleasant and the director does not try to sugar-coat it. Students at the high school make disparaging remarks when Charlie's bus drops Thomas off at school, neighbors are upset enough to call the authorities when Charlie sits outside in the yard and pounds a wooden spoon while moaning, and Thomas has to run through the streets chasing Charlie when he bursts out the door in his underwear and barges into a stranger's house.Not much is shown of Thomas' life at school except for his swimming class, an activity that Thomas can barely manage. Things begin to brighten, however, when he meets Jackie (Gemma Ward) in swim class. Jackie takes an interest in him and is open and understanding about the hardships of his family situation, even though he feels like he must hide Charlie in his room when Jackie comes to the house. Jackie, however, is sympathetic when Thomas reacts with outbursts of uncontrolled anger after Charlie spoils his birthday party.Beautifully photographed by Denson Baker, The Black Balloon is no Rain Man or Gilbert Grape. There are no savants here. Having been raised with two autistic brothers, Downs' film is authentic and moving, a powerful, unsentimental cry from the heart filled with impeccable performances that allow us to feel every minute of the family's ordeal. Though the film may leave us shaken, it also can leave us wiser if we realize that regardless of the circumstances, our lives can be enriched if we learn to give of ourselves not out of condescension and duty but out of love.Grateful for Jackie's patience, Thomas begins to include Charlie in his life and attempts to forge a loving bond, providing the film's most touching moment when he participates with Charlie in a musical performed by Charlie's class. As he embarks on a journey of self discovery, Thomas knows that there will be times when he rejoices in seeing his brother happy and other times when he aches for his freedom. At times like these, he can only trust in the fact that "the universe is born of love and in love it remains", understanding that, in the words of Vivekananda, "All beings great or small, are equally manifestations of the divine, the difference is only in the degree of manifestation."

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the-gossip-king
2008/12/11

My heading summarizes my thoughts of the film in its entirety. The film is decent on all levels though it never breaks down the barriers of brilliance. The film is directed by Elissa Down and was co-written between her and Jimmy Jack. Elissa Down grew up with an autistic brother which is the main theme of the film. It is directed in a simplistic, true and heartfelt manner which suits the story perfectly. This isn't a film that tries to take on the universal disease that is autism but is a quiet and beautiful film which gives hope to those who watch it as we see a content family that deals with having two sons of similar age. One, our protagonist, is Thomas while the other is his autistic brother Charlie. Thomas is going through adolescence and is having his own troubles like a new girl at school called Jackie. Some scenes hold such emotional power that I found myself in tears. It is worth seeing.

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Ruby Liang (ruby_fff)
2008/12/12

Australian filmmaker Elissa Down's THE BLACK BALLOON is a thoughtful film, down to earth with no apology in depicting a close-knit family of four (Toni Collette as Mom who is pregnant with a fifth member coming, Erik Thomson as Dad whose army life demanded constant moving, and two teenage sons: Luke Ford as Charlie the autistic one who is older in age but not in behavior, and Rhys Wakefield as baby-face Thomas in his uneasy growing teen period) - taking on living with autistic challenges everyday (sometimes by the moment).It is a coming of age story revolving around 17-year old Thomas, how he deals with the people around him: his brother Charlie, Mom and Dad, schoolmates, new friends and neighbors. There is more than meets the eye. Thomas seems to be battling inner conflicts, dilemmas he's reluctant to confront: "Will Charlie ever be normal?" he asked. "Charlie is not my problem," he shouted. Mom and Dad are both very patient and tolerant. The family's togetherness is very much held by a determined mother (again, brilliantly portrayed by Toni Collette) that would not 'give up' on her eldest, and Charlie is treated just like any child having his (normal) tantrums and (unpredictable) antics. As the film progresses, we feel for Thomas' frustration with Charlie, and welcome the relief of his delights with popular girl at school, Jackie (Gemma Ward gave an endearing portrayal) who has no problem hanging out with both Thomas and Charlie. She (from a single-Dad family) accepted Charlie with equal normalcy and seemed to fit into Thomas' family rather well.Like any family life, there are turn of events: Mom has to be 'confined to bed' at the hospital prior to birth of baby, so Dad and Thomas are left with the charge to handling Charlie's day to day needs - a learning curve that Thomas didn't expect. Through the ups and downs (Thomas' driving lesson with Dad in his car, Thomas' birthday family celebration 'blow out' with Jackie present), anguish and laughter (yes, that happens, if only we can laugh it off and let go more often), a new family member did arrive, and at Charlie's school performance, Thomas had his coming of age challenges and came through understanding his brother Charlie more. Director Down spares us no 'mushy' sentiments or Hollywood 'feel good' pressures - she delivered a bold and assured script (co-written with Jimmy Jack, telling like it is from her personal experience with two autistic brothers) and gave us a film we can appreciate the possible family warmth that can be steadfastly generated in challenging circumstances. "The Black Balloon" has hardly the hint of a debut feature from a talented filmmaker to watch, Elissa Down. The casting of Luke Ford and Rhys Wakefield paired as the two brothers is a godsend, indeed. Convincing performances all round.Enjoy also the interesting opening credits: at the corner of your eyes, you could notice there are 'extraneous' words or obvious name labels of things within each frame, e.g., grass, sky, wall, jeans, fence - as the credits roll on. Ah, it's for the sake of Charlie, the autistic brother and the rest of the family, too.

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